This portal is focused on music production within the era of written records through sound recordings, digital downloads, and beyond. Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of the production element. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time. The record producer conjoins these potential, and serves as a broker to bridge the demand (spawned by their aspirations) with supply and satisfaction. The results are measurable and attributable, derived from effort and skillful application of craft, to a manifestation of the art in its melodic form. (Read more)
Collaborating with Johar in a first, Shankar–Ehsaan–Loy composed the original soundtrack and background score, with Javed Akhtar writing the lyrics. Anil Mehta, Manish Malhotra, and Sharmishta Roy were the cinematographer, costume designer and art director, respectively. Principal photography took place in Toronto, New York City, and Mumbai from January to October 2003. Filming was stalled for around six months due to Shahrukh Khan's illness. The soundtrack was released on 27 September 2003 to positive reviews; the title song, "It's The Time To Disco", "Kuch To Hua Hai", and "Pretty Woman" were particularly well-received. (Full article...)
By the Way was lauded by critics as a departure from the band's previous styles, and is recognized for the melodic and subdued emotions given by the Chili Peppers. Guitarist John Frusciante is credited with writing most of the album's melodies, backing vocal arrangements, bass lines, and guitar progressions, therefore changing the direction of the recording dramatically: "his warm, understated guitar work and his doo-wop style vocal harmonies are king this time around." By the Way contained very little of the signature funk-metal fusion the band had become known for playing. Frusciante has stated that writing "By the Way [was] one of the happiest times in my life." The album went on to sell more than eight million copies worldwide. The album has come to be regarded by many as one of the band's finest works. (Full article...)
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The three Rhinemaidens at play in the waters of the Rhine. Illustration from Stories of the Wagner Opera by H. A. Guerber, 1905. The Rhinemaidens are the three water-nymphs (Rheintöchter or "Rhine daughters") who appear in Richard Wagner's opera cycle Der Ring des Nibelungen. Their individual names are Woglinde, Wellgunde and Flosshilde (Floßhilde), although they are generally treated as a single entity and they act together accordingly. Of the 34 characters in the Ring cycle, they are the only ones who did not originate in the Old NorseEddas. Wagner created his Rhinemaidens from other legends and myths, most notably the Nibelungenlied which contains stories involving water sprites (nixies) or mermaids of the Danube.
The key concepts associated with the Rhinemaidens in the Ring operas—their flawed guardianship of the Rhine gold, and the condition (the renunciation of love) through which the gold could be stolen from them and then transformed into a means of obtaining world power—are wholly Wagner's own invention, and are the elements that initiate and propel the entire drama. (Full article...)
"Hey Baby" received generally positive reviews from music critics, although its dancehall influences had a mixed reception. An accompanying music video features scenes that mimic the parties No Doubt attending while recording the parent album in Jamaica. "Hey Baby" was commercially successful, peaking at number five on the US Billboard Hot 100. It also reached the top-ten in several other countries, including Australia, Germany, New Zealand and the United Kingdom. At the 45th Grammy Awards, No Doubt won the Grammy Award for Best Pop Performance by a Duo or Group with Vocal. (Full article...)
Rimsky-Korsakov believed in developing a nationalistic style of classical music, as did his fellow composer Mily Balakirev and the critic Vladimir Stasov. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. Rimsky-Korsakov's techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner. (Full article...)
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Here Is Mariah Carey, also known as Mariah Carey or This Is Mariah Carey, is the third video album by American singer Mariah Carey. It presents Carey performing live at Proctor's Theatre in Schenectady, New York, in July 1993, and also includes non-concert footage. Carey performs ten songs during the video; four are from her third studio album Music Box (1993), which Columbia Records commissioned Here Is Mariah Carey to promote. She is sporadically accompanied by a band, choir, dancers, and string musicians. In creating the stage for the performance, production designers sought inspiration from works by Boris Aronson and Josep Maria Jujol. Lawrence Jordan, who collaborated with Carey on previous occasions, directed the hour-long video.
Approximately 4,500 people attended tapings at Proctor's Theater, and 19 million watched it on television network NBC during its original broadcast on November 25, 1993. Columbia Music Video released it on VHS five days later to generally positive reviews from critics. Although they complimented Carey's voice, many felt the non-concert scenes were redundant. Here Is Mariah Carey peaked at number four on the United States video album chart published by Billboard. Earning a Platinum certification from the Recording Industry Association of America, it was one of the best-selling video albums of 1994 and 1995 in that country. The video also spent six weeks at number one on the Official Charts Company's music videos chart in the United Kingdom. (Full article...)
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Shostakovich in 1942
Dmitri Dmitriyevich Shostakovich (25 September [O.S. 12 September] 1906 – 9 August 1975) was a Soviet-era Russian composer and pianist who became internationally known after the premiere of his First Symphony in 1926 and thereafter was regarded as a major composer.
