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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country from June 2023 onwards; and since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 The frontispiece of the 1920 edition of Tod's Annals and Antiquities of Rajast'han Lieutenant-Colonel James Tod (20 March 1782 – 18 November 1835) was an officer of the British East India Company and an Oriental scholar. He combined his official role and his amateur interests to create a series of works about the history and geography of India, and in particular the area then known as Rajputana that corresponds to the present day state of Rajasthan, and which Tod referred to as Rajast'han. Tod was born in London and educated in Scotland. He joined the East India Company as a military officer and travelled to India in 1799 as a cadet in the Bengal Army. He rose quickly in rank, eventually becoming captain of an escort for an envoy in a Sindian royal court. After the Third Anglo-Maratha War, during which Tod was involved in the intelligence department, he was appointed Political Agent for some areas of Rajputana. His task was to help unify the region under the control of the East India Company. During this period Tod conducted most of the research that he would later publish. Tod was initially successful in his official role, but his methods were questioned by other members of the East India Company. Over time, his work was restricted and his areas of oversight were significantly curtailed. In 1823, owing to declining health and reputation, Tod resigned his post as Political Agent and returned to England. (Full article...)

    The frontispiece of the 1920 edition of Tod's Annals and Antiquities of Rajast'han

    Lieutenant-Colonel James Tod (20 March 1782 – 18 November 1835) was an officer of the British East India Company and an Oriental scholar. He combined his official role and his amateur interests to create a series of works about the history and geography of India, and in particular the area then known as Rajputana that corresponds to the present day state of Rajasthan, and which Tod referred to as Rajast'han.

    Tod was born in London and educated in Scotland. He joined the East India Company as a military officer and travelled to India in 1799 as a cadet in the Bengal Army. He rose quickly in rank, eventually becoming captain of an escort for an envoy in a Sindian royal court. After the Third Anglo-Maratha War, during which Tod was involved in the intelligence department, he was appointed Political Agent for some areas of Rajputana. His task was to help unify the region under the control of the East India Company. During this period Tod conducted most of the research that he would later publish. Tod was initially successful in his official role, but his methods were questioned by other members of the East India Company. Over time, his work was restricted and his areas of oversight were significantly curtailed. In 1823, owing to declining health and reputation, Tod resigned his post as Political Agent and returned to England. (Full article...)
  • Image 2 Chopra Jonas in 2024 Priyanka Chopra Jonas (pronounced [pɾɪˈjəŋka ˈtʃoːpɽa]; née Chopra; born 18 July 1982) is an Indian actress and producer. The winner of the Miss World 2000 pageant, Chopra is one of India's highest-paid actresses and has received numerous accolades, including two National Film Awards and five Filmfare Awards. In 2016, the Government of India honoured her with the Padma Shri, and Time named her one of the 100 most influential people in the world. In the next two years, Forbes listed her among the World's 100 Most Powerful Women, and in 2022, she was named in the BBC 100 Women list. Chopra accepted offers to join the Indian film industry following her pageant wins. Her acting debut came in the Tamil film Thamizhan (2002), followed by her first Bollywood feature in The Hero: Love Story of a Spy (2003). She played the leading lady in the box-office hits Andaaz (2003) and Mujhse Shaadi Karogi (2004) and had her breakout role in the 2004 romantic thriller Aitraaz. Chopra established herself with starring roles in the top-grossing productions Krrish and Don (both 2006), and later reprised her role in their sequels. For playing a troubled model in the drama Fashion (2008), Chopra won a National Film Award and a Filmfare Award for Best Actress. Chopra gained further praise for portraying a range of characters in the films Kaminey (2009), 7 Khoon Maaf (2011), Barfi! (2012), Mary Kom (2014), Dil Dhadakne Do (2015), and Bajirao Mastani (2015). (Full article...)

    Chopra Jonas in 2024

    Priyanka Chopra Jonas (pronounced [pɾɪˈjəŋka ˈtʃoːpɽa]; née Chopra; born 18 July 1982) is an Indian actress and producer. The winner of the Miss World 2000 pageant, Chopra is one of India's highest-paid actresses and has received numerous accolades, including two National Film Awards and five Filmfare Awards. In 2016, the Government of India honoured her with the Padma Shri, and Time named her one of the 100 most influential people in the world. In the next two years, Forbes listed her among the World's 100 Most Powerful Women, and in 2022, she was named in the BBC 100 Women list.

    Chopra accepted offers to join the Indian film industry following her pageant wins. Her acting debut came in the Tamil film Thamizhan (2002), followed by her first Bollywood feature in The Hero: Love Story of a Spy (2003). She played the leading lady in the box-office hits Andaaz (2003) and Mujhse Shaadi Karogi (2004) and had her breakout role in the 2004 romantic thriller Aitraaz. Chopra established herself with starring roles in the top-grossing productions Krrish and Don (both 2006), and later reprised her role in their sequels. For playing a troubled model in the drama Fashion (2008), Chopra won a National Film Award and a Filmfare Award for Best Actress. Chopra gained further praise for portraying a range of characters in the films Kaminey (2009), 7 Khoon Maaf (2011), Barfi! (2012), Mary Kom (2014), Dil Dhadakne Do (2015), and Bajirao Mastani (2015). (Full article...)
  • Image 3 Territory of the Western Chalukyas (c. 1100 CE) in India (modern boundaries shown) and the empire's capital, Kalyani, in the modern Bidar district, Karnataka state, India A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire (973–1200 CE) in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani (now Basavakalyan), and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power. Kannada literature from this period is usually categorised into the linguistic phase called Old-Kannada. It constituted the bulk of the Chalukya court's textual production and pertained mostly to writings relating to the socio-religious development of the Jain faith. The earliest well-known writers belonging to the Shaiva faith are also from this period. Under the patronage of Kalachuri King Bijjala II, whose prime minister was the well-known Kannada poet and social reformer Basavanna, a native form of poetic literature called Vachana literature (lit "utterance", "saying" or "sentence") proliferated. The beginnings of the Vachana poetic tradition in the Kannada-speaking region trace back to the early 11th century. Kannada literature written in the champu metre, composed of prose and verse, was popularised by the Chalukyan court poets. However, with the advent of the Veerashaiva (lit, "brave devotees of the god Shiva") religious movement in the mid-12th century, poets favoured the native tripadi (three-line verse composed of eleven ganas or prosodic units), hadugabba (song-poem) and free verse metres for their poems. (Full article...)
    Territory of the Western Chalukyas (c. 1100 CE) in India (modern boundaries shown) and the empire's capital, Kalyani, in the modern Bidar district, Karnataka state, India

    A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire (973–1200 CE) in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani (now Basavakalyan), and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power.

    Kannada literature from this period is usually categorised into the linguistic phase called Old-Kannada. It constituted the bulk of the Chalukya court's textual production and pertained mostly to writings relating to the socio-religious development of the Jain faith. The earliest well-known writers belonging to the Shaiva faith are also from this period. Under the patronage of Kalachuri King Bijjala II, whose prime minister was the well-known Kannada poet and social reformer Basavanna, a native form of poetic literature called Vachana literature (lit "utterance", "saying" or "sentence") proliferated. The beginnings of the Vachana poetic tradition in the Kannada-speaking region trace back to the early 11th century. Kannada literature written in the champu metre, composed of prose and verse, was popularised by the Chalukyan court poets. However, with the advent of the Veerashaiva (lit, "brave devotees of the god Shiva") religious movement in the mid-12th century, poets favoured the native tripadi (three-line verse composed of eleven ganas or prosodic units), hadugabba (song-poem) and free verse metres for their poems. (Full article...)
  • Image 4 Loev (pronounced love) is a 2015 Indian romantic drama film written and directed by Sudhanshu Saria. It stars Dhruv Ganesh and Shiv Panditt as two friends who set off to the Western Ghats for a weekend trip and focuses on their complex emotional and sexual relationship. It was Ganesh's final film, as he died from tuberculosis before its release. Loev also features Siddharth Menon and Rishabh Chaddha in supporting roles. The film's title is a deliberate misspelling of the word "love". Saria wrote Loev's script while he was working on the draft of the unreleased film I Am Here and drew heavily from his personal experiences. It was eventually picked up for production by Arfi Lamba and Katherine Suckale despite Saria's own doubts on its viability. Principal photography took place at Mahabaleshwar, in the Western Ghats in peninsular India, and at Mumbai. The film was shot in the summer of 2014 over the course of sixteen days by the cinematographer Sherri Kauk in 2K resolution. It relied on crowdfunding and cost-cutting measures; its budget was relatively low at US$1 million. (Full article...)
    Loev (pronounced love) is a 2015 Indian romantic drama film written and directed by Sudhanshu Saria. It stars Dhruv Ganesh and Shiv Panditt as two friends who set off to the Western Ghats for a weekend trip and focuses on their complex emotional and sexual relationship. It was Ganesh's final film, as he died from tuberculosis before its release. Loev also features Siddharth Menon and Rishabh Chaddha in supporting roles. The film's title is a deliberate misspelling of the word "love".

    Saria wrote Loev's script while he was working on the draft of the unreleased film I Am Here and drew heavily from his personal experiences. It was eventually picked up for production by Arfi Lamba and Katherine Suckale despite Saria's own doubts on its viability. Principal photography took place at Mahabaleshwar, in the Western Ghats in peninsular India, and at Mumbai. The film was shot in the summer of 2014 over the course of sixteen days by the cinematographer Sherri Kauk in 2K resolution. It relied on crowdfunding and cost-cutting measures; its budget was relatively low at US$1 million. (Full article...)
  • Image 5 Portrait by Rudolf Swoboda, 1888 Mohammed Abdul Karim (1863 — 20 April 1909), also known as "the Munshi", was an Indian attendant of Queen Victoria. He served her during the final fourteen years of her reign, gaining her maternal affection over that time. Karim was born the son of a hospital assistant at Lalitpur, near Jhansi in British India. In 1887, the year of Victoria's Golden Jubilee, Karim was one of two Indians selected to become servants to the Queen. Victoria came to like him a great deal and gave him the title of "Munshi" ("clerk" or "teacher"). Victoria appointed him to be her Indian Secretary, showered him with honours, and obtained a land grant for him in India. (Full article...)

    Portrait by Rudolf Swoboda, 1888

    Mohammed Abdul Karim (1863 — 20 April 1909), also known as "the Munshi", was an Indian attendant of Queen Victoria. He served her during the final fourteen years of her reign, gaining her maternal affection over that time.

    Karim was born the son of a hospital assistant at Lalitpur, near Jhansi in British India. In 1887, the year of Victoria's Golden Jubilee, Karim was one of two Indians selected to become servants to the Queen. Victoria came to like him a great deal and gave him the title of "Munshi" ("clerk" or "teacher"). Victoria appointed him to be her Indian Secretary, showered him with honours, and obtained a land grant for him in India. (Full article...)
  • Image 6 Sorabji in 1917 Kaikhosru Shapurji Sorabji (born Leon Dudley Sorabji; 14 August 1892 – 15 October 1988) was an English composer, music critic, pianist and writer whose music, written over a period of seventy years, ranges from sets of miniatures to works lasting several hours. One of the most prolific 20th-century composers, he is best known for his piano pieces, notably nocturnes such as Gulistān and Villa Tasca, and large-scale, technically intricate compositions, which include seven symphonies for piano solo, four toccatas, Sequentia cyclica and 100 Transcendental Studies. He felt alienated from English society by reason of his homosexuality and mixed ancestry, and had a lifelong tendency to seclusion. Sorabji was educated privately. His mother was English and his father a Parsi businessman and industrialist from India, who set up a trust fund that freed his family from the need to work. Although Sorabji was a reluctant performer and not a virtuoso, he played some of his music publicly between 1920 and 1936. In the late 1930s, his attitude shifted and he imposed restrictions on performance of his works, which he lifted in 1976. His compositions received little exposure in those years and he remained in public view mainly through his writings, which include the books Around Music and Mi contra fa: The Immoralisings of a Machiavellian Musician. During this time, he also left London and eventually settled in the village of Corfe Castle, Dorset. Information on Sorabji's life, especially his later years, is scarce, with most of it coming from the letters he exchanged with his friends. (Full article...)

    Sorabji in 1917

    Kaikhosru Shapurji Sorabji (born Leon Dudley Sorabji; 14 August 1892 – 15 October 1988) was an English composer, music critic, pianist and writer whose music, written over a period of seventy years, ranges from sets of miniatures to works lasting several hours. One of the most prolific 20th-century composers, he is best known for his piano pieces, notably nocturnes such as Gulistān and Villa Tasca, and large-scale, technically intricate compositions, which include seven symphonies for piano solo, four toccatas, Sequentia cyclica and 100 Transcendental Studies. He felt alienated from English society by reason of his homosexuality and mixed ancestry, and had a lifelong tendency to seclusion.

    Sorabji was educated privately. His mother was English and his father a Parsi businessman and industrialist from India, who set up a trust fund that freed his family from the need to work. Although Sorabji was a reluctant performer and not a virtuoso, he played some of his music publicly between 1920 and 1936. In the late 1930s, his attitude shifted and he imposed restrictions on performance of his works, which he lifted in 1976. His compositions received little exposure in those years and he remained in public view mainly through his writings, which include the books Around Music and Mi contra fa: The Immoralisings of a Machiavellian Musician. During this time, he also left London and eventually settled in the village of Corfe Castle, Dorset. Information on Sorabji's life, especially his later years, is scarce, with most of it coming from the letters he exchanged with his friends. (Full article...)
  • Image 7 Cyclone 04B at peak intensity near landfall The 2000 Sri Lanka cyclone (IMD designation: BOB 06 JTWC designation: 04B) was the strongest tropical cyclone to strike Sri Lanka since 1978. The fourth tropical storm and the second severe cyclonic storm of the 2000 North Indian Ocean cyclone season, it developed from an area of disturbed weather on December 25, 2000. It moved westward, and quickly strengthened under favorable conditions to reach top wind speeds of 75 mph (121 km/h). The cyclone hit eastern Sri Lanka at peak strength, then weakened slightly while crossing the island before making landfall over southern India on December 28. The storm degenerated into a remnant low later that day, before merging with another trough on the next day. The storm was the first cyclone over Sri Lanka with winds of at least hurricane strength since a cyclone of 1978 hit the island in the 1978 season, as well as the first tropical storm to hit the island since 1992. The storm was also the first December tropical cyclone of hurricane intensity in the Bay of Bengal since 1996. It produced heavy rainfall and strong winds, damaging or destroying tens of thousands of houses and leaving up to 500,000 homeless. At least nine people died as a result of the cyclone. (Full article...)

    Cyclone 04B at peak intensity near landfall

    The 2000 Sri Lanka cyclone (IMD designation: BOB 06 JTWC designation: 04B) was the strongest tropical cyclone to strike Sri Lanka since 1978. The fourth tropical storm and the second severe cyclonic storm of the 2000 North Indian Ocean cyclone season, it developed from an area of disturbed weather on December 25, 2000. It moved westward, and quickly strengthened under favorable conditions to reach top wind speeds of 75 mph (121 km/h). The cyclone hit eastern Sri Lanka at peak strength, then weakened slightly while crossing the island before making landfall over southern India on December 28. The storm degenerated into a remnant low later that day, before merging with another trough on the next day.

