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Draft:Blue Rose in the Cube Study 1

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Blue Rose in the Cube Study 1 sculpture by Tadao Ando

Blue Rose in the Cube Study 1 is a sculptural artwork created in 2018 by Japanese architect and artist Tadao Ando. This piece serves as a prototype for his larger installation, The Table of Pirosmani, and encapsulates themes of ephemerality, preservation, and the interplay between beauty and mortality [1].

Background and Inspiration

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Tadao Ando’s Blue Rose in the Cube Study 1 was conceived as a precursor to The Table of Pirosmani, an immersive installation dedicated to Georgian painter Niko Pirosmani (1862–1918) [2]. Pirosmani, recognized for his naïve artistic style and deeply symbolic works, led a life marked by poverty and obscurity—themes that resonate deeply in Ando’s commemorative installation [3][4][5].

Ando’s use of the blue rose as a central element in this piece aligns with symbolic themes of rarity, mystery, and unattainable beauty, reflecting both Pirosmani’s tragic artistic legacy and the transient nature of existence [6].

Description

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The sculpture measures 10 × 10 × 10 cm and consists of a single blue rose encased within a clear acrylic cube. This encapsulation creates a paradoxical effect: the rose is preserved yet trapped, symbolizing the tension between permanence and impermanence [1].

Tadao Ando described the piece as:

“The rose is ephemeral, a fleeting representation of the narrow space between birth and death—a symbol of the contradiction between beauty and mortality.” [1].

Blue Rose in the Cube Study 1 is a profound exploration that confronts the viewer with existential questions about impermanence, isolation, and the frailty of human aspiration.

Similar to the works of Brancusi—whose essence and reduction aim at a universality of expression—Ando employs minimalist form imbued with deep symbolic meaning.

In Blue Rose in the Cube Study 1, Ando merges the concept of transparent confinement with the fragile poetry of a flower. The rose, suspended within a cube-shaped, transparent space, symbolizes human longing, the pursuit of fulfillment, and the eternally unattainable. The cubic acrylic container both shields the rose and exposes it to a painful openness—a disturbing tension that permeates the work. Through this visual paradox, Ando explores beauty that is confined yet unfulfilled, a poignant reflection on aspirations restrained by the limits of reality [1].

Reflecting Ando’s philosophy—deeply rooted in Japanese aesthetics—the piece embraces the beauty found in ephemerality and restraint. Drawing on the principles of the Haiku effect, which values the impact of minimal, reduced forms, Ando invites the viewer into a state of contemplation. Through intentional simplicity and the omission of overt materiality, he reveals the essence of the moment.

By choosing transparent acrylic glass, Ando creates a sense of “constrained emptiness” that invites personal meditation on one’s inner psychological void. The structure serves as both a physical and conceptual boundary, casting delicate reflections that shift with the light and creating an ethereal aura around the encapsulated rose [1].

This fragility, balanced by the calculated geometry of the cube, echoes Ando’s intention to explore life’s paradox:

“The fleeting beauty of the rose as it nears decay in the empty space we call the meaning of life—a momentary grace held within a finite vessel.”

The sense of stasis contrasts with the rose’s vitality, evoking both preservation and loss, and a haunting infinite void. Central to Ando’s vision, this theme draws on the Japanese cultural symbol of the cherry blossom—a flower that blooms brilliantly before swiftly fading, symbolizing the transient nature of life [1].

In depicting inaccessible beauty and unreachable fulfillment, Ando invokes the idea of the “void” symbolized by the transparent cube and the search for meaning embodied by the rose. The Blue Rose, as a symbol of the unattainable, is no arbitrary choice; it encapsulates the paradox of life itself—full of yearning, yet constrained within the rigid boundaries of reality.

As Professor Friedrich Teja Bach once wrote of Brancusi’s work, its essence represents the “condensation of a universal feeling.” [7] Ando’s concept similarly condenses such emotion within the transparent confines of the cube.

Study to The Table of Pirosmani

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The Table of Pirosmani sculpture by Tadao Ando

Blue Rose in the Cube Study 1 directly influenced the development of The Table of Pirosmani, which was unveiled at the Albertina Museum in Vienna in 2018 [8]. This larger installation comprises:

  • 564 blue roses encased in acrylic cubes, representing life, creativity, and the essence of Pirosmani's art.
  • 164 empty cubes, symbolizing lost potential and the unfulfilled aspirations of the artist.

The installation functions as a metaphorical tribute to Pirosmani, reflecting on themes of beauty, mortality, and remembrance. Ando’s concept for the void between the cubes echoes the Japanese notion of Ma (間)—a philosophical idea referring to the negative space that defines existence [6]. Estimated to be worth up to £30 million, The Table of Pirosmani stands as a landmark in contemporary conceptual art [9].