The album's jazz-funk music continued Coleman's harmolodic approach to improvisation with Prime Time, whom he had introduced on his 1975 album Dancing in Your Head. This approach emphasized natural rhythmic and emotional responses in a way that Coleman compared to a spirit of collective consciousness. He also drew on rhythm and blues influences from early in his career for Of Human Feelings, which had shorter and more distinct compositions than Dancing in Your Head, while applying free jazz principles from his music during the 1960s to elements of funk. (Full article...)
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Maxinquaye is the debut album by English rapper and producer Tricky, released on 20 February 1995 by 4th & B'way Records, a subsidiary of Island Records. In the years leading up to the album, Tricky had grown frustrated with his limited role in the musical group Massive Attack and wanted to pursue an independent project. Shortly after, he met with vocalist Martina Topley-Bird, who he felt would offer a wider vision to his music, and signed a solo contract with 4th & B'way in 1993. Tricky recorded Maxinquaye the following year primarily at his home studio in London, with Topley-Bird serving as the album's main vocalist, while Alison Goldfrapp, Ragga and Mark Stewart performed additional vocals.
With assistance from fellow producer Mark Saunders, Tricky used dub music techniques and heavily altered samples taken from a variety of sources to produce Maxinquaye. Its resulting groove-oriented downbeat, hazy and fragmented sound incorporates elements from hip hop, soul, rock, ambient techno, reggae and experimental music. Tricky's lyrics throughout the album explore themes of cultural decline, dysfunctional sexual relationships, fear of intimacy and recreational drug use, as he drew on his experiences in British drug culture and the influence of his late mother Maxine Quaye, after whom the album is titled. (Full article...)
Pyotr Ilyich Tchaikovsky's relations with the group of composers known as the Belyayev circle, which lasted from 1887 until Tchaikovsky's death in 1893, influenced all of their music and briefly helped shape the next generation of Russian composers. This group was named after timber merchant Mitrofan Belyayev, an amateur musician who became an influential music patron and publisher after he had taken an interest in Alexander Glazunov's work. By 1887, Tchaikovsky was firmly established as one of the leading composers in Russia. A favorite of Tsar Alexander III, he was widely regarded as a national treasure. He was in demand as a guest conductor in Russia and Western Europe, and in 1890 visited the United States in the same capacity. By contrast, the fortunes of the nationalistic group of composers known as The Five, which preceded the Belyayev circle, had waned, and the group had long since dispersed; of its members, only Nikolai Rimsky-Korsakov remained fully active as a composer. Now a professor of musical composition and orchestration at the Saint Petersburg Conservatory, Rimsky-Korsakov had become a firm believer in the Western-based compositional training that had been once frowned upon by the group.
As a result of the time Tchaikovsky spent with the Belyayev circle's leading composers—Glazunov, Anatoly Lyadov and Rimsky-Korsakov—the somewhat fraught relationship he had previously endured with The Five would eventually meld into something more harmonious. Tchaikovsky's friendship with these men gave him increased confidence in his own abilities as a composer, while his music encouraged Glazunov to broaden his artistic outlook past the nationalist agenda and to compose along more universal themes. This influence grew to the point that Glazunov's Third Symphony became known as the "anti-kuchist" symphony of his oeuvre ("kuchist" refers to "kuchka", the shortened Russian name for The Five) and shared several stylistic fingerprints with Tchaikovsky's later symphonies. Nor was Glazunov the only composer so influenced. Rimsky-Korsakov wrote about the Belyayev composers' "worship of Tchaikovsky and ... tendency toward eclecticism" that became prevalent during this period, along with a predilection toward "Italian-French music of the time of wig and farthingale" (that is, of the 18th Century) typified in Tchaikovsky's late operas The Queen of Spades and Iolanta. (Full article...)
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Maya (stylised as ΛΛ Λ Y Λ) is the third studio album by British recording artist M.I.A. It was released on 7 July 2010 through N.E.E.T. Recordings, XL and Interscope. Songwriting and production was primarily handled by M.I.A., Blaqstarr and Rusko. Producers Diplo and Switch, alongside M.I.A.'s brother Sugu, also worked on the album. Maya was mainly composed and recorded at M.I.A.'s house in Los Angeles. The album's tracks centre on the theme of information politics and are intended to evoke what M.I.A. called a "digital ruckus"; elements of industrial music were incorporated into M.I.A.'s sound for the first time upon its release. A deluxe edition was released simultaneously, featuring four new tracks.
Upon its release, Maya received mixed to positive reviews from music critics, with the album's musical style and lyrical content attracting both praise and criticism. In its first week of release, the album entered the UK Albums Chart at number 21, becoming her highest-charting album in the UK. It also became her highest-charting album in the US, peaking at number nine on the Billboard 200. Elsewhere, the album debuted in the top 10 in Finland, Norway, Greece and Canada. (Full article...)
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Title page of the 1656 publication of the libretto, with the variant spelling L'incoronatione
L'incoronazione di Poppea (SV 308, The Coronation of Poppaea) is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season. One of the first operas to use historical events and people, it describes how Poppaea, mistress of the Roman emperorNero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times.