    The storm was the first cyclone over Sri Lanka with winds of at least hurricane strength since a cyclone of 1978 hit the island in the 1978 season, as well as the first tropical storm to hit the island since 1992. The storm was also the first December tropical cyclone of hurricane intensity in the Bay of Bengal since 1996. It produced heavy rainfall and strong winds, damaging or destroying tens of thousands of houses and leaving up to 500,000 homeless. At least nine people died as a result of the cyclone. (Full article...)
  • Image 8 Lage Raho Munna Bhai (pronounced [ləˈɡeː rəˈɦoː mʊnːaːˈbʱaːi] ⓘ; translation: Keep Going, Munna Bhai) is a 2006 Indian Hindi-language satirical comedy drama film written, edited and directed by Rajkumar Hirani, who also co-wrote the screenplay with Abhijat Joshi, and produced by Vidhu Vinod Chopra under the banner Vinod Chopra Films. A sequel to Munna Bhai M.B.B.S. (2003), the film is the second installment of the Munna Bhai series. Sanjay Dutt and Arshad Warsi reprised their roles as the titular Munna Bhai and Circuit, respectively. New additions to the cast include Vidya Balan, Dilip Prabhavalkar and Dia Mirza, while several actors from the original, notably Jimmy Sheirgill and Boman Irani, appear in new roles. In this film, the eponymous lead character, a don in the Mumbai underworld, begins to see visions of Mahatma Gandhi. Through his interactions with Gandhi, he begins to practice what he refers to as "Gandhigiri" (a neologism for "Gandhism") to help ordinary people solve their problems. (Full article...)
    Lage Raho Munna Bhai (pronounced [ləˈɡeː rəˈɦoː mʊnːaːˈbʱaːi] ⓘ; translation: Keep Going, Munna Bhai) is a 2006 Indian Hindi-language satirical comedy drama film written, edited and directed by Rajkumar Hirani, who also co-wrote the screenplay with Abhijat Joshi, and produced by Vidhu Vinod Chopra under the banner Vinod Chopra Films. A sequel to Munna Bhai M.B.B.S. (2003), the film is the second installment of the Munna Bhai series. Sanjay Dutt and Arshad Warsi reprised their roles as the titular Munna Bhai and Circuit, respectively. New additions to the cast include Vidya Balan, Dilip Prabhavalkar and Dia Mirza, while several actors from the original, notably Jimmy Sheirgill and Boman Irani, appear in new roles.

    In this film, the eponymous lead character, a don in the Mumbai underworld, begins to see visions of Mahatma Gandhi. Through his interactions with Gandhi, he begins to practice what he refers to as "Gandhigiri" (a neologism for "Gandhism") to help ordinary people solve their problems. (Full article...)
  • Image 9 Map 1: Mysore and Coorg in a map of peninsular India showing shifting boundaries The political history of the region on the Deccan Plateau in west-central peninsular India (Map 1) that was later divided into Mysore state and Coorg province saw many changes after the fall of the Hindu Vijayanagara Empire in 1565. The rise of Sultan Haidar Ali in 1761 introduced a new period. At the height of the Vijayanagara Empire, the Mysore and Coorg region was ruled by diverse chieftains, or rajas ("little kings"). Each raja had the right to govern a small region, but also an obligation to supply soldiers and annual tribute for the empire's needs. After the empire's fall and the subsequent eastward move of the diminished ruling family, many chieftains tried to loosen their imperial bonds and expand their realms. Sensing opportunity amidst the new uncertainty, various powers from the north invaded the region. Among these were the Sultanate of Bijapur to the northwest, the Sultanate of Golconda to the northeast, the newly-formed Maratha empire farther northwest, and the major contemporary empire of India, the Mughal, which bounded all on the north. For much of the 17th century the tussles between the little kings and the big powers, and amongst the little kings, culminated in shifting sovereignties, loyalties, and borders. By the turn of the 18th century, the political landscape had become better defined: the northwestern hills were being ruled by the Nayaka rulers of Ikkeri, the southwestern—in the Western Ghats—by the Rajas of Coorg, the southern plains by the Wodeyar rulers of Mysore, all of which were Hindu dynasties; and the eastern and northeastern regions by the Muslim Nawabs of Arcot and Sira. Of these, Ikkeri and Coorg were independent, Mysore, although much-expanded, was formally a Mughal dependency, and Arcot and Sira, Mughal subahs (or provinces). (Full article...)
    Mysore is shown in west-central peninsular India with the Madras Presidency bordering it on the east, west, and south, with the Arabian Sea, Indian Ocean, and the Bay of Bengal surrounding the peninsula, and with Sri Lanka in the vicinity to the south-east
    Map 1: Mysore and Coorg in a map of peninsular India showing shifting boundaries


    The political history of the region on the Deccan Plateau in west-central peninsular India (Map 1) that was later divided into Mysore state and Coorg province saw many changes after the fall of the Hindu Vijayanagara Empire in 1565. The rise of Sultan Haidar Ali in 1761 introduced a new period.

    At the height of the Vijayanagara Empire, the Mysore and Coorg region was ruled by diverse chieftains, or rajas ("little kings"). Each raja had the right to govern a small region, but also an obligation to supply soldiers and annual tribute for the empire's needs. After the empire's fall and the subsequent eastward move of the diminished ruling family, many chieftains tried to loosen their imperial bonds and expand their realms. Sensing opportunity amidst the new uncertainty, various powers from the north invaded the region. Among these were the Sultanate of Bijapur to the northwest, the Sultanate of Golconda to the northeast, the newly-formed Maratha empire farther northwest, and the major contemporary empire of India, the Mughal, which bounded all on the north. For much of the 17th century the tussles between the little kings and the big powers, and amongst the little kings, culminated in shifting sovereignties, loyalties, and borders. By the turn of the 18th century, the political landscape had become better defined: the northwestern hills were being ruled by the Nayaka rulers of Ikkeri, the southwestern—in the Western Ghats—by the Rajas of Coorg, the southern plains by the Wodeyar rulers of Mysore, all of which were Hindu dynasties; and the eastern and northeastern regions by the Muslim Nawabs of Arcot and Sira. Of these, Ikkeri and Coorg were independent, Mysore, although much-expanded, was formally a Mughal dependency, and Arcot and Sira, Mughal subahs (or provinces). (Full article...)
  • Image 10 Pinto in 2014 Freida Selena Pinto (born 18 October 1984) is an Indian actress who has appeared mainly in American and British films. Born and raised in Mumbai, Maharashtra, she resolved at a young age to become an actress. As a student at St. Xavier's College, Mumbai she took part in amateur plays. After graduation, she briefly worked as a model and then as a television presenter. Pinto rose to prominence with her film debut in the drama Slumdog Millionaire (2008), winning a SAG Award and earning a nomination for the BAFTA Award for Best Supporting Actress. She earned critical acclaim for her roles in Miral (2010), Trishna (2011), and Desert Dancer (2014). She also saw commercial success with the science fiction film Rise of the Planet of the Apes (2011), and the epic fantasy action film Immortals (2011). Pinto's other notable roles include You Will Meet a Tall Dark Stranger (2010), Love Sonia (2018), Hillbilly Elegy (2020), and Mr. Malcolm's List (2022). She also starred in the Showtime miniseries Guerrilla (2017), and had a recurring role in the Hulu series The Path (2018). (Full article...)

    Pinto in 2014

    Freida Selena Pinto (born 18 October 1984) is an Indian actress who has appeared mainly in American and British films. Born and raised in Mumbai, Maharashtra, she resolved at a young age to become an actress. As a student at St. Xavier's College, Mumbai she took part in amateur plays. After graduation, she briefly worked as a model and then as a television presenter.

    Pinto rose to prominence with her film debut in the drama Slumdog Millionaire (2008), winning a SAG Award and earning a nomination for the BAFTA Award for Best Supporting Actress. She earned critical acclaim for her roles in Miral (2010), Trishna (2011), and Desert Dancer (2014). She also saw commercial success with the science fiction film Rise of the Planet of the Apes (2011), and the epic fantasy action film Immortals (2011). Pinto's other notable roles include You Will Meet a Tall Dark Stranger (2010), Love Sonia (2018), Hillbilly Elegy (2020), and Mr. Malcolm's List (2022). She also starred in the Showtime miniseries Guerrilla (2017), and had a recurring role in the Hulu series The Path (2018). (Full article...)
  • Image 11 Padukone at the 2018 Cannes Film Festival Deepika Padukone (pronounced [d̪iːpɪkaː pəɖʊkoːɳeː]; born 5 January 1986) is an Indian actress who works predominantly in Hindi films. She is India's highest-paid actress, as of 2023, and her accolades include three Filmfare Awards. Time named her one of the 100 most influential people in the world in 2018 and awarded her the Time100 Impact Award in 2022. She is the only Indian to be appear more than once on Time's list of 100 most influential people in world. Padukone, the daughter of the badminton player Prakash Padukone, was born in Copenhagen and raised in Bangalore. As a teenager, she played badminton in national level championships but left her career in the sport to become a fashion model. She soon received offers for film roles and made her acting debut in 2006 as the title character of the Kannada film Aishwarya. Padukone then played a dual role opposite Shah Rukh Khan in her first Bollywood release, the romance Om Shanti Om (2007), which won her the Filmfare Award for Best Female Debut. Padukone received praise for her starring role in the romance Love Aaj Kal (2009), but this was followed by a brief setback. (Full article...)

    Padukone at the 2018 Cannes Film Festival

    Deepika Padukone (pronounced [d̪iːpɪkaː pəɖʊkoːɳeː]; born 5 January 1986) is an Indian actress who works predominantly in Hindi films. She is India's highest-paid actress, as of 2023, and her accolades include three Filmfare Awards. Time named her one of the 100 most influential people in the world in 2018 and awarded her the Time100 Impact Award in 2022. She is the only Indian to be appear more than once on Time's list of 100 most influential people in world.

    Padukone, the daughter of the badminton player Prakash Padukone, was born in Copenhagen and raised in Bangalore. As a teenager, she played badminton in national level championships but left her career in the sport to become a fashion model. She soon received offers for film roles and made her acting debut in 2006 as the title character of the Kannada film Aishwarya. Padukone then played a dual role opposite Shah Rukh Khan in her first Bollywood release, the romance Om Shanti Om (2007), which won her the Filmfare Award for Best Female Debut. Padukone received praise for her starring role in the romance Love Aaj Kal (2009), but this was followed by a brief setback. (Full article...)
  • Image 12 Dilwale Dulhania Le Jayenge (transl. The Brave-Hearted Will Take the Bride), also known by the initialism DDLJ, is a 1995 Indian Hindi-language musical romance film written and directed by Aditya Chopra in his directorial debut and produced by his father Yash Chopra. Released on 20 October 1995, the film stars Shah Rukh Khan and Kajol as Raj and Simran, two young non-resident Indians, who fall in love during a vacation through Europe with their friends. Raj tries to win over Simran's family so the couple can marry, but Simran's father has long since promised her hand to his friend's son. The film was shot in India, London, and Switzerland, from September 1994 to August 1995. With an estimated total gross of ₹102.5 crore (today's adjusted gross ₹524 crore), with ₹89 crore (today's adjusted gross ₹455 crore) earned in India and ₹13.50 crore (today's adjusted gross ₹69 crore) in overseas, the film was the highest-grossing Indian film of 1995 and one of the most successful Indian films in history. When adjusted for inflation, it is the second highest-grossing Indian film of the 1990s, behind Hum Aapke Hain Koun..! It won 10 Filmfare Awards—the most for a single film at that time—and the National Film Award for Best Popular Film Providing Wholesome Entertainment. Its soundtrack album became one of the most popular of the 1990s. (Full article...)
    Dilwale Dulhania Le Jayenge (transl. The Brave-Hearted Will Take the Bride), also known by the initialism DDLJ, is a 1995 Indian Hindi-language musical romance film written and directed by Aditya Chopra in his directorial debut and produced by his father Yash Chopra. Released on 20 October 1995, the film stars Shah Rukh Khan and Kajol as Raj and Simran, two young non-resident Indians, who fall in love during a vacation through Europe with their friends. Raj tries to win over Simran's family so the couple can marry, but Simran's father has long since promised her hand to his friend's son. The film was shot in India, London, and Switzerland, from September 1994 to August 1995.

    With an estimated total gross of ₹102.5 crore (today's adjusted gross ₹524 crore), with ₹89 crore (today's adjusted gross ₹455 crore) earned in India and ₹13.50 crore (today's adjusted gross ₹69 crore) in overseas, the film was the highest-grossing Indian film of 1995 and one of the most successful Indian films in history. When adjusted for inflation, it is the second highest-grossing Indian film of the 1990s, behind Hum Aapke Hain Koun..! It won 10 Filmfare Awards—the most for a single film at that time—and the National Film Award for Best Popular Film Providing Wholesome Entertainment. Its soundtrack album became one of the most popular of the 1990s. (Full article...)
  • Image 13 Kapoor in 2017 Sonam Kapoor Ahuja (pronounced [soːnəm kəˈpuːr]; born 9 June 1985) is an Indian actress who works in Hindi films. She has received several awards, including a National Film Award and a Filmfare Award. Kapoor appeared in Forbes India's Celebrity 100 list from 2012 to 2016. Kapoor, the daughter of actor Anil Kapoor, began her career as an assistant director on filmmaker Sanjay Leela Bhansali's 2005 film Black. She made her acting debut in Bhansali's romantic drama Saawariya (2007), a box office flop, and had her first commercial success with the romantic comedy I Hate Luv Storys (2010). This was followed by a series of commercial failures and repetitive roles, which garnered her negative reviews. The 2013 box office hit Raanjhanaa marked a turning point in Kapoor's career, garnering her praise and Best Actress nominations at several award ceremonies. (Full article...)

    Kapoor in 2017

    Sonam Kapoor Ahuja (pronounced [soːnəm kəˈpuːr]; born 9 June 1985) is an Indian actress who works in Hindi films. She has received several awards, including a National Film Award and a Filmfare Award. Kapoor appeared in Forbes India's Celebrity 100 list from 2012 to 2016.