Exhibition and Reception

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The Table of Pirosmani was first exhibited at the Albertina Museum in Vienna from 2018 to 2019 as part of the landmark exhibition Pirosmani: Wanderer Between Worlds, curated by Bice Curiger and conceived by C.A.B. [10]. The exhibition was a resounding success, attracting over 415,000 visitors in just three months [11] and ranking among the top ten Post-Impressionist and Modern art exhibitions of 2019 alongside retrospectives of Munch, Klimt, Van Gogh, Miró, and Duchamp [12]. Klaus Albrecht Schröder, General Director of the Albertina Museum, described it as one of the institution’s most important exhibitions to date [13]. Art critics and scholars praised Ando’s Table of Pirosmani for its seamless integration of art, architecture, and symbolism into a powerful experiential narrative [14].

Auction Record

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Blue Rose in Case Study 1 sculpture by Tadao Ando

On March 12, 2025, Blue Rose in the Cube Study 1 was auctioned at Christie’s, achieving a sale price of $114,400 (£88,200)—significantly surpassing its initial estimate of £10,000–£15,000 [15] and headlining the the Online Post-War and Contemporary Art Sale [16].

This sale set a new auction record for Tadao Ando’s sculptural works, reflecting the growing recognition of his contributions to contemporary art beyond architecture [17].

Legacy

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Blue Rose in the Cube Study 1 stands as a key example of Ando’s artistic philosophy, wherein he translates architectural principles into sculptural form, creating works that invite contemplation on:

  • The ephemeral nature of existence.
  • The interplay between material and immaterial spaces.
  • The preservation of beauty in a changing world [18].

References

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  1. ^ a b c d e f Christies. "TADAO ANDO (B. 1941)". Christies.com. Retrieved 2025-04-03.
  2. ^ blak-it.com, BLAKIT. "(Русский) Pirosmani: wanderer between worlds". u-art.ru (in Russian). Retrieved 2025-04-03.
  3. ^ Dutz, Elisabeth (2018-11-16). "Nico Pirosmani: The Undiscovered Hero of the Avant-Garde". Sothebys.com. Retrieved 2025-04-03.
  4. ^ Today, Georgia (2023-04-27). "Niko Pirosmani's Art and Legacy: A Retrospective of the Albertina Museum Exhibition". Georgia Today. Retrieved 2025-04-03.
  5. ^ Kort, Pamela (2019-06-01). "Niko Pirosmani". Artforum. Retrieved 2025-04-03.
  6. ^ a b "Tadao Ando's Sculptural Requiem: The Table of Pirosmani – A Memorial to Unfulfilled Longing – Bernhard Boehler & Associates". Retrieved 2025-04-03.
  7. ^ Bach, Friedrich Teja; Brâncuşi, Constantin (1988). Constantin Brancusi: Metamorphosen plastischer Form (2., unveränd. Aufl ed.). Köln: DuMont. ISBN 978-3-7701-1839-7.
  8. ^ "Exhibition of Niko Pirosmani's works opened at ALBERTINA Museum in Vienna". 1TV. Retrieved 2025-04-03.
  9. ^ "Tadao Ando's Blue Rose in the Cube Study 1 stuns the market at Christie's - What could the metaphorical grave 7 meter sculpture the Table of Pirosmani be worth?". info.imedi.ge. Retrieved 2025-04-03.
  10. ^ "Niko Pirosmani". The ALBERTINA Museum Vienna. Retrieved 2025-04-03.
  11. ^ "More than 400 thousand people visited Niko Pirosmani's exhibition at Albertina Museum". 1TV. Retrieved 2025-04-03.
  12. ^ "Here are the ten most popular Post-Impressionist and Modern art exhibitions of 2019". The Art Newspaper - International art news and events. 2020-03-31. Retrieved 2025-04-03.
  13. ^ Albertina Museum (2018-11-20). Niko Pirosmani. Retrieved 2025-04-03 – via YouTube.
  14. ^ "Infinitart founder, with Cartu support, played pivotal role in Pirosmani exhibition series in Switzerland". 1TV. Retrieved 2025-04-03.
  15. ^ "Tadao Ando's Blue Rose in the Cube Study 1 stuns the market at Christie's - What could the metaphorical grave 7 meter sculpture the Table of Pirosmani be worth? - FrontNewsENG". 2025-03-14. Retrieved 2025-04-03.
  16. ^ "Tadao Ando Leads Christie's Online $1.84m 'Post-War and Contemporary Art Online' Auction". HENI News. Retrieved 2025-04-03.
  17. ^ "Tadao Ando's Auction Record Increases by 3%". HENI News. Retrieved 2025-04-03.
  18. ^ "Tadao Ando's Blue Rose in the Cube Study 1 stuns the market at Christie's - What could the metaphorical grave 7 meter sculpture the Table of Pirosmani be worth?". info.imedi.ge. Retrieved 2025-04-03.