The original manuscript of the score does not exist; two surviving copies from the 1650s show significant differences from each other, and each differs to some extent from the libretto. How much of the music is actually Monteverdi's, and how much the product of others, is a matter of dispute. None of the existing versions of the libretto, printed or manuscript, can be definitively tied to the first performance at the Teatro Santi Giovanni e Paolo, the precise date of which is unknown. Details of the original cast are few and largely speculative, and there is no record of the opera's initial public reception. Despite these uncertainties, the work is generally accepted as part of the Monteverdi operatic canon, his last and perhaps his greatest work. (Full article...)
... that according to Billboard magazine, Laufey created a blueprint for jazz music in the modern music industry and helped push it back into the mainstream?
Dave Valentin (Record production, 1954 –March 08, 2017), American flautist, would have turned 71 this year.
Tammi Terrell (Record production, 1945 –March 16, 1970), American Soul- and R&B-singer, would have turned 80 this year.
George Rufus Adams (Record production, 1940 –November 14, 1992), American flautist, tenor saxophonist, and vocalist, would have turned 85 this year.
Jack Reardon (Record production, 1934 –December 03, 2013), American lyricist and songwriter, would have turned 91 this year.
Andy Simpkins (Record production, 1932 –June 02, 1999), (born Andrew Simpkins) American bass player, would have turned 93 this year.
Lonnie Donegan (Record production, 1931 –November 03, 2002), Scottish skiffle guitarist and vocalist, would have turned 94 this year.
Claus Ogerman (Record production, 1930 –March 08, 2016), German composer, conductor, and pianist, would have turned 95 this year.
April Stevens (Record production, 1929 –April 17, 2023), American singer, both solo and in collaborations with brother Nino Tempo, would have turned 96 this year.
Ray Barretto (Record production, 1929 –February 17, 2006), American bandleader and conga player, would have turned 96 this year.
Big Jay McNeely (Record production, 1927–September 16, 2018), American tenor saxophonist, would have turned 98 this year.
Toots Thielemans (Record production, 1922 –August 22, 2016), (born Jean-Baptiste Frédéric Isidor Thielemans) Belgian composer, guitarist, and harmonica player, would have turned 103 this year.
Donald Mills (Record production, 1915 –November 15, 1999), American vocalist with The Mills Brothers, would have turned 110 this year.
Norma Teagarden (Record production, 1911 –June 05, 1996), American jazz pianist, would have turned 114 this year.
Philippe Brun (Record production, 1908 –January 15, 1994), French trumpeter, would have turned 117 this year.
Ward Pinkett (Record production, 1906 –March 15, 1937), American trumpeter, would have turned 119 this year.
Duke Ellington (Record production, 1899 –May 24, 1974), (born Edward Kennedy Ellington) American bandleader, composer, and pianst, would have turned 126 this year.
These are all Good articles, which meet a core set of high editorial standards.
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Glee: The Music, Volume 1 is the debut soundtrack album by the cast of the musical television series Glee, which aired on Fox in the United States. It features cover versions from the first nine episodes of the first season and was released on November 2, 2009 by Columbia Records and 20th Century Fox Television Records. The album received mixed reviews from critics, with many praising large ensemble numbers, but comparing it to karaoke tracks. It went to number one on album charts in Ireland and the United Kingdom, and peaked at number three in Australia and number four in both Canada and the United States. Volume 1 has been certified platinum in these five countries.
We Don't Need to Whisper is the debut studio album by the American rock band Angels & Airwaves. Recorded at Neverpants Ranch in San Diego, California, and produced by guitarist and vocalist Tom DeLonge, the album was released on May 23, 2006, through Geffen Records. In February 2005, DeLonge, who wanted to spend more time with his family, quit Blink-182 after months of heated exchanges and increasing tension within the trio and spent three weeks in isolation, contemplating his life, career, and future in music.
Inspired by personal crises and global events, We Don't Need to Whisper was conceptualized as DeLonge taught himself to play instruments and created his own home studio. He recruited his longtime friend and guitarist David Kennedy of Box Car Racer, as well as drummer Atom Willard and bassist Ryan Sinn to form Angels & Airwaves, who were primarily inspired by arena rock groups such as U2 and The Police. DeLonge's later public statements regarding the band's music prompted media interest and concern from his relatives and family. (Full article...)
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Pitfalls is the sixth studio album by Norwegian progressive metal band Leprous, released on 25 October 2019 via Inside Out Music and preceded by the singles "Below", "Alleviate", and "Distant Bells". It was recorded over six months at Ghostward Studios. A cellist, violinist, and classical choir were recruited for the production. Most of the songs were written and composed by Leprous vocalist Einar Solberg.
A majority of critics approved of the album, bestowing particular esteem on the singing as well as the songs "Below", "Observe the Train", "At the Bottom", and "The Sky Is Red". Solberg's creative control was for some a point of contention. Pitfalls charted higher than its predecessor Malina in the Wallonia region of Belgium, Finland, France, the UK (rock and metal releases), and Top Heatseekers in the US. (Full article...)