    Kapoor, the daughter of actor Anil Kapoor, began her career as an assistant director on filmmaker Sanjay Leela Bhansali's 2005 film Black. She made her acting debut in Bhansali's romantic drama Saawariya (2007), a box office flop, and had her first commercial success with the romantic comedy I Hate Luv Storys (2010). This was followed by a series of commercial failures and repetitive roles, which garnered her negative reviews. The 2013 box office hit Raanjhanaa marked a turning point in Kapoor's career, garnering her praise and Best Actress nominations at several award ceremonies. (Full article...)
  • Image 14 Kahaani (IPA: [kəˈɦaːni]; transl. Story) is a 2012 Indian Hindi-language action thriller film co-written, co-produced, and directed by Sujoy Ghosh. It stars Vidya Balan as Vidya Bagchi, a pregnant woman looking for her missing husband in Kolkata during the festival of Durga Puja, assisted by Assist Sub-Inspector Satyoki "Rana" Sinha (Parambrata Chatterjee) and Inspector General A. Khan (Nawazuddin Siddiqui). Made on a shoestring budget of ₹80 million (US$930,000), Kahaani was conceived and developed by Ghosh, who co-wrote the film with Advaita Kala. The crew often employed guerrilla-filmmaking techniques on Kolkata's city streets to avoid attracting attention. Its creative portrayal of the city and its use of local crew and cast members made it a notable film. Kahaani explores themes of feminism and motherhood in a male-dominated Indian society. The film also makes several allusions to Satyajit Ray's films, such as Charulata (1964), Aranyer Din Ratri (1970), and Joi Baba Felunath (1979). The film's musical score and soundtrack are composed by Clinton Cerejo and Vishal–Shekhar respectively, with cinematography handled by Setu and editing done by Namrata Rao. (Full article...)
    Kahaani (IPA: [kəˈɦaːni]; transl. Story) is a 2012 Indian Hindi-language action thriller film co-written, co-produced, and directed by Sujoy Ghosh. It stars Vidya Balan as Vidya Bagchi, a pregnant woman looking for her missing husband in Kolkata during the festival of Durga Puja, assisted by Assist Sub-Inspector Satyoki "Rana" Sinha (Parambrata Chatterjee) and Inspector General A. Khan (Nawazuddin Siddiqui).

    Made on a shoestring budget of ₹80 million (US$930,000), Kahaani was conceived and developed by Ghosh, who co-wrote the film with Advaita Kala. The crew often employed guerrilla-filmmaking techniques on Kolkata's city streets to avoid attracting attention. Its creative portrayal of the city and its use of local crew and cast members made it a notable film. Kahaani explores themes of feminism and motherhood in a male-dominated Indian society. The film also makes several allusions to Satyajit Ray's films, such as Charulata (1964), Aranyer Din Ratri (1970), and Joi Baba Felunath (1979). The film's musical score and soundtrack are composed by Clinton Cerejo and Vishal–Shekhar respectively, with cinematography handled by Setu and editing done by Namrata Rao. (Full article...)
  • Image 15 A female African bush elephant in Mikumi National Park, Tanzania Elephants are the largest living land animals. Three living species are currently recognised: the African bush elephant (Loxodonta africana), the African forest elephant (L. cyclotis), and the Asian elephant (Elephas maximus). They are the only surviving members of the family Elephantidae and the order Proboscidea; extinct relatives include mammoths and mastodons. Distinctive features of elephants include a long proboscis called a trunk, tusks, large ear flaps, pillar-like legs, and tough but sensitive grey skin. The trunk is prehensile, bringing food and water to the mouth and grasping objects. Tusks, which are derived from the incisor teeth, serve both as weapons and as tools for moving objects and digging. The large ear flaps assist in maintaining a constant body temperature as well as in communication. African elephants have larger ears and concave backs, whereas Asian elephants have smaller ears and convex or level backs. Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia and are found in different habitats, including savannahs, forests, deserts, and marshes. They are herbivorous, and they stay near water when it is accessible. They are considered to be keystone species, due to their impact on their environments. Elephants have a fission–fusion society, in which multiple family groups come together to socialise. Females (cows) tend to live in family groups, which can consist of one female with her calves or several related females with offspring. The leader of a female group, usually the oldest cow, is known as the matriarch. (Full article...)

    A female African bush elephant in Mikumi National Park, Tanzania

    Elephants are the largest living land animals. Three living species are currently recognised: the African bush elephant (Loxodonta africana), the African forest elephant (L. cyclotis), and the Asian elephant (Elephas maximus). They are the only surviving members of the family Elephantidae and the order Proboscidea; extinct relatives include mammoths and mastodons. Distinctive features of elephants include a long proboscis called a trunk, tusks, large ear flaps, pillar-like legs, and tough but sensitive grey skin. The trunk is prehensile, bringing food and water to the mouth and grasping objects. Tusks, which are derived from the incisor teeth, serve both as weapons and as tools for moving objects and digging. The large ear flaps assist in maintaining a constant body temperature as well as in communication. African elephants have larger ears and concave backs, whereas Asian elephants have smaller ears and convex or level backs.

    Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia and are found in different habitats, including savannahs, forests, deserts, and marshes. They are herbivorous, and they stay near water when it is accessible. They are considered to be keystone species, due to their impact on their environments. Elephants have a fission–fusion society, in which multiple family groups come together to socialise. Females (cows) tend to live in family groups, which can consist of one female with her calves or several related females with offspring. The leader of a female group, usually the oldest cow, is known as the matriarch. (Full article...)
  • Image 16 Margarita with a Straw is a 2014 Indian Hindi-language drama film directed by Shonali Bose. It stars Kalki Koechlin as an Indian teenager with cerebral palsy who relocates to America for her undergraduate education and comes of age following her complex relationship with a blind girl, played by Sayani Gupta. Revathi, Kuljeet Singh, and William Moseley play supporting roles. Produced by Bose in partnership with Viacom18 Motion Pictures, Margarita with a Straw was co-written by Bose and Nilesh Maniyar. The film deals with the challenging concepts of sexuality, inclusion, self-love, and self-acceptance. Bose conceived the idea for the film in January 2011 during a conversation with Malini Chib, her cousin and a disability rights activist, about the latter's desire to have a normal sex life. Inspired by Chib's story, Bose wrote the first draft of the film's script. After winning a Sundance Mahindra Global Filmmaker Award for the draft, she modified the script to reflect her own perspective, incorporating several personal experiences into the narrative. Bose completed the screenplay with co-writer Maniyar and the advisory council of the Sundance Institute. (Full article...)
    Margarita with a Straw is a 2014 Indian Hindi-language drama film directed by Shonali Bose. It stars Kalki Koechlin as an Indian teenager with cerebral palsy who relocates to America for her undergraduate education and comes of age following her complex relationship with a blind girl, played by Sayani Gupta. Revathi, Kuljeet Singh, and William Moseley play supporting roles. Produced by Bose in partnership with Viacom18 Motion Pictures, Margarita with a Straw was co-written by Bose and Nilesh Maniyar. The film deals with the challenging concepts of sexuality, inclusion, self-love, and self-acceptance.

    Bose conceived the idea for the film in January 2011 during a conversation with Malini Chib, her cousin and a disability rights activist, about the latter's desire to have a normal sex life. Inspired by Chib's story, Bose wrote the first draft of the film's script. After winning a Sundance Mahindra Global Filmmaker Award for the draft, she modified the script to reflect her own perspective, incorporating several personal experiences into the narrative. Bose completed the screenplay with co-writer Maniyar and the advisory council of the Sundance Institute. (Full article...)
  • Image 17 Tripura (/ˈtrɪpʊrə, -ərə/) is a state in northeastern India. The third-smallest state in the country, it covers 10,491 km2 (4,051 sq mi); and the seventh-least populous state with a population of 3.67 million. It is bordered by Assam and Mizoram to the east and by Bangladesh to the north, south and west. Tripura is divided into 8 districts and 23 sub-divisions, where Agartala is the capital and the largest city in the state. Tripura has 19 different tribal communities with a majority Bengali population. Bengali, English and Kokborok are the state's official languages. The area of modern Tripura — ruled for several centuries by the Manikya Dynasty — was part of the Tripuri Kingdom (also known as Hill Tippera). It became a princely state under the British Raj during its tenure, and acceded to independent India in 1947. It merged with India in 1949 and was designated as a 'Part C State' (union territory). It became a full-fledged state of India in 1972. (Full article...)

    Tripura (/ˈtrɪpʊrə, -ərə/) is a state in northeastern India. The third-smallest state in the country, it covers 10,491 km2 (4,051 sq mi); and the seventh-least populous state with a population of 3.67 million. It is bordered by Assam and Mizoram to the east and by Bangladesh to the north, south and west. Tripura is divided into 8 districts and 23 sub-divisions, where Agartala is the capital and the largest city in the state. Tripura has 19 different tribal communities with a majority Bengali population. Bengali, English and Kokborok are the state's official languages.

    The area of modern Tripura — ruled for several centuries by the Manikya Dynasty — was part of the Tripuri Kingdom (also known as Hill Tippera). It became a princely state under the British Raj during its tenure, and acceded to independent India in 1947. It merged with India in 1949 and was designated as a 'Part C State' (union territory). It became a full-fledged state of India in 1972. (Full article...)
  • Image 18 Parinda (transl. Bird) is a 1989 Indian Hindi-language crime thriller film directed, produced and distributed by Vidhu Vinod Chopra. The film stars Jackie Shroff, Anil Kapoor, Nana Patekar and Madhuri Dixit. The story and scenario were written by Chopra, while Shiv Kumar Subramaniam and Imtiyaz Husain wrote the screenplay and dialogues, respectively. R. D. Burman composed the music and Khurshid Hallauri wrote the lyrics. Binod Pradhan served as the film's cinematographer and Renu Saluja was its editor. Parinda follows Kishan (Shroff), who works for the underworld chieftain Anna (Patekar). Kishan's brother Karan (Kapoor) returns home after completing his studies in the United States. The two brothers are caught on different sides of a gang war after Karan decides to avenge his friend's death by Anna. (Full article...)
    Parinda (transl. Bird) is a 1989 Indian Hindi-language crime thriller film directed, produced and distributed by Vidhu Vinod Chopra. The film stars Jackie Shroff, Anil Kapoor, Nana Patekar and Madhuri Dixit. The story and scenario were written by Chopra, while Shiv Kumar Subramaniam and Imtiyaz Husain wrote the screenplay and dialogues, respectively. R. D. Burman composed the music and Khurshid Hallauri wrote the lyrics. Binod Pradhan served as the film's cinematographer and Renu Saluja was its editor.
    Parinda follows Kishan (Shroff), who works for the underworld chieftain Anna (Patekar). Kishan's brother Karan (Kapoor) returns home after completing his studies in the United States. The two brothers are caught on different sides of a gang war after Karan decides to avenge his friend's death by Anna. (Full article...)
  • Image 19 Pather Panchali (Bengali pronunciation: [pɔtʰer pãtʃali] ⓘ, transl. Song of the Little Road) is a 1955 Indian Bengali-language drama film written and directed by Satyajit Ray in his directoral debut and produced by the Government of West Bengal. It is an adaptation of Bibhutibhushan Bandyopadhyay's 1929 Bengali novel of the same name and features Subir Banerjee, Kanu Banerjee, Karuna Banerjee, Uma Dasgupta, and Chunibala Devi in major roles. The first film in The Apu Trilogy, Pather Panchali depicts the childhood travails of the protagonist Apu and his elder sister Durga amid the harsh village life of their poor family. It is regarded as one of the greatest and most influential movies ever made in the history of Cinema. The film was shot mainly on location, had a limited budget, featured mostly amateur actors, and was made by an inexperienced crew. Lack of funds led to frequent interruptions in production, which took nearly three years, but the West Bengal government pulled Ray out of debt by buying the film for the equivalent of $60,000, which it turned into a profit of $700,000 by 1980. The sitar player Ravi Shankar composed the film's soundtrack and score using classical Indian ragas. Subrata Mitra was in charge of the cinematography while editing was handled by Dulal Dutta. Following its premiere on 3 May 1955 during an exhibition at New York's Museum of Modern Art, Pather Panchali was released in Calcutta the same year to an enthusiastic reception. A special screening was attended by the Chief Minister of West Bengal and the Prime Minister of India. (Full article...)
    Pather Panchali (Bengali pronunciation: [pɔtʰer pãtʃali] ⓘ, transl. Song of the Little Road) is a 1955 Indian Bengali-language drama film written and directed by Satyajit Ray in his directoral debut and produced by the Government of West Bengal. It is an adaptation of Bibhutibhushan Bandyopadhyay's 1929 Bengali novel of the same name and features Subir Banerjee, Kanu Banerjee, Karuna Banerjee, Uma Dasgupta, and Chunibala Devi in major roles. The first film in The Apu Trilogy, Pather Panchali depicts the childhood travails of the protagonist Apu and his elder sister Durga amid the harsh village life of their poor family. It is regarded as one of the greatest and most influential movies ever made in the history of Cinema.

    The film was shot mainly on location, had a limited budget, featured mostly amateur actors, and was made by an inexperienced crew. Lack of funds led to frequent interruptions in production, which took nearly three years, but the West Bengal government pulled Ray out of debt by buying the film for the equivalent of $60,000, which it turned into a profit of $700,000 by 1980. The sitar player Ravi Shankar composed the film's soundtrack and score using classical Indian ragas. Subrata Mitra was in charge of the cinematography while editing was handled by Dulal Dutta. Following its premiere on 3 May 1955 during an exhibition at New York's Museum of Modern Art, Pather Panchali was released in Calcutta the same year to an enthusiastic reception. A special screening was attended by the Chief Minister of West Bengal and the Prime Minister of India. (Full article...)
  • Image 20 Phoolan Devi (Hindi: [pʰuː.lən d̪eː.ʋiː], 10 August 1963 – 25 July 2001), popularly known as the Bandit Queen, was an Indian dacoit (bandit) who became a politician, serving as a member of parliament until her assassination. She was a woman of the Mallah subcaste who grew up in poverty in a village in the state of Uttar Pradesh, where her family was on the losing side of a land dispute which caused them many problems. After being married off at the age of eleven and being sexually abused by various people, she joined a gang of dacoits. Her gang robbed higher-caste villages and held up trains and vehicles. When she punished her rapists and evaded capture by the authorities, she became a heroine to the Other Backward Classes who saw her as a Robin Hood figure. Phoolan Devi was charged in absentia for the 1981 Behmai massacre, in which twenty Thakur men were killed, allegedly on her command. After this event, the Chief Minister of Uttar Pradesh resigned, and calls to apprehend her were amplified. She surrendered two years later in a carefully negotiated settlement and spent eleven years in Gwalior prison, awaiting trial. Phoolan Devi was released in 1994 after her charges were set aside. She subsequently became a politician and was elected as a member of parliament for the Samajwadi Party in 1996. She lost her seat in 1998, but regained it the following year. She was the incumbent at the time of her death in 2001. She was assassinated outside her house by Sher Singh Rana, who was convicted for the murder in 2014. At the time of her death, she was still fighting against the reinstituted criminal charges, having lost a 1996 appeal to the Supreme Court to have the charges dropped. Phoolan Devi's worldwide fame grew after the release of the controversial 1994 film Bandit Queen, which told her life story in a way she did not approve of. Her life has also inspired several biographies and her dictated autobiography was entitled I, Phoolan Devi. There are varying accounts of her life because she told differing versions to suit her changing circumstances. (Full article...)
    Phoolan Devi (Hindi: [pʰuː.lən d̪eː.ʋiː], 10 August 1963 – 25 July 2001), popularly known as the Bandit Queen, was an Indian dacoit (bandit) who became a politician, serving as a member of parliament until her assassination. She was a woman of the Mallah subcaste who grew up in poverty in a village in the state of Uttar Pradesh, where her family was on the losing side of a land dispute which caused them many problems. After being married off at the age of eleven and being sexually abused by various people, she joined a gang of dacoits. Her gang robbed higher-caste villages and held up trains and vehicles. When she punished her rapists and evaded capture by the authorities, she became a heroine to the Other Backward Classes who saw her as a Robin Hood figure. Phoolan Devi was charged in absentia for the 1981 Behmai massacre, in which twenty Thakur men were killed, allegedly on her command. After this event, the Chief Minister of Uttar Pradesh resigned, and calls to apprehend her were amplified. She surrendered two years later in a carefully negotiated settlement and spent eleven years in Gwalior prison, awaiting trial.

    Phoolan Devi was released in 1994 after her charges were set aside. She subsequently became a politician and was elected as a member of parliament for the Samajwadi Party in 1996. She lost her seat in 1998, but regained it the following year. She was the incumbent at the time of her death in 2001. She was assassinated outside her house by Sher Singh Rana, who was convicted for the murder in 2014. At the time of her death, she was still fighting against the reinstituted criminal charges, having lost a 1996 appeal to the Supreme Court to have the charges dropped. Phoolan Devi's worldwide fame grew after the release of the controversial 1994 film Bandit Queen, which told her life story in a way she did not approve of. Her life has also inspired several biographies and her dictated autobiography was entitled I, Phoolan Devi. There are varying accounts of her life because she told differing versions to suit her changing circumstances. (Full article...)
  • Image 21 Mukerji promoting Hichki in 2018 Rani Mukerji (pronounced Hindustani pronunciation: [raːni mʊkʰərdʒi]; born 21 March 1978) is an Indian actress who works in Hindi films. Noted for her versatility, she is the recipient of multiple accolades, including eight Filmfare Awards. Mukerji has featured in listings of the leading and highest-paid actresses of the 2000s. Born into the Mukherjee-Samarth family, Mukerji dabbled with acting as a teenager by starring in her father Ram Mukherjee's Bengali-language film Biyer Phool and in the social drama Raja Ki Aayegi Baaraat (both 1996). Mukerji had her first commercial success with the action film Ghulam and breakthrough with the romance Kuch Kuch Hota Hai (both 1998). Following a brief setback, the year 2002 marked a turning point for her when she was cast by Yash Raj Films as the star of the drama Saathiya. (Full article...)

    Mukerji promoting Hichki in 2018

    Rani Mukerji (pronounced Hindustani pronunciation: [raːni mʊkʰərdʒi]; born 21 March 1978) is an Indian actress who works in Hindi films. Noted for her versatility, she is the recipient of multiple accolades, including eight Filmfare Awards. Mukerji has featured in listings of the leading and highest-paid actresses of the 2000s.

    Born into the Mukherjee-Samarth family, Mukerji dabbled with acting as a teenager by starring in her father Ram Mukherjee's Bengali-language film Biyer Phool and in the social drama Raja Ki Aayegi Baaraat (both 1996). Mukerji had her first commercial success with the action film Ghulam and breakthrough with the romance Kuch Kuch Hota Hai (both 1998). Following a brief setback, the year 2002 marked a turning point for her when she was cast by Yash Raj Films as the star of the drama Saathiya. (Full article...)
  • Image 22 Khan in 1991 Prince Sadruddin Aga Khan (17 January 1933 – 12 May 2003) was a French-born statesman and activist who served as United Nations High Commissioner for Refugees from 1966 to 1977, during which he reoriented the agency's focus beyond Europe and prepared it for an explosion of complex refugee issues. He was also a proponent of greater collaboration between non-governmental organizations (NGOs) and UN agencies. The Prince's interest in ecological issues led him to establish the Bellerive Foundation in the late 1970s, and he was a knowledgeable and respected collector of Islamic art. Born in Paris, France, he was the son of Sir Sultan Mahomed Shah Aga Khan and Princess Andrée Aga Khan. He married twice, but had no children of his own. Prince Sadruddin died of cancer at the age of 70, and was buried in Switzerland. (Full article...)

    Khan in 1991

    Prince Sadruddin Aga Khan (17 January 1933 – 12 May 2003) was a French-born statesman and activist who served as United Nations High Commissioner for Refugees from 1966 to 1977, during which he reoriented the agency's focus beyond Europe and prepared it for an explosion of complex refugee issues. He was also a proponent of greater collaboration between non-governmental organizations (NGOs) and UN agencies. The Prince's interest in ecological issues led him to establish the Bellerive Foundation in the late 1970s, and he was a knowledgeable and respected collector of Islamic art.

    Born in Paris, France, he was the son of Sir Sultan Mahomed Shah Aga Khan and Princess Andrée Aga Khan. He married twice, but had no children of his own. Prince Sadruddin died of cancer at the age of 70, and was buried in Switzerland. (Full article...)
  • Image 23 Rashtrakuta control around 790 AD, during the Tripartite Struggle The Rashtrakuta Empire was a royal Indian polity ruling large parts of the Indian subcontinent between the 6th and 10th centuries. The earliest known Rashtrakuta inscription is a 7th-century copper plate grant detailing their rule from Manapur, a city in Central or West India. Other ruling Rashtrakuta clans from the same period mentioned in inscriptions were the kings of Achalapur and the rulers of Kannauj. Several controversies exist regarding the origin of these early Rashtrakutas, their native homeland and their language. The Elichpur clan was a feudatory of the Badami Chalukyas, and during the rule of Dantidurga, it overthrew Chalukya Kirtivarman II and went on to build an empire with the Gulbarga region in modern Karnataka as its base. This clan came to be known as the Rashtrakutas of Manyakheta, rising to power in South India in 753 AD. At the same time the Pala dynasty of Bengal and the Prathihara dynasty of Gurjaratra were gaining force in eastern and northwestern India respectively. An Arabic text, Silsilat al-Tawarikh (851), called the Rashtrakutas one of the four principal empires of the world. (Full article...)

    Rashtrakuta control around 790 AD, during the Tripartite Struggle

    The Rashtrakuta Empire was a royal Indian polity ruling large parts of the Indian subcontinent between the 6th and 10th centuries. The earliest known Rashtrakuta inscription is a 7th-century copper plate grant detailing their rule from Manapur, a city in Central or West India. Other ruling Rashtrakuta clans from the same period mentioned in inscriptions were the kings of Achalapur and the rulers of Kannauj. Several controversies exist regarding the origin of these early Rashtrakutas, their native homeland and their language.

    The Elichpur clan was a feudatory of the Badami Chalukyas, and during the rule of Dantidurga, it overthrew Chalukya Kirtivarman II and went on to build an empire with the Gulbarga region in modern Karnataka as its base. This clan came to be known as the Rashtrakutas of Manyakheta, rising to power in South India in 753 AD. At the same time the Pala dynasty of Bengal and the Prathihara dynasty of Gurjaratra were gaining force in eastern and northwestern India respectively. An Arabic text, Silsilat al-Tawarikh (851), called the Rashtrakutas one of the four principal empires of the world. (Full article...)
  • Image 24 Monier Williams, elected as the second Boden Professor of Sanskrit in 1860; this photograph was taken by Lewis Carroll. The election in 1860 for the position of Boden Professor of Sanskrit at the University of Oxford was a competition between two candidates offering different approaches to Sanskrit scholarship. One was Monier Williams, an Oxford-educated Englishman who had spent 14 years teaching Sanskrit to those preparing to work in British India for the East India Company. The other, Max Müller, was a German-born lecturer at Oxford specialising in comparative philology, the science of language. He had spent many years working on an edition of the Rig Veda (an ancient collection of Vedic Sanskrit hymns) and had gained an international reputation for his scholarship. Williams, in contrast, worked on later material and had little time for the "continental" school of Sanskrit scholarship that Müller exemplified. Williams regarded the study of Sanskrit as a means to an end, namely the conversion of India to Christianity. In Müller's opinion, his own work, while it would assist missionaries, was also valuable as an end in itself. The election came at a time of public debate about British rule in India in the wake of the Indian Rebellion of 1857. Opinions were divided on whether greater efforts should be made to convert India or whether to remain sensitive to local culture and traditions. Both men battled for the votes of the electorate (the Convocation of the university, consisting of over 3,700 graduates) through manifestos and newspaper correspondence. Williams laid great stress in his campaign on the intention of the original founder of the chair, that the holder should assist in converting India through dissemination of the Christian scriptures. Müller's view was that his work on the Rig Veda was of great value for missionary work, and published testimonials accordingly. He also wanted to teach wider subjects such as Indian history and literature to assist missionaries, scholars, and civil servants – a proposal that Williams criticised as not in accordance with the original benefactor's wishes. The rival campaigns took out newspaper advertisements and circulated manifestos, and different newspapers backed each man. Although generally regarded as superior to Williams in scholarship, Müller had the double disadvantage (in the eyes of some) of being German and having liberal Christian views. Some of the newspaper pronouncements in favour of Williams were based on a claimed national interest of having an Englishman as Boden professor to assist with the work of governing and converting India. (Full article...)
    Monier Williams, elected as the second Boden Professor of Sanskrit in 1860; this photograph was taken by Lewis Carroll.

    The election in 1860 for the position of Boden Professor of Sanskrit at the University of Oxford was a competition between two candidates offering different approaches to Sanskrit scholarship. One was Monier Williams, an Oxford-educated Englishman who had spent 14 years teaching Sanskrit to those preparing to work in British India for the East India Company. The other, Max Müller, was a German-born lecturer at Oxford specialising in comparative philology, the science of language. He had spent many years working on an edition of the Rig Veda (an ancient collection of Vedic Sanskrit hymns) and had gained an international reputation for his scholarship. Williams, in contrast, worked on later material and had little time for the "continental" school of Sanskrit scholarship that Müller exemplified. Williams regarded the study of Sanskrit as a means to an end, namely the conversion of India to Christianity. In Müller's opinion, his own work, while it would assist missionaries, was also valuable as an end in itself.

    The election came at a time of public debate about British rule in India in the wake of the Indian Rebellion of 1857. Opinions were divided on whether greater efforts should be made to convert India or whether to remain sensitive to local culture and traditions. Both men battled for the votes of the electorate (the Convocation of the university, consisting of over 3,700 graduates) through manifestos and newspaper correspondence. Williams laid great stress in his campaign on the intention of the original founder of the chair, that the holder should assist in converting India through dissemination of the Christian scriptures. Müller's view was that his work on the Rig Veda was of great value for missionary work, and published testimonials accordingly. He also wanted to teach wider subjects such as Indian history and literature to assist missionaries, scholars, and civil servants – a proposal that Williams criticised as not in accordance with the original benefactor's wishes. The rival campaigns took out newspaper advertisements and circulated manifestos, and different newspapers backed each man. Although generally regarded as superior to Williams in scholarship, Müller had the double disadvantage (in the eyes of some) of being German and having liberal Christian views. Some of the newspaper pronouncements in favour of Williams were based on a claimed national interest of having an Englishman as Boden professor to assist with the work of governing and converting India. (Full article...)
  • Image 25 Keechaka Vadham (transl. The Extermination of Keechaka) is an Indian silent film produced, directed, filmed and edited by R. Nataraja Mudaliar. The first film to have been made in South India, it was shot in five weeks at Nataraja Mudaliar's production house, India Film Company. As the members of the cast were Tamils, Keechaka Vadham is considered to be the first Tamil film. No print of it is known to have survived, making it a lost film. The screenplay, written by C. Rangavadivelu, is based on an episode from the Virata Parva segment of the Hindu epic Mahabharata, focusing on Keechaka's attempts to woo Draupadi. The film stars Raju Mudaliar and Jeevarathnam as the central characters. (Full article...)
    Keechaka Vadham (transl. The Extermination of Keechaka) is an Indian silent film produced, directed, filmed and edited by R. Nataraja Mudaliar. The first film to have been made in South India, it was shot in five weeks at Nataraja Mudaliar's production house, India Film Company. As the members of the cast were Tamils, Keechaka Vadham is considered to be the first Tamil film. No print of it is known to have survived, making it a lost film.

    The screenplay, written by C. Rangavadivelu, is based on an episode from the Virata Parva segment of the Hindu epic Mahabharata, focusing on Keechaka's attempts to woo Draupadi. The film stars Raju Mudaliar and Jeevarathnam as the central characters. (Full article...)
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  • Image 1 Kajol in 2020 Kajol is an Indian actress known for her work in Hindi films. She is a recipient of more than 40 accolades into her credit. Six Filmfare Awards, one Best Performance in a Negative Role for Gupt: The Hidden Truth and record-tying five Best Actress for the romance musicals Dilwale Dulhania Le Jayenge, Kuch Kuch Hota Hai, the family drama Kabhi Khushi Kabhie Gham, the tragedy romantic thriller Fanaa and the social drama My Name Is Khan. In addition to seven nominations. She has received five Screen Awards, four Zee Cine Awards, two Bollywood Movie Award, and one each Stardust Award and Bengal Film Journalists' Association Awards. Kajol made her acting debut with Bekhudi (1992), and had commercial successes in Baazigar (1993), and Yeh Dillagi (1994). Starring roles in the top-grossing romances Dilwale Dulhania Le Jayenge (1995) and Kuch Kuch Hota Hai (1998) established her as a leading star in the 1990s and earned her two Filmfare Awards for Best Actress. After making her debut in 1992 with the romance Bekhudi, Kajol received critical acclaim and the Bengal Film Journalists' Association Award for Best Actress for playing an orphaned girl in Udhaar Ki Zindagi (1994). She won her first Filmfare Award for Best Actress for her portrayal of an Indian non-resident in the romantic drama Dilwale Dulhania Le Jayenge (1995), and Best Performance in a Negative Role for her performance as a femme fatale in the psychological thriller Gupt: The Hidden Truth (1997), becoming the first actress to win in the latter category. Additionally, she received the Zee Cine Award for Best Actor – Female for Gupt. (Full article...)

    Kajol in 2020

    Kajol is an Indian actress known for her work in Hindi films. She is a recipient of more than 40 accolades into her credit. Six Filmfare Awards, one Best Performance in a Negative Role for Gupt: The Hidden Truth and record-tying five Best Actress for the romance musicals Dilwale Dulhania Le Jayenge, Kuch Kuch Hota Hai, the family drama Kabhi Khushi Kabhie Gham, the tragedy romantic thriller Fanaa and the social drama My Name Is Khan. In addition to seven nominations. She has received five Screen Awards, four Zee Cine Awards, two Bollywood Movie Award, and one each Stardust Award and Bengal Film Journalists' Association Awards.