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Solo is a studio album by Cuban jazz performer Gonzalo Rubalcaba. It was released by Blue Note Records on March 7, 2006, and peaked at number 22 in the BillboardTop Jazz Albums chart. The album is titled Solo since no additional performers were included on the recording as in Rubalcaba's previous albums.
The World Needs a Hero is the ninth studio album by American thrash metal band Megadeth, released on May 15, 2001, by Sanctuary Records. After the critical and commercial failure of the previous album Risk (1999), The World Needs a Hero represented a change back to a heavier musical direction. Subsequently, the album charted at number 16 on the Billboard 200 upon release.
After parting with former label Capitol Records, the album was the first of two Megadeth studio albums to be released by Sanctuary. It was the last of two studio albums to feature drummer Jimmy DeGrasso, the last to feature bassist David Ellefson until Thirteen (2011), the only one to feature guitarist Al Pitrelli, and the last one before Megadeth's brief disbandment in 2002. It is also the first album to feature the band's mascot Vic Rattlehead on the cover since Rust in Peace (1990), and the first to utilize Megadeth's classic logo since Youthanasia (1994). (Full article...)
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Hannah Montana is the soundtrack album for the first season of the television series Hannah Montana, released on October 24, 2006 by Walt Disney Records. The program itself premiered through the Disney Channel on March 24, 2006; after becoming an immediate commercial success, production on its soundtrack began the following month. Eight of its thirteen tracks are performed by the series' lead actress Miley Cyrus, and are credited to her character Hannah Montana. The groups The Click Five, Everlife, B5, and recording artist Jesse McCartney each contribute one recording, while a duet between Cyrus and her father Billy Ray Cyrus is included as the final track. Hannah Montana was reissued as a two-disc special edition on March 20, 2007. The soundtrack was further promoted during the Cheetah Girls' Party's Just Begun Tour, for which Cyrus served as an opening act, and her own Best of Both Worlds Tour. The soundtrack is primarily a pop rock record, which sees additional influences from teen pop, pop punk, and country pop musical styles. The lyrical themes revolve largely around "girl power", teen romance, and the double life that Cyrus' character lives on the program.
Hannah Montana received generally favorable reviews from music critics, who appreciated its overall production. It debuted at number one on the US Billboard 200 with first-week sales of 281,000 copies. In doing so, it became Cyrus' first number-one album, the first television soundtrack to reach the top position on the chart, and the fourth soundtrack from The Walt Disney Company to debut in the top-ten of the chart. The record has since been certified triple-platinum by the Recording Industry Association of America (RIAA), having exceeded shipments of three million copies in the United States. The soundtrack charted moderately on international record charts, having reached the top-twenty in countries including Austria, Canada, Norway, and Spain. (Full article...)
Dangerous is considered an artistic change for Jackson, with his music focusing on more socially conscious material, and including a broader range of sounds and styles. It features catchy pop hooks and choruses while also introducing underground sounds to a mainstream audience. The album's tone is noted by critics as gritty and urban, with sounds including syntheticbasslines, scratching, and drum machinepercussion, as well as unconventional sounds like honking vehicle horns, sliding chains, swinging gates, breaking glass, and clanking metal. Jackson also incorporates beatboxing, scat singing, and finger snapping throughout the album. Nine singles from the album premiered between November 1991 and December 1993, including one exclusively released outside North America ("Give In to Me"). (Full article...)
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The Earth Is Not a Cold Dead Place is the third studio album by American post-rock band Explosions in the Sky, released on November 4, 2003, through Temporary Residence Limited. Explosions in the Sky is composed of Mike Smith and Munaf Rayani on guitars, Michael James on bass, and Christopher Hrasky on drums, with the album being produced by John Congleton. The album consists of five tracks that span a total runtime of 45 minutes.
Having formed in Austin, Texas in 1999, the band recorded two studio albums before releasing The Earth Is Not a Cold Dead Place. The album is often considered to be released within the context of the post-September 11 attacks world, despite the attacks not being taken into consideration by the band during recording. The music of the album is without lyrics, and includes tracks that are considered to be inspired by reactions to crises, including the Kursk submarine disaster. The album generally garnered positive reviews. (Full article...)
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Emotion: Side B (stylized as E•MO•TION: Side B) is the third extended play (EP) by Canadian singer Carly Rae Jepsen. It was released on August 26, 2016, by 604 Records, Schoolboy Records and Interscope Records. Jepsen developed Side B as a companion piece to her third studio album, Emotion (2015), in response to fan demand. Side B features unreleased songs that were cut from the original effort.
Like its parent album, Side B takes heavy influence from 1980spop music, with lyrical narratives that revolve around love and heartbreak. Several writers and producers on Emotion reprised their roles on Side B, including Greg Kurstin, Dev Hynes, and Rami Yacoub. The EP received favourable reviews upon its release and was placed on several critics' lists for best of the year. The Japan-exclusive edition of the EP was supplemented with the song "Cut to the Feeling", a Jepsen single for the Canadian-French film Ballerina (2016). Emotion: Side B has sold 17,000 copies worldwide as of 2021. (Full article...)