    Kajol made her acting debut with Bekhudi (1992), and had commercial successes in Baazigar (1993), and Yeh Dillagi (1994). Starring roles in the top-grossing romances Dilwale Dulhania Le Jayenge (1995) and Kuch Kuch Hota Hai (1998) established her as a leading star in the 1990s and earned her two Filmfare Awards for Best Actress.
    After making her debut in 1992 with the romance Bekhudi, Kajol received critical acclaim and the Bengal Film Journalists' Association Award for Best Actress for playing an orphaned girl in Udhaar Ki Zindagi (1994). She won her first Filmfare Award for Best Actress for her portrayal of an Indian non-resident in the romantic drama Dilwale Dulhania Le Jayenge (1995), and Best Performance in a Negative Role for her performance as a femme fatale in the psychological thriller Gupt: The Hidden Truth (1997), becoming the first actress to win in the latter category. Additionally, she received the Zee Cine Award for Best Actor – Female for Gupt. (Full article...)
  • Image 2 Bombay Presidency in 1906 Until the 18th century, Bombay consisted of seven islands separated by shallow sea. These seven islands were part of a larger archipelago in the Arabian sea, off the western coast of India. The date of city's founding is unclear—historians trace back urban settlement to the late 17th century after the British secured the seven islands from the Portuguese to establish a secure base in the region. The islands provided the British with a sheltered harbour for trade, in addition to a relatively sequestered location that reduced the chances of land-based attacks. Over the next two centuries, the British dominated the region, first securing the archipelago from the Portuguese, and later defeating the Marathas to secure the hinterland. Bombay Presidency was one of the three Presidencies of British India; the other two being Madras Presidency, and Bengal Presidency. It was in the centre-west of the Indian subcontinent on the Arabian Sea. It was bordered to the north-west, north, and north-east by Baluchistan province, Punjab province, and Rajputana Agency; to the east by Central India Agency, the Central Provinces and Berar and Hyderabad State; and to the south by Madras Presidency and Mysore State. The Presidency was established in the late 17th century and named after Bombay, the capital city and the island on which it was built. By 1906, the area under the jurisdiction of Bombay Presidency stretched from North Canara in the south to Sindh in the north, encompassing the now-Pakistani province of Sindh, some parts of the present-day state of Gujarat, northwestern part of Karnataka state, the British Aden protectorate in Yemen, and the western two-thirds of modern-day Maharashtra. (Full article...)
    Bombay Presidency in 1906

    Until the 18th century, Bombay consisted of seven islands separated by shallow sea. These seven islands were part of a larger archipelago in the Arabian sea, off the western coast of India. The date of city's founding is unclear—historians trace back urban settlement to the late 17th century after the British secured the seven islands from the Portuguese to establish a secure base in the region. The islands provided the British with a sheltered harbour for trade, in addition to a relatively sequestered location that reduced the chances of land-based attacks. Over the next two centuries, the British dominated the region, first securing the archipelago from the Portuguese, and later defeating the Marathas to secure the hinterland.

    Bombay Presidency was one of the three Presidencies of British India; the other two being Madras Presidency, and Bengal Presidency. It was in the centre-west of the Indian subcontinent on the Arabian Sea. It was bordered to the north-west, north, and north-east by Baluchistan province, Punjab province, and Rajputana Agency; to the east by Central India Agency, the Central Provinces and Berar and Hyderabad State; and to the south by Madras Presidency and Mysore State. The Presidency was established in the late 17th century and named after Bombay, the capital city and the island on which it was built. By 1906, the area under the jurisdiction of Bombay Presidency stretched from North Canara in the south to Sindh in the north, encompassing the now-Pakistani province of Sindh, some parts of the present-day state of Gujarat, northwestern part of Karnataka state, the British Aden protectorate in Yemen, and the western two-thirds of modern-day Maharashtra. (Full article...)
  • Image 3 Ranaut in 2024 Kangana Ranaut is an Indian actress and filmmaker who predominantly works in Hindi films, in addition to a few Tamil films. She has received four National Film Awards, five Filmfare Awards, three International Indian Film Academy Awards, and one award each from the Screen, Zee Cine, SIIMA, and Producers Guild award ceremonies. Ranaut made her acting debut in 2006 with a leading role in the romantic thriller Gangster, winning the Filmfare Award for Best Female Debut. Her portrayals of a character based on actress Parveen Babi in Woh Lamhe (2006) and a shrewd socialite in Life in a... Metro (2007) were lauded, with the latter earning her a Stardust Award for Breakthrough Performance – Female. She won the National Film Award for Best Supporting Actress and a Filmfare Award in the same category for playing a substance abusing supermodel in the drama Fashion (2008). Also in 2008, she featured in the Tamil film Dhaam Dhoom. (Full article...)
    Kangana Ranaut is smiling at the camera
    Ranaut in 2024

    Kangana Ranaut is an Indian actress and filmmaker who predominantly works in Hindi films, in addition to a few Tamil films. She has received four National Film Awards, five Filmfare Awards, three International Indian Film Academy Awards, and one award each from the Screen, Zee Cine, SIIMA, and Producers Guild award ceremonies.

    Ranaut made her acting debut in 2006 with a leading role in the romantic thriller Gangster, winning the Filmfare Award for Best Female Debut. Her portrayals of a character based on actress Parveen Babi in Woh Lamhe (2006) and a shrewd socialite in Life in a... Metro (2007) were lauded, with the latter earning her a Stardust Award for Breakthrough Performance – Female. She won the National Film Award for Best Supporting Actress and a Filmfare Award in the same category for playing a substance abusing supermodel in the drama Fashion (2008). Also in 2008, she featured in the Tamil film Dhaam Dhoom. (Full article...)
  • Image 4 Kangana Ranaut's performance in Queen garnered her several awards and nominations including the National Film Award for Best Actress at the 62nd National Film Awards. Queen is a 2013 Indian comedy-drama film directed by Vikas Bahl and produced by Anurag Kashyap and Vikramaditya Motwane. The film stars Kangana Ranaut in the lead role, and features Rajkummar Rao and Lisa Haydon in supporting roles. The film was edited by Abhijit Kokate and Kashyap, and the cinematography was provided by Bobby Singh. Amit Trivedi composed the musical score for the film. Queen tells the story of Rani, an under-confident woman, who embarks on her honeymoon alone after her fiancé calls off their wedding. Made on a budget of ₹125 million (US$1.5 million), Queen was released on 7 March 2014, and grossed ₹970 million (US$11 million) worldwide. The film garnered awards and nominations in several categories, with particular praise for its direction, performance of Ranaut, cinematography, and editing. As of June 2015, the film has won 32 awards. (Full article...)
    Kangana Ranaut's performance in Queen garnered her several awards and nominations including the National Film Award for Best Actress at the 62nd National Film Awards.


    Queen is a 2013 Indian comedy-drama film directed by Vikas Bahl and produced by Anurag Kashyap and Vikramaditya Motwane. The film stars Kangana Ranaut in the lead role, and features Rajkummar Rao and Lisa Haydon in supporting roles. The film was edited by Abhijit Kokate and Kashyap, and the cinematography was provided by Bobby Singh. Amit Trivedi composed the musical score for the film. Queen tells the story of Rani, an under-confident woman, who embarks on her honeymoon alone after her fiancé calls off their wedding.

    Made on a budget of ₹125 million (US$1.5 million), Queen was released on 7 March 2014, and grossed ₹970 million (US$11 million) worldwide. The film garnered awards and nominations in several categories, with particular praise for its direction, performance of Ranaut, cinematography, and editing. As of June 2015, the film has won 32 awards. (Full article...)
  • Image 5 Haasan in 2014 Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She started her career as a playback singer at the age of six in the 1992 Tamil film Thevar Magan. She had a brief role in her father, Kamal Haasan's Tamil-Hindi directorial Hey Ram (2000) as a child artist. Haasan's first major appearance was in the Hindi film Luck (2009), in which she played a dual role of a woman avenging her twin sister's death. She played the female lead in the films Anaganaga O Dheerudu and 7aum Arivu; both were released in 2011 and together earned her the Best Female Debut – South at the 59th Filmfare Awards South ceremony. Haasan's subsequent releases Oh My Friend (2011) and 3 (2012) were commercially unsuccessful. The latter earned her a nomination for the Best Actress – Tamil at the 60th Filmfare Awards South ceremony. A turning point came in Haasan's career with Harish Shankar's commercially successful Telugu film Gabbar Singh (2012). The release was followed by a series of successful films such as Balupu (2013) and Yevadu (2014). She received her first Filmfare Award for Best Actress – Telugu for her performance in Race Gurram (2014). (Full article...)
    Haasan in 2014


    Shruti Haasan is an Indian actress and singer who works in Telugu, Tamil and Hindi films. She started her career as a playback singer at the age of six in the 1992 Tamil film Thevar Magan. She had a brief role in her father, Kamal Haasan's Tamil-Hindi directorial Hey Ram (2000) as a child artist. Haasan's first major appearance was in the Hindi film Luck (2009), in which she played a dual role of a woman avenging her twin sister's death. She played the female lead in the films Anaganaga O Dheerudu and 7aum Arivu; both were released in 2011 and together earned her the Best Female Debut – South at the 59th Filmfare Awards South ceremony.

    Haasan's subsequent releases Oh My Friend (2011) and 3 (2012) were commercially unsuccessful. The latter earned her a nomination for the Best Actress – Tamil at the 60th Filmfare Awards South ceremony. A turning point came in Haasan's career with Harish Shankar's commercially successful Telugu film Gabbar Singh (2012). The release was followed by a series of successful films such as Balupu (2013) and Yevadu (2014). She received her first Filmfare Award for Best Actress – Telugu for her performance in Race Gurram (2014). (Full article...)
  • Image 6 Paradesi (transl. Vagabond) is a 2013 Indian Tamil-language period drama film written, produced and directed by Bala. The film features Atharvaa and Vedhika in the lead roles, with Sai Dhanshika, Uday Karthik, Riythvika and Jerry in supporting roles. The soundtrack and score were composed by G. V. Prakash Kumar. The cinematography was handled by Chezhiyan, while Kishore Te and L. V. K. Das were in charge of the editing. Based on Paul Harris Daniel's 1969 novel Red Tea, the film's story revolves around Raasa (Atharvaa), an unemployed villager who is misled into bonded labour at a tea plantation after being promised generous accommodation and wages by its supervisor (Jerry). Paradesi was made on a budget of ₹400 million and was released on 15 March 2013 to critical acclaim, but failed at the box office. The film won 37 awards from 59 nominations; its direction, performances of the cast members, music, cinematography, and costumes have received the most attention from award groups. (Full article...)
    Paradesi (transl. Vagabond) is a 2013 Indian Tamil-language period drama film written, produced and directed by Bala. The film features Atharvaa and Vedhika in the lead roles, with Sai Dhanshika, Uday Karthik, Riythvika and Jerry in supporting roles. The soundtrack and score were composed by G. V. Prakash Kumar. The cinematography was handled by Chezhiyan, while Kishore Te and L. V. K. Das were in charge of the editing. Based on Paul Harris Daniel's 1969 novel Red Tea, the film's story revolves around Raasa (Atharvaa), an unemployed villager who is misled into bonded labour at a tea plantation after being promised generous accommodation and wages by its supervisor (Jerry).

    Paradesi was made on a budget of ₹400 million and was released on 15 March 2013 to critical acclaim, but failed at the box office. The film won 37 awards from 59 nominations; its direction, performances of the cast members, music, cinematography, and costumes have received the most attention from award groups. (Full article...)
  • Image 7 Barfi! is a 2012 Indian romantic comedy-drama film written and directed by Anurag Basu and produced by UTV Motion Pictures. The film features Ranbir Kapoor, Priyanka Chopra, and Ileana D'Cruz in the lead roles, with Saurabh Shukla, Ashish Vidyarthi, and Roopa Ganguly playing supporting roles. The screenplay which incorporates a nonlinear narrative was co-written by Basu with his wife Tani. Pritam Chakraborty composed the musical and background score while Akiv Ali edited the film, with the cinematography provided by Ravi Varman. Set between 1972 and 2012, the film narrates the story of the title character from Darjeeling and his relationships with two women, Shruti and the autistic Jhilmil. Made on a budget of approximately ₹410 million (US$4.8 million), Barfi! opened worldwide on 14 September 2012 to widespread critical acclaim. It was a major commercial success, grossing ₹1.88 billion (US$22 million) at the box office. Barfi! has received various awards and nominations, with praise for its direction, the cast's performances, cinematography, screenplay, musical score, costume and production design. As of June 2015, the film has won 70 awards. (Full article...)

    Barfi! is a 2012 Indian romantic comedy-drama film written and directed by Anurag Basu and produced by UTV Motion Pictures. The film features Ranbir Kapoor, Priyanka Chopra, and Ileana D'Cruz in the lead roles, with Saurabh Shukla, Ashish Vidyarthi, and Roopa Ganguly playing supporting roles. The screenplay which incorporates a nonlinear narrative was co-written by Basu with his wife Tani. Pritam Chakraborty composed the musical and background score while Akiv Ali edited the film, with the cinematography provided by Ravi Varman. Set between 1972 and 2012, the film narrates the story of the title character from Darjeeling and his relationships with two women, Shruti and the autistic Jhilmil.

    Made on a budget of approximately ₹410 million (US$4.8 million), Barfi! opened worldwide on 14 September 2012 to widespread critical acclaim. It was a major commercial success, grossing ₹1.88 billion (US$22 million) at the box office. Barfi! has received various awards and nominations, with praise for its direction, the cast's performances, cinematography, screenplay, musical score, costume and production design. As of June 2015, the film has won 70 awards. (Full article...)
  • Image 8 James Faulkner is one of the only four bowlers to take multiple five-wicket hauls and the only to take multiple five-wicket hauls in the same season. In cricket, a five-wicket haul (also known as a "five-for" or "fifer") refers to a bowler taking five or more wickets in a single innings. This is regarded as a notable achievement, especially in T20 cricket where a bowler can bowl a maximum of only 24 balls (4 overs). The Indian Premier League (IPL) is a professional Twenty20 cricket league in India, which has been held annually since its first season in 2008. So far, 37 five-wicket hauls have been taken by different bowlers, of which only two five-wicket hauls have been taken outside India. Players from twelve of the thirteen teams have taken five-wicket hauls; Kochi Tuskers Kerala is the only franchise for which a player has not taken a five-wicket haul. The first five-wicket haul was taken by Sohail Tanvir of the Rajasthan Royals against the Chennai Super Kings on 4 May 2008. He finished the game with 6 wickets. The most economical five-wicket haul was taken by Akash Madhwal of the Mumbai Indians, who claimed five wickets with an economy rate of 1.43 in the 2023 season. Yuzvendra Chahal of the Rajasthan Royals took the least economical five-wicket haul, 5/40 bowling with an economy rate of 10.00 in 2021. Anil Kumble is the oldest bowler to take a five-wicket haul, achieving the feat at the age of 38, while Jaydev Unadkat is the youngest, he was 21 when he took his first five-for in 2013. (Full article...)
    James Faulkner is one of the only four bowlers to take multiple five-wicket hauls and the only to take multiple five-wicket hauls in the same season.

    In cricket, a five-wicket haul (also known as a "five-for" or "fifer") refers to a bowler taking five or more wickets in a single innings. This is regarded as a notable achievement, especially in T20 cricket where a bowler can bowl a maximum of only 24 balls (4 overs). The Indian Premier League (IPL) is a professional Twenty20 cricket league in India, which has been held annually since its first season in 2008. So far, 37 five-wicket hauls have been taken by different bowlers, of which only two five-wicket hauls have been taken outside India. Players from twelve of the thirteen teams have taken five-wicket hauls; Kochi Tuskers Kerala is the only franchise for which a player has not taken a five-wicket haul.
    The first five-wicket haul was taken by Sohail Tanvir of the Rajasthan Royals against the Chennai Super Kings on 4 May 2008. He finished the game with 6 wickets. The most economical five-wicket haul was taken by Akash Madhwal of the Mumbai Indians, who claimed five wickets with an economy rate of 1.43 in the 2023 season. Yuzvendra Chahal of the Rajasthan Royals took the least economical five-wicket haul, 5/40 bowling with an economy rate of 10.00 in 2021. Anil Kumble is the oldest bowler to take a five-wicket haul, achieving the feat at the age of 38, while Jaydev Unadkat is the youngest, he was 21 when he took his first five-for in 2013. (Full article...)
  • Image 9 Kapoor at the 2017 IIFA Awards Indian actor Shahid Kapoor began his career as a background dancer, making uncredited appearances in the films Dil To Pagal Hai (1997) and Taal (1999). He also appeared in several music videos, including one for the singer Kumar Sanu, before making his acting debut with a lead role in Ken Ghosh's romantic comedy Ishq Vishk (2003). The film was a sleeper hit, and Kapoor's portrayal of a teenage student earned him the Filmfare Award for Best Male Debut. He found little success in the next two years; all five of his releases, including the thriller Fida (2004) and the drama Shikhar (2005), were commercial failures. In 2006, Kapoor starred opposite Kareena Kapoor in 36 China Town and Chup Chup Ke, and played a prospective groom opposite Amrita Rao in Vivah, a commercially successful family drama from director Sooraj Barjatya. In the following year, he reunited with Kareena Kapoor in the romantic comedy Jab We Met, for which he received his first Best Actor nomination at Filmfare. In 2009, Kapoor portrayed twin brothers, one with a lisp and the other with a stutter, in Vishal Bhardwaj's critically acclaimed thriller Kaminey. He then appeared in a series of films which performed poorly at the box-office, including Mausam (2011) and Teri Meri Kahaani (2012). The 2013 action-drama R... Rajkumar proved to be his first commercial success in four years. (Full article...)
    Shahid Kapoor is looking away from the camera.
    Kapoor at the 2017 IIFA Awards


    Indian actor Shahid Kapoor began his career as a background dancer, making uncredited appearances in the films Dil To Pagal Hai (1997) and Taal (1999). He also appeared in several music videos, including one for the singer Kumar Sanu, before making his acting debut with a lead role in Ken Ghosh's romantic comedy Ishq Vishk (2003). The film was a sleeper hit, and Kapoor's portrayal of a teenage student earned him the Filmfare Award for Best Male Debut. He found little success in the next two years; all five of his releases, including the thriller Fida (2004) and the drama Shikhar (2005), were commercial failures.

    In 2006, Kapoor starred opposite Kareena Kapoor in 36 China Town and Chup Chup Ke, and played a prospective groom opposite Amrita Rao in Vivah, a commercially successful family drama from director Sooraj Barjatya. In the following year, he reunited with Kareena Kapoor in the romantic comedy Jab We Met, for which he received his first Best Actor nomination at Filmfare. In 2009, Kapoor portrayed twin brothers, one with a lisp and the other with a stutter, in Vishal Bhardwaj's critically acclaimed thriller Kaminey. He then appeared in a series of films which performed poorly at the box-office, including Mausam (2011) and Teri Meri Kahaani (2012). The 2013 action-drama R... Rajkumar proved to be his first commercial success in four years. (Full article...)
  • Image 10 The Mizoram Legislative Assembly is the unicameral legislature of Mizoram state in Northeast India. The seat of the legislative assembly is at Aizawl, the capital of the state. The assembly comprises 40 members directly elected from single-seat constituencies. It sits for a term of five years, unless it is dissolved early. Early dissolution of state assemblies happens when the governing party (or alliance) loses confidence of the assembly. This leads to either the President's Rule being imposed on the state, or early elections being called. Mizoram is the fourth-smallest state in India, covering 21,081 km2 (8,139 sq mi); and the second-least populous state with a population of 1.10 million. The Mizoram Legislative Assembly has existed since 1972, when it had 30 constituencies. Since the independence of India, the Scheduled Castes (SC) and Scheduled Tribes (ST) have been given reservation status, guaranteeing political representation, and the Constitution lays down the general principles of positive discrimination for STs and SCs. The 2011 census of India stated that the indigenous population constitutes 95% of the state's total population. The Scheduled Tribes have been granted a reservation of 39 seats in the Mizoram assembly, leaving only one (Aizawl East-I) unreserved. (Full article...)

    The Mizoram Legislative Assembly is the unicameral legislature of Mizoram state in Northeast India. The seat of the legislative assembly is at Aizawl, the capital of the state. The assembly comprises 40 members directly elected from single-seat constituencies. It sits for a term of five years, unless it is dissolved early. Early dissolution of state assemblies happens when the governing party (or alliance) loses confidence of the assembly. This leads to either the President's Rule being imposed on the state, or early elections being called. Mizoram is the fourth-smallest state in India, covering 21,081 km2 (8,139 sq mi); and the second-least populous state with a population of 1.10 million. The Mizoram Legislative Assembly has existed since 1972, when it had 30 constituencies.

    Since the independence of India, the Scheduled Castes (SC) and Scheduled Tribes (ST) have been given reservation status, guaranteeing political representation, and the Constitution lays down the general principles of positive discrimination for STs and SCs. The 2011 census of India stated that the indigenous population constitutes 95% of the state's total population. The Scheduled Tribes have been granted a reservation of 39 seats in the Mizoram assembly, leaving only one (Aizawl East-I) unreserved. (Full article...)
  • Image 11 Virat Kohli receiving Khel Ratna Award in 2018 The Khel Ratna Award (Hindi pronunciation: [kʰeːl rət̪nə]), officially known as the Major Dhyan Chand Khel Ratna Award (transl. Major Dhyan Chand Sport Jewel Award) or formerly known as the Rajiv Gandhi Khel Ratna Award, is the highest sporting honour of India. It is awarded annually by the Ministry of Youth Affairs and Sports, Government of India. Recipients are selected by a committee constituted by the Ministry and honoured for their "spectacular and most outstanding performance in the field of sports over a period of four years" at an international level. As of 2020[update], the award comprises a medallion, a certificate, and a cash prize of ₹25 lakh (US$29,000). (Full article...)

    Virat Kohli receiving Khel Ratna Award in 2018

    The Khel Ratna Award (Hindi pronunciation: [kʰeːl rət̪nə]), officially known as the Major Dhyan Chand Khel Ratna Award (transl. Major Dhyan Chand Sport Jewel Award) or formerly known as the Rajiv Gandhi Khel Ratna Award, is the highest sporting honour of India. It is awarded annually by the Ministry of Youth Affairs and Sports, Government of India.

    Recipients are selected by a committee constituted by the Ministry and honoured for their "spectacular and most outstanding performance in the field of sports over a period of four years" at an international level. As of 2020, the award comprises a medallion, a certificate, and a cash prize of ₹25 lakh (US$29,000). (Full article...)
  • Image 12 Bhatt at an event for RRR in 2021 Alia Bhatt is a British actress of Indian descent who predominantly works in Hindi films. As a child, she played a minor role in her father Mahesh Bhatt's production Sangharsh (1999), as the younger version of star Preity Zinta's character. In 2012, Bhatt had her first lead role in Karan Johar's teen film Student of the Year, but her performance in it was not well received. Two years later, she gained praise for playing a kidnapping victim in the drama Highway (2014), winning the Filmfare Critics Award for Best Actress. In the same year, her starring roles in the commercially successful romances 2 States and Humpty Sharma Ki Dulhania, both produced under Johar's studio Dharma Productions, established her as a leading actress. She also sang the single "Samjhawan Unplugged" for the latter film's soundtrack. In Bhatt's three film releases of 2016—Kapoor & Sons, Dear Zindagi, and Udta Punjab—she played young women in troubling circumstances. Her performance in the last of these won her the Filmfare Award for Best Actress. Following another romantic role in Badrinath Ki Dulhania (2017), she played a spy in the thriller Raazi (2018) and a volatile girlfriend in the musical drama Gully Boy (2019). She won two more Best Actress awards at Filmfare for the latter two. This was followed by two poorly received films, Kalank (2019) and Sadak 2 (2020). Bhatt gained further success in 2022 with a brief role in the Telugu period film RRR, and starring roles in the fantasy film Brahmāstra: Part One – Shiva and biopic Gangubai Kathiawadi, in which she starred as the titular prostitute; all three rank among the highest-grossing Indian films of the year. She won the National Film Award for Best Actress and her fourth Best Actress award at Filmfare for the last of these. She also produced and starred in the Netflix black comedy Darlings under her company Eternal Sunshine Productions, for which she received a Filmfare OTT Award. (Full article...)
    Alia Bhatt poses for the camera
    Bhatt at an event for RRR in 2021

    Alia Bhatt is a British actress of Indian descent who predominantly works in Hindi films. As a child, she played a minor role in her father Mahesh Bhatt's production Sangharsh (1999), as the younger version of star Preity Zinta's character. In 2012, Bhatt had her first lead role in Karan Johar's teen film Student of the Year, but her performance in it was not well received. Two years later, she gained praise for playing a kidnapping victim in the drama Highway (2014), winning the Filmfare Critics Award for Best Actress. In the same year, her starring roles in the commercially successful romances 2 States and Humpty Sharma Ki Dulhania, both produced under Johar's studio Dharma Productions, established her as a leading actress. She also sang the single "Samjhawan Unplugged" for the latter film's soundtrack.

    In Bhatt's three film releases of 2016—Kapoor & Sons, Dear Zindagi, and Udta Punjab—she played young women in troubling circumstances. Her performance in the last of these won her the Filmfare Award for Best Actress. Following another romantic role in Badrinath Ki Dulhania (2017), she played a spy in the thriller Raazi (2018) and a volatile girlfriend in the musical drama Gully Boy (2019). She won two more Best Actress awards at Filmfare for the latter two. This was followed by two poorly received films, Kalank (2019) and Sadak 2 (2020). Bhatt gained further success in 2022 with a brief role in the Telugu period film RRR, and starring roles in the fantasy film Brahmāstra: Part One – Shiva and biopic Gangubai Kathiawadi, in which she starred as the titular prostitute; all three rank among the highest-grossing Indian films of the year. She won the National Film Award for Best Actress and her fourth Best Actress award at Filmfare for the last of these. She also produced and starred in the Netflix black comedy Darlings under her company Eternal Sunshine Productions, for which she received a Filmfare OTT Award. (Full article...)
  • Image 13 Vijay garnered several awards and nominations for his performance as a father and his two sons in Mersal. Mersal (transl. Zapped) is a 2017 Indian vigilante action film directed by Atlee Kumar, who co-wrote the screenplay with V. Vijayendra Prasad and S. Ramana Girivasan. Produced by N. Ramasamy and Hema Rukmani under the banner of Thenandal Studio Limited, Mersal features Vijay in triple roles for the first time in his career. S. J. Surya, Kajal Aggarwal, Nithya Menen and Samantha Akkineni play the other lead roles while Vadivelu, Kovai Sarala and Sathyaraj feature as supporting characters. A. R. Rahman composed the film's soundtrack, while also handling the background score along with Qutub-E-Kripa. Ruben and G. K. Vishnu were in charge of the editing and cinematography respectively. The film follows two brothers, Vetri (Vijay), a renowned magician, and Maaran (Vijay), a doctor who charges meagre amounts for his patients, who try to expose the corrupt dealings and medical crimes of another doctor, Daniel Arockiaraj (Surya), who also happens to be the same person that killed their parents, Vetrimaaran (Vijay) and Aishwarya (Menen). Produced on a budget of ₹1.2 billion (about US$17.5 million in 2017), Mersal was released on 18 October 2017 and received positive reviews. It was also a commercial success, grossing ₹2.6 billion (about US$39.3 million in 2017) worldwide. The film won 35 awards from 57 nominations; its direction, screenplay, music and Vijay's performances received the most attention from award groups. (Full article...)

    Vijay garnered several awards and nominations for his performance as a father and his two sons in Mersal.

    Mersal (transl. Zapped) is a 2017 Indian vigilante action film directed by Atlee Kumar, who co-wrote the screenplay with V. Vijayendra Prasad and S. Ramana Girivasan. Produced by N. Ramasamy and Hema Rukmani under the banner of Thenandal Studio Limited, Mersal features Vijay in triple roles for the first time in his career. S. J. Surya, Kajal Aggarwal, Nithya Menen and Samantha Akkineni play the other lead roles while Vadivelu, Kovai Sarala and Sathyaraj feature as supporting characters. A. R. Rahman composed the film's soundtrack, while also handling the background score along with Qutub-E-Kripa. Ruben and G. K. Vishnu were in charge of the editing and cinematography respectively. The film follows two brothers, Vetri (Vijay), a renowned magician, and Maaran (Vijay), a doctor who charges meagre amounts for his patients, who try to expose the corrupt dealings and medical crimes of another doctor, Daniel Arockiaraj (Surya), who also happens to be the same person that killed their parents, Vetrimaaran (Vijay) and Aishwarya (Menen).

    Produced on a budget of ₹1.2 billion (about US$17.5 million in 2017), Mersal was released on 18 October 2017 and received positive reviews. It was also a commercial success, grossing ₹2.6 billion (about US$39.3 million in 2017) worldwide. The film won 35 awards from 57 nominations; its direction, screenplay, music and Vijay's performances received the most attention from award groups. (Full article...)
  • Image 14 Bowlers have taken fifty-three five-wicket hauls in Tests and two five-wicket hauls in One Day International matches played at Chepauk. M. A. Chidambaram Stadium (MAC), also known as the Chepauk Stadium or simply Chepauk due its location in the city's locality of Chepauk, is a sports ground in Chennai, India that has hosted international cricket matches along with provincial games. Named after M. A. Chidambaram, former President of Board of Control for Cricket in India (BCCI), the venue was formerly known as the Madras Cricket Club ground. It has a capacity of 38,000 spectators for international matches. It is the home ground of the Tamil Nadu cricket team and the Indian Premier League team Chennai Super Kings. The first Test at this venue took place in 1934, between India and England. As of February 2021, it has hosted a further 33 Test matches. Chepauk has also staged 22 One Day International (ODI) matches, the first of which was in 1987 when Australia defeated India in a group-match during the 1987 World Cup. In cricket, a five-wicket haul (also known as a "five-for" or "fifer") refers to a bowler taking five or more wickets in a single innings. This is regarded as a notable achievement. The first bowler to take a five-wicket haul in a Test match at Chepauk was Amar Singh for India against England in 1934; he finished the innings with bowling figures of 7 wickets for 86 runs. Australia's Ashley Mallett became the first to take two five-wicket hauls in the same match at Chepauk, when he took 5 for 91 and 5 for 53 in the second and fourth innings of the fifth Test of Australia's 1969–70 tour of India. Narendra Hirwani is the most recent cricketer and the first Indian to take two five-wicket hauls on debut. He took 8 for 61 and 8 for 75 against the West Indies during the fourth Test of the 1987–88 series between the teams, which was held at this ground, and finished the match with bowling figures of 16 for 136. These are also the best match-figures by any bowler on Test debut. The best figures in Test cricket at Chepauk are 8 for 55, taken by India's Vinoo Mankad against England in 1952. Axar Patel took the most recent five-wicket haul at Chepauk, with figures of 5 for 60 against England in their 2020–21 tour of India. As of September 2024, 33 bowlers have taken 53 Test match five-wicket hauls at this ground. (Full article...)
    M. A. Chidambaram Cricket Stadium
    Bowlers have taken fifty-three five-wicket hauls in Tests and two five-wicket hauls in One Day International matches played at Chepauk.