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Chinese Democracy is the sixth studio album by the American hard rock band Guns N' Roses, released on November 23, 2008, by Black Frog and Geffen Records. It was the first Guns N' Roses studio album since the 1993 covers album "The Spaghetti Incident?", and their first album of original studio material since Use Your Illusion I and II (1991). It languished in development hell for eight years, delayed by personnel and legal problems, label interference, and the perfectionism of vocalist Axl Rose. It was the first Guns N' Roses album without Izzy Stradlin, Slash, and Duff McKagan, and the first not produced by Mike Clink, instead, it was produced by Rose and Caram Costanzo.
After the Use Your Illusion Tour ended in 1993, Guns N' Roses spent several years rehearsing ideas for a new album. However, several members left following creative and personal differences with Rose, and no music was released. In 1998, Rose, keyboardist Dizzy Reed, and guitarist Paul Tobias, alongside new members, guitarist Robin Finck, drummer Josh Freese, bassist Tommy Stinson, and multi-instrumentalist Chris Pitman began writing and recording new songs. Originally intended for a 1999 release, Chinese Democracy was rerecorded and delayed multiple times. The lineup shifted several times, guitarists Buckethead, Richard Fortus, and Ron "Bumblefoot" Thal and drummers Brain and Frank Ferrer all contributed. The band recorded over 50 songs, intending to release multiple albums. With costs reportedly exceeding $13 million ($22,000,000 in current dollar terms), it became the most expensive rock album ever produced. (Full article...)
While critiqued for lacking any Streisand singing, critics generally felt the music paired nicely with the dialogue. Commercially, the album charted in both the United States and Canada. (Full article...)
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Unorthodox Jukebox is the second studio album by the American singer and songwriter Bruno Mars. It was released on December 7, 2012, by Atlantic Records and was made available to listen to in its entirety for a week before its release. It serves as the follow-up to Mars' debut record Doo-Wops & Hooligans (2010). Mars' writing and production team, the Smeezingtons, composed the whole record and worked with several past collaborators, Jeff Bhasker and Supa Dups, while enlisting new producers, such as Mark Ronson and Emile Haynie, and no guest vocalists.
The album was initially planned to be more "energetic" than his previous work, but ended up presenting a wide range of styles such as R&B, pop, reggae, rock, disco, funk and soul music. Lyrically, Unorthodox Jukebox revolves around the theme of relationships, incorporating more explicit lyrics and subjects than his previous material. Critical response to Unorthodox Jukebox was generally favorable; many reviewers compared Mars' work to that of his previous album, while others deemed its lyrics shallow. (Full article...)
The following are images from various record production-related articles on Wikipedia.
Image 1Digital audio interface for the Pro Tools computer-based hard disk multitrack recording system. Digital audio quality is measured in data resolution per channel. (from Multitrack recording)
Image 10Engineers and producers watch a trumpet player from a window in the control room during a recording session. (from Recording studio)
Image 11Hip hop producer and rapper RZA in a music studio with two collaborators. Pictured in the foreground is a synthesizer keyboard and a number of vinyl records; both of these items are key tools that producers and DJs use to create hip hop beats. (from Hip-hop production)
Image 12The TEAC 2340, a popular early (1973) home multitrack recorder, four tracks on ¼ inch tape (from Multitrack recording)
Image 13Mixing desk with twenty inputs and eight outputs (from Multitrack recording)
Image 14The TASCAM 85 16B analog tape multitrack recorder can record 16 tracks of audio on 1-inch (2.54cm) magnetic tape. Professional analog units of 24 tracks on 2-inch tape were common, with specialty tape heads providing 8, or even 16 tracks on the same tape width (8 tracks for greater fidelity). (from Multitrack recording)
Featured lists have been determined by the Wikipedia community to be the best lists on English Wikipedia.
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The early recordings of "King of Rock and Roll" Elvis Presley were successful on the country charts, and he achieved four number ones on the best sellers chart in 1956. In 1956, Billboard magazine published three charts covering the best-performing country music songs in the United States. At the start of the year, the charts were published under the titles Most Played in Juke Boxes, Best Sellers in Stores, and Most Played By Jockeys, with the genre denoted in an overall page heading. With effect from the issue of Billboard dated June 30, the genre was added to the specific titles of the charts, which were thus published as Most Played C&W in Juke Boxes, C&W Best Sellers in Stores, and Most Played C&W By Jockeys, the C&W standing for "country and western". All three charts are considered part of the lineage of the current Hot Country Songs chart, which was first published in 1958.
The number-one positions on both the juke box and best sellers charts were dominated in 1956 by Elvis Presley, who spent a total of 26 weeks in the top spot on the best sellers listing and 28 weeks (including one tied with another single) atop the juke box chart with four different singles. Presley achieved the first country chart-topper of his career in February when he reached the number one spot on the best sellers chart with "I Forgot to Remember to Forget"; its B-side, "Mystery Train" was listed jointly at number one for the first week of the run only. The release was the final single which he recorded for Sun Records, the label for which he had honed his early rockabilly style. After he signed for new label RCA Victor, his recordings began to show more of a pop music influence, but for a time continued to appear on the country charts, and one week after "I Forgot to Remember to Forget" was replaced at number one, Presley regained the top spot with the two-sided success "Heartbreak Hotel" / "I Was the One", which remained atop the listing for 17 consecutive weeks. He would go on to be regarded as the most successful and influential recording artist of all time and feted as the "King of Rock and Roll". (Full article...)
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Keith Whitley, who died the previous year, had a posthumous number one in January 1990 with "It Ain't Nothin'". Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1990, 24 different songs topped the chart in 52 issues of the magazine. The chart was published under the title Hot Country Singles through the February 10 issue and Hot Country Singles & Tracks thereafter. With effect from the January 20 issue, Billboard discontinued its longstanding methodology of compiling the chart based on playlists submitted by country music radio stations and sales reports submitted by stores and instead began basing the chart on weekly airplay data from radio stations compiled by Nielsen Broadcast Data Systems.
At the start of the year, the number one song on the chart was Highway 101's "Who's Lonely Now", which had been at the top of the chart since the issue of Billboard dated December 30, 1989. It remained in the top spot for one further week in 1990 before being replaced by "It Ain't Nothin'" by Keith Whitley. This was the second of two posthumous number ones for Whitley, who had died in May of the previous year. Three months later, Whitley's widow Lorrie Morgan topped the chart for the first time with "Five Minutes". Other artists who topped the chart for the first time in 1990 were Travis Tritt, who spent one week at number one with "Help Me Hold On", and Joe Diffie, who reached number one with his debut single "Home". (Full article...)
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Katy Perry (pictured)'s "I Kissed a Girl" topped the chart for nine consecutive weeks, tying Madonna's "4 Minutes" for the joint-longest-running number-one single of the year. The Canadian Hot 100 is a chart that ranks the best-performing singles of Canada. Published by Billboard magazine, its data are similar to Billboard's U.S.-based Hot 100 in that it compiles Nielsen SoundScan based collectively on each single's weekly physical and digital sales, as well as airplay. Canada's airplay chart is compiled with information collected from monitoring more than 100 stations that represent rock, country, adult contemporary and contemporary hit radio genres. The online version of the chart features the Canadian flag next to tracks that qualify as Canadian content.
In 2008, 11 singles topped the chart. Although 12 singles claimed the top spot in 52 issues of the magazine, Timbaland's "Apologize" featuring OneRepublic began its peak position in late 2007, and is thus excluded. Katy Perry and Lady Gaga each earned two number-one singles as a lead artist. Two number-one singles tied for the longest-running chart-topping single of 2008, for nine weeks: Madonna's "4 Minutes" featuring Justin Timberlake and Katy Perry's "I Kissed a Girl", although the former had a non-consecutive run. Other chart-topping singles from 2008 include Flo Rida's "Low" featuring T-Pain, which stayed at number one for eight straight weeks. Rihanna's "Take a Bow" is noted for its jump from seventieth to first place on the Canadian Hot 100, which was the largest upward movement to number one at the time. (Full article...)
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"Peek-a-Boo" by English rock band Siouxsie and the Banshees was the first song to top the Modern Rock Tracks chart. Alternative Airplay is a record chart that ranks the most-played songs on American modern rock radio stations. Published by the music industry magazine Billboard, it was created in the midst of the growing popularity of alternative music on rock radio in the late 1980s. As less-established alternative acts were receiving minimal exposure on album-oriented rock (AOR) radio stations, their labels turned to modern rock stations for airplay. Billboard introduced the chart in response to demand within the music industry for consistent information on the commercial performance of alternative music. During the decade, it was known as the Modern Rock Tracks chart and tabulated based on weighted reports from twenty-nine radio stations: eighteen established standard-bearer commercial stations and eleven non-commercial college stations.
The Modern Rock Tracks chart debuted in the September 10, 1988, issue of Billboard, with the inaugural number-one song being "Peek-a-Boo" by the English band Siouxsie and the Banshees. Upon its debut, several publications noted the presence of more independent artists on Modern Rock Tracks compared to its companion chart, Album Rock Tracks. By the end of the decade, twenty-two songs had topped the chart. The American bands R.E.M. and The B-52's each scored two number-one songs on the Modern Rock Tracks chart during the 1980s, the most for any artist within the decade. The R.E.M. song "Orange Crush" spent the longest period atop the chart during the decade, staying at number one for eight consecutive weeks from November 1988 to January 1989. The final number one of the 1980s was "Blues from a Gun" by the Scottish band The Jesus and Mary Chain. (Full article...)
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Dan + Shay began the year at number one on both Hot Country Songs and Country Airplay. Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology that had previously been used for several decades for Hot Country Songs.