    M. A. Chidambaram Stadium (MAC), also known as the Chepauk Stadium or simply Chepauk due its location in the city's locality of Chepauk, is a sports ground in Chennai, India that has hosted international cricket matches along with provincial games. Named after M. A. Chidambaram, former President of Board of Control for Cricket in India (BCCI), the venue was formerly known as the Madras Cricket Club ground. It has a capacity of 38,000 spectators for international matches. It is the home ground of the Tamil Nadu cricket team and the Indian Premier League team Chennai Super Kings. The first Test at this venue took place in 1934, between India and England. As of February 2021, it has hosted a further 33 Test matches. Chepauk has also staged 22 One Day International (ODI) matches, the first of which was in 1987 when Australia defeated India in a group-match during the 1987 World Cup.

    In cricket, a five-wicket haul (also known as a "five-for" or "fifer") refers to a bowler taking five or more wickets in a single innings. This is regarded as a notable achievement. The first bowler to take a five-wicket haul in a Test match at Chepauk was Amar Singh for India against England in 1934; he finished the innings with bowling figures of 7 wickets for 86 runs. Australia's Ashley Mallett became the first to take two five-wicket hauls in the same match at Chepauk, when he took 5 for 91 and 5 for 53 in the second and fourth innings of the fifth Test of Australia's 1969–70 tour of India. Narendra Hirwani is the most recent cricketer and the first Indian to take two five-wicket hauls on debut. He took 8 for 61 and 8 for 75 against the West Indies during the fourth Test of the 1987–88 series between the teams, which was held at this ground, and finished the match with bowling figures of 16 for 136. These are also the best match-figures by any bowler on Test debut. The best figures in Test cricket at Chepauk are 8 for 55, taken by India's Vinoo Mankad against England in 1952. Axar Patel took the most recent five-wicket haul at Chepauk, with figures of 5 for 60 against England in their 2020–21 tour of India. As of September 2024, 33 bowlers have taken 53 Test match five-wicket hauls at this ground. (Full article...)
  • Image 15 The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26 January) and registered in The Gazette of India—a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The name of recipient, whose award have been revoked or restored, both of which require the authority of the President, is archived and they are required to surrender their medal when their name is struck from the register; none of the conferments of Padma Bhushan during 1970–1979 have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals. When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. On 15 January 1955, the Padma Vibhushan was reclassified into three different awards as the Padma Vibhushan, the Padma Bhushan and the Padma Shri. The criteria included "distinguished service of a high order in any field including service rendered by Government servants", but excluded those working with the public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards; this was subsequently modified in the January 1955 statute. The design was also changed to the form that is currently in use; it portrays a circular-shaped toned bronze medallion 1+3⁄4 inches (44 mm) in diameter and 1⁄8 inch (3.2 mm) thick. The centrally placed pattern made of outer lines of a square of 1+3⁄16-inch (30 mm) side is embossed with a knob carved within each of the outer angles of the pattern. A raised circular space of diameter 1+1⁄16 inches (27 mm) is placed at the centre of the decoration. A centrally located lotus flower is embossed on the obverse side of the medal and the text "Padma" is placed above and the text "Bhushan" is placed below the lotus written in Devanagari script. The State Emblem of India is displayed in the centre of the reverse side, together with the national motto of India, "Satyameva Jayate" (Truth alone triumphs) in Devanagari script, which is inscribed on the lower edge. The rim, the edges and all embossing on either side is of standard gold with the text "Padma Bhushan" of gold gilt. The medal is suspended by a pink riband 1+1⁄4 inches (32 mm) in width with a broad white stripe in the middle. It is ranked fifth in the order of precedence of wearing of medals and decorations of the Indian civilian and military awards. (Full article...)

    The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26 January) and registered in The Gazette of India—a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The name of recipient, whose award have been revoked or restored, both of which require the authority of the President, is archived and they are required to surrender their medal when their name is struck from the register; none of the conferments of Padma Bhushan during 1970–1979 have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals.

    When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. On 15 January 1955, the Padma Vibhushan was reclassified into three different awards as the Padma Vibhushan, the Padma Bhushan and the Padma Shri. The criteria included "distinguished service of a high order in any field including service rendered by Government servants", but excluded those working with the public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards; this was subsequently modified in the January 1955 statute. The design was also changed to the form that is currently in use; it portrays a circular-shaped toned bronze medallion 1+3⁄4 inches (44 mm) in diameter and 1⁄8 inch (3.2 mm) thick. The centrally placed pattern made of outer lines of a square of 1+3⁄16-inch (30 mm) side is embossed with a knob carved within each of the outer angles of the pattern. A raised circular space of diameter 1+1⁄16 inches (27 mm) is placed at the centre of the decoration. A centrally located lotus flower is embossed on the obverse side of the medal and the text "Padma" is placed above and the text "Bhushan" is placed below the lotus written in Devanagari script. The State Emblem of India is displayed in the centre of the reverse side, together with the national motto of India, "Satyameva Jayate" (Truth alone triumphs) in Devanagari script, which is inscribed on the lower edge. The rim, the edges and all embossing on either side is of standard gold with the text "Padma Bhushan" of gold gilt. The medal is suspended by a pink riband 1+1⁄4 inches (32 mm) in width with a broad white stripe in the middle. It is ranked fifth in the order of precedence of wearing of medals and decorations of the Indian civilian and military awards. (Full article...)
  • Image 16 Neerja is a 2016 Indian Hindi-language biographical thriller film directed by Ram Madhvani and produced by Atul Kasbekar. The film stars Sonam Kapoor as Neerja Bhanot and features Shekhar Ravjiani, Shabana Azmi and Yogendra Tiku among others in supporting roles. The film's script and screenplay were penned by Saiwyn Quadras, the dialogue was written by Sanyuktha Chawla Sheikh, and the editing was handled by Monisha R Baldawa. Set in Karachi, the plot of Neerja centres on the Libyan-backed Abu Nidal Organization's hijacking of Pan Am Flight 73 in Karachi, Pakistan, on 5 September 1986. The film is shown from the point of view of the flight's head purser, Neerja Bhanot, who died saving passengers on the hijacked flight. Made on a budget of ₹200 million (US$3.1 million), Neerja was released on 19 February 2016, and grossed ₹1.35 billion (US$16 million) worldwide. The film won 31 awards from 45 nominations; its direction and performances of the cast members have received the most attention from award groups. (Full article...)
    Neerja is a 2016 Indian Hindi-language biographical thriller film directed by Ram Madhvani and produced by Atul Kasbekar. The film stars Sonam Kapoor as Neerja Bhanot and features Shekhar Ravjiani, Shabana Azmi and Yogendra Tiku among others in supporting roles. The film's script and screenplay were penned by Saiwyn Quadras, the dialogue was written by Sanyuktha Chawla Sheikh, and the editing was handled by Monisha R Baldawa. Set in Karachi, the plot of Neerja centres on the Libyan-backed Abu Nidal Organization's hijacking of Pan Am Flight 73 in Karachi, Pakistan, on 5 September 1986. The film is shown from the point of view of the flight's head purser, Neerja Bhanot, who died saving passengers on the hijacked flight.

    Made on a budget of ₹200 million (US$3.1 million), Neerja was released on 19 February 2016, and grossed ₹1.35 billion (US$16 million) worldwide. The film won 31 awards from 45 nominations; its direction and performances of the cast members have received the most attention from award groups. (Full article...)
  • Image 17 In cricket, a batsman reaches a triple century if they score 300 or more runs in a single innings. The Ranji Trophy is the premier first-class cricket championship played in India. Conducted by the Board of Control for Cricket in India, it was founded in 1934 as "The Cricket Championship of India". As of January 2020[update], a triple century has been scored on 46 occasions by 41 different batsmen in the Ranji Trophy. The first triple century in the Ranji Trophy was scored by Maharashtra's Vijay Hazare against Baroda in the 1939–40 season. As of November January 2023[update], the most recent triple century in the tournament was scored by Prithvi Shaw from Mumbai, who made 379 against Assam in the 2022–23 season. The highest score in the competition was made by B. B. Nimbalkar, who scored 443 runs not out for Maharashtra against Kathiawar in the 1948–49 season. It is the only instance of a quadruple century in the tournament. The highest number of triple centuries are scored by Ravindra Jadeja, who has reached the milestone three times while playing for Saurashtra. Jadeja is followed by V. V. S. Laxman, Cheteshwar Pujara, and Wasim Jaffer, with two triple centuries each. Tamil Nadu's Woorkeri Raman and Arjan Kripal Singh are the only two batsmen to score triple centuries in the same innings. As of December 2016[update], five batsmen have scored 290–299 runs in an innings, and three of them were not out. (Full article...)
    In cricket, a batsman reaches a triple century if they score 300 or more runs in a single innings. The Ranji Trophy is the premier first-class cricket championship played in India. Conducted by the Board of Control for Cricket in India, it was founded in 1934 as "The Cricket Championship of India". As of January 2020, a triple century has been scored on 46 occasions by 41 different batsmen in the Ranji Trophy.

    The first triple century in the Ranji Trophy was scored by Maharashtra's Vijay Hazare against Baroda in the 1939–40 season. As of November January 2023, the most recent triple century in the tournament was scored by Prithvi Shaw from Mumbai, who made 379 against Assam in the 2022–23 season. The highest score in the competition was made by B. B. Nimbalkar, who scored 443 runs not out for Maharashtra against Kathiawar in the 1948–49 season. It is the only instance of a quadruple century in the tournament. The highest number of triple centuries are scored by Ravindra Jadeja, who has reached the milestone three times while playing for Saurashtra. Jadeja is followed by V. V. S. Laxman, Cheteshwar Pujara, and Wasim Jaffer, with two triple centuries each. Tamil Nadu's Woorkeri Raman and Arjan Kripal Singh are the only two batsmen to score triple centuries in the same innings. As of December 2016, five batsmen have scored 290–299 runs in an innings, and three of them were not out. (Full article...)
  • Image 18 Mani Ratnam is an Indian filmmaker who works predominantly in Tamil cinema. Regarded as one of the greatest Indian filmmakers, he is credited with redefining the "range and depth of Tamil cinema". As of 2019, he has directed 28 films, and produced over 15 under his production company Madras Talkies. Mani Ratnam made his directorial debut, without formal training or education in filmmaking, with the Kannada film Pallavi Anu Pallavi (1983). The critically acclaimed film, which he also wrote, won him the Karnataka State Film Award for Best Screenplay. Then he entered Malayalam film industry with Unaroo, which was based on then prevailing trade union politics. His first Tamil film Pagal Nilavu (1985) was a commercial failure, but immediately followed Idaya Kovil (1985) found theatrical success. The following year, he made the romantic drama Mouna Ragam, which narrated the story of a young woman who is forced into an arranged marriage by her family. The critical and commercial success of the film established him as a leading filmmaker in Tamil cinema. His next release Nayakan, starring Kamal Haasan, was inspired by the life of the Bombay-based gangster Varadarajan Mudaliar. The film was submitted by India as its official entry for the 60th Academy Awards. Later in 2005, Nayakan was included in Time's "All-Time 100 Movies" list. Mani Ratnam followed this with the tragic romance Geethanjali (1989), which marked his Telugu cinema debut; the tragedy Anjali (1990), which narrated the story of an autistic child; and the crime drama Thalapathi (1991), loosely adapted from the Indian epic Mahabharata. In 1992, he made the romantic thriller Roja for Kavithalayaa Productions. The film was dubbed into many Indian languages, including Hindi, and its widespread success brought national recognition to Mani Ratnam. Three years later, he made Bombay (1995), which was based on the 1992–93 Bombay riots. Although controversial for its depiction of religious riots, the film met with wide critical acclaim and became commercially successful in India. (Full article...)
    Mani Ratnam is an Indian filmmaker who works predominantly in Tamil cinema. Regarded as one of the greatest Indian filmmakers, he is credited with redefining the "range and depth of Tamil cinema". As of 2019, he has directed 28 films, and produced over 15 under his production company Madras Talkies.

    Mani Ratnam made his directorial debut, without formal training or education in filmmaking, with the Kannada film Pallavi Anu Pallavi (1983). The critically acclaimed film, which he also wrote, won him the Karnataka State Film Award for Best Screenplay. Then he entered Malayalam film industry with Unaroo, which was based on then prevailing trade union politics. His first Tamil film Pagal Nilavu (1985) was a commercial failure, but immediately followed Idaya Kovil (1985) found theatrical success. The following year, he made the romantic drama Mouna Ragam, which narrated the story of a young woman who is forced into an arranged marriage by her family. The critical and commercial success of the film established him as a leading filmmaker in Tamil cinema. His next release Nayakan, starring Kamal Haasan, was inspired by the life of the Bombay-based gangster Varadarajan Mudaliar. The film was submitted by India as its official entry for the 60th Academy Awards. Later in 2005, Nayakan was included in Time's "All-Time 100 Movies" list. Mani Ratnam followed this with the tragic romance Geethanjali (1989), which marked his Telugu cinema debut; the tragedy Anjali (1990), which narrated the story of an autistic child; and the crime drama Thalapathi (1991), loosely adapted from the Indian epic Mahabharata. In 1992, he made the romantic thriller Roja for Kavithalayaa Productions. The film was dubbed into many Indian languages, including Hindi, and its widespread success brought national recognition to Mani Ratnam. Three years later, he made Bombay (1995), which was based on the 1992–93 Bombay riots. Although controversial for its depiction of religious riots, the film met with wide critical acclaim and became commercially successful in India. (Full article...)
  • Image 19 The extreme points of India include the coordinates that are further north, south, east or west than any other location in India; and the highest and the lowest altitudes in the country. The northernmost point claimed by India is in territory disputed between India and Pakistan, and administered partially by both. With the exception of Kanyakumari, the southernmost location of mainland India, all other extreme locations are uninhabited. The latitude and longitude are expressed in decimal degree notation, in which a positive latitude value refers to the northern hemisphere, and a negative value refers to the southern hemisphere. Similarly, a positive longitude value refers to the eastern hemisphere, and a negative value refers to the western hemisphere. The coordinates used in this article are sourced from Google Earth, which makes use of the WGS84 geodetic reference system. Additionally, a negative altitude value refers to land below sea level. (Full article...)
    The extreme points of India include the coordinates that are further north, south, east or west than any other location in India; and the highest and the lowest altitudes in the country. The northernmost point claimed by India is in territory disputed between India and Pakistan, and administered partially by both. With the exception of Kanyakumari, the southernmost location of mainland India, all other extreme locations are uninhabited.