Both charts began the year with "Speechless" by Dan + Shay retaining the top spot from the final chart of 2018. The song remained atop the airplay chart for the first two weeks of 2019 before being replaced by "Good Girl" by Dustin Lynch, and held the top spot on Hot Country Songs for a further two weeks before Dan + Shay replaced themselves at number one with "Tequila". The latter song broke the record for the longest time taken to climb to number one on the Hot Country Songs chart, reaching the top spot in its 54th week on the listing. It reached the top of the chart more than six months after it had been number one on Country Airplay, and marked the first time for five years that an act had replaced itself at number one on Hot Country Songs. In early March, Luke Combs reached the top of both charts with "Beautiful Crazy" and topped both listings simultaneously for seven weeks. Industry observers reported that the track would have been replaced at number one on Hot Country Songs in early April by rapper Lil Nas X's song "Old Town Road" had Billboard not taken the decision to remove that track after its first week on the listing, contending that it did not sufficiently fit the country genre. This decision caused controversy: one former music label executive claimed that a similar track by a white artist would have been treated differently. (Full article...)
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The Latin Grammy Award for Song of the Year is an honor presented annually at the Latin Grammy Awards, a ceremony that recognizes excellence, creates a wider awareness of cultural diversity and contributions of Latin recording artists in the United States and internationally. The award is given to the songwriters of new songs containing at least 51% of lyrics in Spanish or Portuguese language. Instrumental songs or a new version of a previously recorded track are not eligible. Due to the increasing musical changes in the industry, from 2012 the category includes 10 nominees, according to a restructuration made by the academy for the four general categories: Album of the Year, Record of the Year, Best New Artist and Song of the Year.
Richard Rodgers (left) and Lorenz Hart were responsible for a large number of 1930s standards, including "Blue Moon" (1934), "My Romance" (1935) and "My Funny Valentine" (1937).Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1930s that are considered standards by at least one major fake book publication or reference work. Some of the tunes listed were already well known standards by the 1940s, while others were popularized later. Where appropriate, the years when the most influential recordings of a song were made are indicated in the list.
Kenny Rogers had three number ones in 1978. Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1978, 31 different singles topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores.
Several number ones of 1978 came from artists associated with the so-called outlaw country subgenre, which had emerged as a more hard-edged alternative to the slick production values seen in country music earlier in the 1970s. Two of the most prominent exponents of the outlaw style, Waylon Jennings and Willie Nelson, collaborated on the longest-running number one of the year, "Mammas Don't Let Your Babies Grow Up to Be Cowboys", which spent four weeks atop the chart; each also reached number one individually. Jennings' total of seven weeks spent in the top spot was the most by any artist. Nelson was one of only two artists to take three different singles to number one during the year, as he also reached number one with his recordings of two pre-World War II songs, "Georgia on My Mind" and "Blue Skies", taken from Stardust, an album on which he covered a range of pop standards. Kenny Rogers also achieved three number ones, as he topped the listing with "Love or Something Like It", "The Gambler" and "Every Time Two Fools Collide", a collaboration with Dottie West. (Full article...)
The Grammy Award for Best Music Video is an accolade presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to performers, directors, and producers of quality short form music videos. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".
Originally called the Grammy Award for Best Video, Short Form, the award was first presented in 1984, as was a similar award for Best Long Form Music Video. From 1986 to 1997, the category name was changed to Best Music Video, Short Form. However, in 1988 and 1989, the award criteria were changed and the video awards were presented under the categories Best Concept Music Video and Best Performance Music Video. The awards were returned to the original format in 1990. The category was called Best Short Form Music Video until 2012, from 2013 it was shortened to Best Music Video. Award recipients include the performers, directors, and producers associated with the winning videos, except for its first two years when the Grammy went to the performing artist only. For unknown reasons, the award for the Best Music Video in 1987 - Brothers in Arms by Dire Straits - went to the band only, not to the director(s) or producer(s). (Full article...)
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American Idol winner Carrie Underwood spent eleven weeks at the top of the chart in 2006. Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 2006, 23 different songs topped the chart in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen SoundScan.
The number one song at the start of the year was "Must Be Doin' Somethin' Right" by Billy Currington, which had reached number one in the issue of Billboard dated December 31, 2005, and remained at the top until the issue dated January 14 when it was replaced by "She Let Herself Go" by George Strait. This gave Strait his 40th number one, tying the record held by Conway Twitty for the highest number of Hot Country Songs number ones. Strait returned to the top spot in September with "Give It Away" to take the record outright. (Full article...)