    The latitude and longitude are expressed in decimal degree notation, in which a positive latitude value refers to the northern hemisphere, and a negative value refers to the southern hemisphere. Similarly, a positive longitude value refers to the eastern hemisphere, and a negative value refers to the western hemisphere. The coordinates used in this article are sourced from Google Earth, which makes use of the WGS84 geodetic reference system. Additionally, a negative altitude value refers to land below sea level. (Full article...)
  • Image 20 The J. C. Daniel Award is the highest award in Malayalam cinema, established by the Government of Kerala, India. It is presented annually by the Kerala State Chalachitra Academy, a non-profit institution operating under the Department of Cultural Affairs, Kerala. Instituted in 1992, the award recognizes individuals for their "outstanding contributions to Malayalam cinema". Recipients are selected by a jury appointed by the Kerala State Chalachitra Academy and the Department of Cultural Affairs. As of 2021[update], the honourees receive a statuette, a citation, and a cash prize of ₹500,000 (US$5,800). They are honoured at the Kerala State Film Awards ceremony. The Government of Kerala created the award to commemorate the contribution of Indian filmmaker J. C. Daniel, who is often regarded as the "father of Malayalam cinema". The J. C. Daniel Award was managed by the Department of Cultural Affairs until 1997. In 1998, the Government of Kerala constituted the Kerala State Chalachitra Academy, and since that year, the Academy has hosted the award. A cash prize of ₹50,000 (US$580) was granted with the award until 2002. In 2003, the prize money was doubled and, as part of a technical correction to update it, no award was presented that year. Actor Madhu was the first recipient of the award with the increased monetary prize of ₹100,000 (US$1,200) in 2004. Since 2016, the cash prize is ₹500,000 (US$5,800). (Full article...)
    The J. C. Daniel Award is the highest award in Malayalam cinema, established by the Government of Kerala, India. It is presented annually by the Kerala State Chalachitra Academy, a non-profit institution operating under the Department of Cultural Affairs, Kerala. Instituted in 1992, the award recognizes individuals for their "outstanding contributions to Malayalam cinema". Recipients are selected by a jury appointed by the Kerala State Chalachitra Academy and the Department of Cultural Affairs. As of 2021, the honourees receive a statuette, a citation, and a cash prize of ₹500,000 (US$5,800). They are honoured at the Kerala State Film Awards ceremony.

    The Government of Kerala created the award to commemorate the contribution of Indian filmmaker J. C. Daniel, who is often regarded as the "father of Malayalam cinema". The J. C. Daniel Award was managed by the Department of Cultural Affairs until 1997. In 1998, the Government of Kerala constituted the Kerala State Chalachitra Academy, and since that year, the Academy has hosted the award. A cash prize of ₹50,000 (US$580) was granted with the award until 2002. In 2003, the prize money was doubled and, as part of a technical correction to update it, no award was presented that year. Actor Madhu was the first recipient of the award with the increased monetary prize of ₹100,000 (US$1,200) in 2004. Since 2016, the cash prize is ₹500,000 (US$5,800). (Full article...)
  • Image 21 Hrithik Roshan garnered several awards and nominations for his performance in Koi... Mil Gaya. Koi... Mil Gaya (transl. I Have Found Someone...) is a 2003 Indian Hindi-language science fiction film directed and produced by Rakesh Roshan. Starring Hrithik Roshan and Preity Zinta, the film focuses on Rohit (Hrithik Roshan), a developmentally disabled man who comes into contact with an extraterrestrial being while using the computer of his late father Sanjay (Rakesh Roshan). In addition to writing the film's story, Rakesh Roshan also created its screenplay along with Sachin Bhowmick, Honey Irani, and Robin Bhatt. The cinematography was handled by Ravi K. Chandran and Sameer Arya, and the production designer was Sharmishta Roy. Farah Khan, Raju Khan, and Ganesh Hegde served as the choreographers, while Allan Amin and Tinu Verma completed the action direction. Rajesh Roshan and Sanjay Verma were the music director and editor, respectively. Produced on a budget of between ₹250 million (US$2.9 million) and ₹350 million (US$4.1 million), Koi... Mil Gaya was released on 8 August 2003 and received positive reviews from critics. A commercial success, the film emerged as the second-highest-grossing Indian film of the year, earning ₹823.3 million (US$9.6 million) in India and abroad. The film won 35 awards out of 71 nominations; the direction, performances of the cast, choreography, and special effects garnered the most attention from various award groups. (Full article...)

    Hrithik Roshan garnered several awards and nominations for his performance in Koi... Mil Gaya.

    Koi... Mil Gaya (transl. I Have Found Someone...) is a 2003 Indian Hindi-language science fiction film directed and produced by Rakesh Roshan. Starring Hrithik Roshan and Preity Zinta, the film focuses on Rohit (Hrithik Roshan), a developmentally disabled man who comes into contact with an extraterrestrial being while using the computer of his late father Sanjay (Rakesh Roshan). In addition to writing the film's story, Rakesh Roshan also created its screenplay along with Sachin Bhowmick, Honey Irani, and Robin Bhatt. The cinematography was handled by Ravi K. Chandran and Sameer Arya, and the production designer was Sharmishta Roy. Farah Khan, Raju Khan, and Ganesh Hegde served as the choreographers, while Allan Amin and Tinu Verma completed the action direction. Rajesh Roshan and Sanjay Verma were the music director and editor, respectively.

    Produced on a budget of between ₹250 million (US$2.9 million) and ₹350 million (US$4.1 million), Koi... Mil Gaya was released on 8 August 2003 and received positive reviews from critics. A commercial success, the film emerged as the second-highest-grossing Indian film of the year, earning ₹823.3 million (US$9.6 million) in India and abroad. The film won 35 awards out of 71 nominations; the direction, performances of the cast, choreography, and special effects garnered the most attention from various award groups. (Full article...)
  • Image 22 The Chameli Devi Jain Award for Outstanding Woman Mediaperson is an Indian journalism award named after Chameli Devi Jain, an Indian independence activist who became the first Jain woman to go to prison during India's independence struggle. The award was instituted in 1980 by The Media Foundation and is given to women in the field of journalism. According to Business Standard, the award is "perhaps India's longest running media award for women". The Media Foundation was founded in 1979 by B. G. Verghese, Lakshmi Chand Jain, Prabhash Joshi, Ajit Bhattacharjea and N. S. Jagannathan. The award was instituted in 1980 by Verghese and the family of Chameli Devi. The criteria for selection include social concern, dedication, courage and compassion in the individual's work. Journalists in print, digital and broadcast are eligible including photographers, cartoonists and newspaper designers; the entries are judged by an independent jury. Preferences are given to rural or small-town journalists and journalists in regional Indian languages. (Full article...)
    The Chameli Devi Jain Award for Outstanding Woman Mediaperson is an Indian journalism award named after Chameli Devi Jain, an Indian independence activist who became the first Jain woman to go to prison during India's independence struggle. The award was instituted in 1980 by The Media Foundation and is given to women in the field of journalism. According to Business Standard, the award is "perhaps India's longest running media award for women".

    The Media Foundation was founded in 1979 by B. G. Verghese, Lakshmi Chand Jain, Prabhash Joshi, Ajit Bhattacharjea and N. S. Jagannathan. The award was instituted in 1980 by Verghese and the family of Chameli Devi. The criteria for selection include social concern, dedication, courage and compassion in the individual's work. Journalists in print, digital and broadcast are eligible including photographers, cartoonists and newspaper designers; the entries are judged by an independent jury. Preferences are given to rural or small-town journalists and journalists in regional Indian languages. (Full article...)
  • Image 23 Recent winner : Blessy for the Movie, The Goat Life The Kerala State Film Award for Best Director is an honour presented annually at the Kerala State Film Awards of India since 1969. It is given to a film director who has exhibited outstanding direction while working in the Malayalam film industry. Until 1997, the awards were managed directly by the Department of Cultural Affairs of the Government of Kerala. Since 1998, the Kerala State Chalachitra Academy, an autonomous non-profit organisation functioning under the Department of Cultural Affairs, has been exercising control over the awards. The recipients are decided by an independent jury formed by the academy. They are declared by the Minister for Cultural Affairs and are presented by the Chief Minister. The first Kerala State Film Awards ceremony was held in 1970 with cinematographer-director A. Vincent receiving the Best Director award for his work in Nadhi (1969). Throughout the years, accounting for ties and repeat winners, the Government of Kerala has presented a total of 50 best director awards to 25 different filmmakers. The recipients receive a figurine, a certificate, and a cash prize of ₹2 lakh (US$2,300). (Full article...)

    Recent winner : Blessy for the Movie, The Goat Life

    The Kerala State Film Award for Best Director is an honour presented annually at the Kerala State Film Awards of India since 1969. It is given to a film director who has exhibited outstanding direction while working in the Malayalam film industry. Until 1997, the awards were managed directly by the Department of Cultural Affairs of the Government of Kerala. Since 1998, the Kerala State Chalachitra Academy, an autonomous non-profit organisation functioning under the Department of Cultural Affairs, has been exercising control over the awards. The recipients are decided by an independent jury formed by the academy. They are declared by the Minister for Cultural Affairs and are presented by the Chief Minister.

    The first Kerala State Film Awards ceremony was held in 1970 with cinematographer-director A. Vincent receiving the Best Director award for his work in Nadhi (1969). Throughout the years, accounting for ties and repeat winners, the Government of Kerala has presented a total of 50 best director awards to 25 different filmmakers. The recipients receive a figurine, a certificate, and a cash prize of ₹2 lakh (US$2,300). (Full article...)
  • Image 24 The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26 January) and registered in The Gazette of India—a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The name of recipient, whose award have been revoked or restored, both of which require the authority of the President, is archived and they are required to surrender their medal when their name is struck from the register; none of the conferments of Padma Bhushan during 1980–1989 have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals. When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. On 15 January 1955, the Padma Vibhushan was reclassified into three different awards as the Padma Vibhushan, the Padma Bhushan and the Padma Shri. The criteria included "distinguished service of a high order in any field including service rendered by Government servants", but excluded those working with the public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards; this was subsequently modified in the January 1955 statute. The design was also changed to the form that is currently in use; it portrays a circular-shaped toned bronze medallion 1+3⁄4 inches (44 mm) in diameter and 1⁄8 inch (3.2 mm) thick. The centrally placed pattern made of outer lines of a square of 1+3⁄16 inches (30 mm) side is embossed with a knob carved within each of the outer angles of the pattern. A raised circular space of diameter 1+1⁄16 inches (27 mm) is placed at the centre of the decoration. A centrally located lotus flower is embossed on the obverse side of the medal and the text "Padma" is placed above and the text "Bhushan" is placed below the lotus written in Devanagari script. The State Emblem of India is displayed in the centre of the reverse side, together with the national motto of India, "Satyameva Jayate" (Truth alone triumphs) in Devanagari script, which is inscribed on the lower edge. The rim, the edges and all embossing on either side is of standard gold with the text "Padma Bhushan" of gold gilt. The medal is suspended by a pink riband 1+1⁄4 inches (32 mm) in width with a broad white stripe in the middle. It is ranked fifth in the order of precedence of wearing of medals and decorations of the Indian civilian and military awards. (Full article...)

    The Padma Bhushan is the third-highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is given for "distinguished service of a high order", without distinction of race, occupation, position, or sex. The recipients receive a Sanad, a certificate signed by the President of India and a circular-shaped medallion with no monetary association. The recipients are announced every year on Republic Day (26 January) and registered in The Gazette of India—a publication used for official government notices and released weekly by the Department of Publication, under the Ministry of Urban Development. The conferral of the award is not considered official without its publication in the Gazette. The name of recipient, whose award have been revoked or restored, both of which require the authority of the President, is archived and they are required to surrender their medal when their name is struck from the register; none of the conferments of Padma Bhushan during 1980–1989 have been revoked or restored. The recommendations are received from all the state and the union territory governments, as well as from Ministries of the Government of India, the Bharat Ratna and the Padma Vibhushan awardees, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals.

    When instituted in 1954, the Padma Bhushan was classified as "Dusra Varg" (Class II) under the three-tier Padma Vibhushan awards, which were preceded by the Bharat Ratna in hierarchy. On 15 January 1955, the Padma Vibhushan was reclassified into three different awards as the Padma Vibhushan, the Padma Bhushan and the Padma Shri. The criteria included "distinguished service of a high order in any field including service rendered by Government servants", but excluded those working with the public sector undertakings with the exception of doctors and scientists. The 1954 statutes did not allow posthumous awards; this was subsequently modified in the January 1955 statute. The design was also changed to the form that is currently in use; it portrays a circular-shaped toned bronze medallion 1+3⁄4 inches (44 mm) in diameter and 1⁄8 inch (3.2 mm) thick. The centrally placed pattern made of outer lines of a square of 1+3⁄16 inches (30 mm) side is embossed with a knob carved within each of the outer angles of the pattern. A raised circular space of diameter 1+1⁄16 inches (27 mm) is placed at the centre of the decoration. A centrally located lotus flower is embossed on the obverse side of the medal and the text "Padma" is placed above and the text "Bhushan" is placed below the lotus written in Devanagari script. The State Emblem of India is displayed in the centre of the reverse side, together with the national motto of India, "Satyameva Jayate" (Truth alone triumphs) in Devanagari script, which is inscribed on the lower edge. The rim, the edges and all embossing on either side is of standard gold with the text "Padma Bhushan" of gold gilt. The medal is suspended by a pink riband 1+1⁄4 inches (32 mm) in width with a broad white stripe in the middle. It is ranked fifth in the order of precedence of wearing of medals and decorations of the Indian civilian and military awards. (Full article...)
  • Image 25 Members of the Indian cricket team before a Women's World Twenty20 game in Sydney, 2009. A women's Twenty20 International (WT20I) is a 20 overs-per-side cricket match played in a maximum of 150 minutes between two ICC member sides, and is played under the rules of Twenty20 cricket. The first such match was held in August 2004 between England and New Zealand. The India women's national cricket team played its first WT20I against England in August 2006; India won the match by eight wickets. Since the team made its first WT20I appearance in 2006, 73 players—including five different captains—have represented India in the format. The list is arranged in the order in which each player won her first Twenty20 cap. Where more than one player won her first Twenty20 cap in the same match, those players are listed alphabetically by surname. (Full article...)
    Eight female cricketers stand on a field. Two players are in red practice jerseys; three other players in red jerseys are facing toward them; a player in a blue shirt is facing away and hides another player in a blue game shirt. In the upper left corner is a fan with an Indian flag.
    Members of the Indian cricket team before a Women's World Twenty20 game in Sydney, 2009.


    A women's Twenty20 International (WT20I) is a 20 overs-per-side cricket match played in a maximum of 150 minutes between two ICC member sides, and is played under the rules of Twenty20 cricket. The first such match was held in August 2004 between England and New Zealand. The India women's national cricket team played its first WT20I against England in August 2006; India won the match by eight wickets.

    Since the team made its first WT20I appearance in 2006, 73 players—including five different captains—have represented India in the format. The list is arranged in the order in which each player won her first Twenty20 cap. Where more than one player won her first Twenty20 cap in the same match, those players are listed alphabetically by surname. (Full article...)
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26 April 2025 – 2025 India–Pakistan diplomatic crisis
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24 April 2025 – India–Pakistan relations
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