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![Image 1 Kal Ho Naa Ho (transl. Tomorrow may never come, pronounced [kəl ɦoː naː ɦoː]), also abbreviated as KHNH, is a 2003 Indian Hindi-language romantic comedy drama film directed by debutant Nikhil Advani from a script written by Karan Johar and Niranjan Iyengar, and produced by Yash Johar under Dharma Productions. The film stars Shah Rukh Khan, Saif Ali Khan, and Preity Zinta, with Jaya Bachchan, Sushma Seth, Reema Lagoo, Lillete Dubey, and Delnaaz Irani in supporting roles. Set in New York City, the story follows Naina Catherine Kapur (Zinta) who gradually falls for her visiting neighbour Aman Mathur (Shah Rukh Khan), but a secret prevents Aman from reciprocating his feelings, causing him to set Naina up with her best friend, Rohit Patel (Saif Ali Khan). Collaborating with Johar in a first, Shankar–Ehsaan–Loy composed the original soundtrack and background score, with Javed Akhtar writing the lyrics. Anil Mehta, Manish Malhotra, and Sharmishta Roy were the cinematographer, costume designer and art director, respectively. Principal photography took place in Toronto, New York City, and Mumbai from January to October 2003. Filming was stalled for around six months due to Shahrukh Khan's illness. The soundtrack was released on 27 September 2003 to positive reviews; the title song, "It's The Time To Disco", "Kuch To Hua Hai", and "Pretty Woman" were particularly well-received. (Full article...)](//upload.wikimedia.org/wikipedia/en/d/d2/Blank.png)
Kal Ho Naa Ho (transl. Tomorrow may never come, pronounced [kəl ɦoː naː ɦoː]), also abbreviated as KHNH, is a 2003 Indian Hindi-language romantic comedy drama film directed by debutant Nikhil Advani from a script written by Karan Johar and Niranjan Iyengar, and produced by Yash Johar under Dharma Productions. The film stars Shah Rukh Khan, Saif Ali Khan, and Preity Zinta, with Jaya Bachchan, Sushma Seth, Reema Lagoo, Lillete Dubey, and Delnaaz Irani in supporting roles. Set in New York City, the story follows Naina Catherine Kapur (Zinta) who gradually falls for her visiting neighbour Aman Mathur (Shah Rukh Khan), but a secret prevents Aman from reciprocating his feelings, causing him to set Naina up with her best friend, Rohit Patel (Saif Ali Khan).
![Image 1 Kal Ho Naa Ho (transl. Tomorrow may never come, pronounced [kəl ɦoː naː ɦoː]), also abbreviated as KHNH, is a 2003 Indian Hindi-language romantic comedy drama film directed by debutant Nikhil Advani from a script written by Karan Johar and Niranjan Iyengar, and produced by Yash Johar under Dharma Productions. The film stars Shah Rukh Khan, Saif Ali Khan, and Preity Zinta, with Jaya Bachchan, Sushma Seth, Reema Lagoo, Lillete Dubey, and Delnaaz Irani in supporting roles. Set in New York City, the story follows Naina Catherine Kapur (Zinta) who gradually falls for her visiting neighbour Aman Mathur (Shah Rukh Khan), but a secret prevents Aman from reciprocating his feelings, causing him to set Naina up with her best friend, Rohit Patel (Saif Ali Khan). Collaborating with Johar in a first, Shankar–Ehsaan–Loy composed the original soundtrack and background score, with Javed Akhtar writing the lyrics. Anil Mehta, Manish Malhotra, and Sharmishta Roy were the cinematographer, costume designer and art director, respectively. Principal photography took place in Toronto, New York City, and Mumbai from January to October 2003. Filming was stalled for around six months due to Shahrukh Khan's illness. The soundtrack was released on 27 September 2003 to positive reviews; the title song, "It's The Time To Disco", "Kuch To Hua Hai", and "Pretty Woman" were particularly well-received. (Full article...)](/wiki/File:Blank.png)
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Digital audio interface for the Pro Tools computer-based hard disk multitrack recording system. Digital audio quality is measured in data resolution per channel. (from Multitrack recording)
Control room at the Tec de Monterrey, Mexico City Campus (from Recording studio)
Korg D888 eight-track digital recorder (from Multitrack recording)
Scully 280 eight-track recorder at the Stax Museum of American Soul Music (from Multitrack recording)
The studio at Ridge Radio in Caterham, England (from Recording studio)
Donna Summer wearing headphones during a recording session in 1977 (from Recording studio)
Neve VR60, a multitrack mixing console. Above the console are a range of studio monitor speakers. (from Recording studio)
Home studio setup (from Recording studio)
Engineers and producers watch a trumpet player from a window in the control room during a recording session. (from Recording studio)
Hip hop producer and rapper RZA in a music studio with two collaborators. Pictured in the foreground is a synthesizer keyboard and a number of vinyl records; both of these items are key tools that producers and DJs use to create hip hop beats. (from Hip-hop production)
The TEAC 2340, a popular early (1973) home multitrack recorder, four tracks on ¼ inch tape (from Multitrack recording)
Mixing desk with twenty inputs and eight outputs (from Multitrack recording)
The TASCAM 85 16B analog tape multitrack recorder can record 16 tracks of audio on 1-inch (2.54cm) magnetic tape. Professional analog units of 24 tracks on 2-inch tape were common, with specialty tape heads providing 8, or even 16 tracks on the same tape width (8 tracks for greater fidelity). (from Multitrack recording)
Danny Knicely records with Furnace Mountain Band in Virginia (2012) (from Recording studio)
A selection of instruments at a music studio, including a grand piano (from Recording studio)
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