From Wikipedia, the free encyclopedia
This is a list of pages in the scope of Wikipedia:WikiProject Color along with pageviews.
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Period: 2025-03-01 to 2025-03-31
Total views: 4,915,571
Updated: 08:59, 6 April 2025 (UTC)
Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Cornflower blue
|
131,742
|
4,249
|
Stub
|
Low
|
2
|
Johann Wolfgang von Goethe
|
75,867
|
2,447
|
B
|
Mid
|
3
|
Eye color
|
71,952
|
2,321
|
C
|
Mid
|
4
|
List of colors: A–F
|
71,919
|
2,319
|
List
|
High
|
5
|
Vantablack
|
61,706
|
1,990
|
C
|
Low
|
6
|
Periwinkle (color)
|
58,547
|
1,888
|
Stub
|
Mid
|
7
|
Rainbow
|
58,145
|
1,875
|
C
|
Unknown
|
8
|
Maroon
|
45,264
|
1,460
|
C
|
Mid
|
9
|
Sienna
|
44,427
|
1,433
|
Start
|
Mid
|
10
|
Cobalt blue
|
43,009
|
1,387
|
Start
|
Mid
|
11
|
Color blindness
|
42,603
|
1,374
|
B
|
Top
|
12
|
Light
|
42,259
|
1,363
|
B
|
Unknown
|
13
|
Red hair
|
40,940
|
1,320
|
C
|
Low
|
14
|
Equine coat color
|
40,443
|
1,304
|
Start
|
Low
|
15
|
Indigo
|
40,012
|
1,290
|
Start
|
Mid
|
16
|
Photon
|
39,398
|
1,270
|
B
|
Unknown
|
17
|
List of Crayola crayon colors
|
38,919
|
1,255
|
List
|
Mid
|
18
|
Web colors
|
38,503
|
1,242
|
C
|
Mid
|
19
|
Magenta
|
38,215
|
1,232
|
Start
|
High
|
20
|
Technicolor
|
37,867
|
1,221
|
C
|
Low
|
21
|
Shades of green
|
37,254
|
1,201
|
List
|
Mid
|
22
|
Purple
|
36,536
|
1,178
|
C
|
High
|
23
|
Black-body radiation
|
35,189
|
1,135
|
B
|
Unknown
|
24
|
Blue
|
31,609
|
1,019
|
B
|
Top
|
25
|
Red
|
31,556
|
1,017
|
B
|
Top
|
26
|
Shades of blue
|
30,398
|
980
|
List
|
Mid
|
27
|
RGB color model
|
30,329
|
978
|
B
|
High
|
28
|
PAL
|
29,031
|
936
|
C
|
Low
|
29
|
Color
|
29,027
|
936
|
B
|
Top
|
30
|
Fuchsia (color)
|
28,109
|
906
|
Start
|
Mid
|
31
|
Prussian blue
|
27,949
|
901
|
B
|
Mid
|
32
|
OLED
|
27,819
|
897
|
B
|
Unknown
|
33
|
Shades of purple
|
26,988
|
870
|
List
|
Mid
|
34
|
Shades of red
|
26,962
|
869
|
List
|
Mid
|
35
|
Blond
|
26,816
|
865
|
C
|
Low
|
36
|
Human skin color
|
26,553
|
856
|
B
|
High
|
37
|
Green
|
26,076
|
841
|
B
|
Top
|
38
|
HSL and HSV
|
26,015
|
839
|
B
|
High
|
39
|
Rayleigh scattering
|
25,817
|
832
|
B
|
Unknown
|
40
|
Tyrian purple
|
25,473
|
821
|
B
|
Mid
|
41
|
Black
|
25,349
|
817
|
C
|
Top
|
42
|
White
|
25,128
|
810
|
C
|
Top
|
43
|
Liquid-crystal display
|
24,874
|
802
|
B
|
Unknown
|
44
|
Shades of pink
|
24,817
|
800
|
List
|
Mid
|
45
|
Beer–Lambert law
|
24,309
|
784
|
Start
|
Unknown
|
46
|
Planck's law
|
23,862
|
769
|
B
|
Unknown
|
47
|
Visible spectrum
|
23,411
|
755
|
B
|
Top
|
48
|
CMYK color model
|
22,798
|
735
|
Start
|
High
|
49
|
Primary color
|
22,426
|
723
|
B
|
Top
|
50
|
Eye
|
22,406
|
722
|
B
|
Unknown
|
51
|
Redshift
|
22,403
|
722
|
FA
|
Unknown
|
52
|
Qualia
|
21,917
|
707
|
B
|
Unknown
|
53
|
Human eye
|
21,614
|
697
|
B
|
Unknown
|
54
|
Shades of brown
|
21,388
|
689
|
List
|
Mid
|
55
|
Vermilion
|
20,946
|
675
|
C
|
Mid
|
56
|
Fitzpatrick scale
|
20,945
|
675
|
Start
|
Low
|
57
|
Shades of gray
|
20,534
|
662
|
List
|
Mid
|
58
|
Violet (color)
|
20,524
|
662
|
B
|
High
|
59
|
Mauve
|
20,504
|
661
|
Start
|
Mid
|
60
|
Lists of colors
|
20,332
|
655
|
List
|
Mid
|
61
|
Cyan
|
20,269
|
653
|
C
|
High
|
62
|
Cerulean
|
20,111
|
648
|
Start
|
Low
|
63
|
Ochre
|
19,827
|
639
|
C
|
Mid
|
64
|
Color wheel
|
19,817
|
639
|
C
|
High
|
65
|
Human hair color
|
19,146
|
617
|
Start
|
Mid
|
66
|
Color theory
|
18,945
|
611
|
C
|
Top
|
67
|
ROYGBIV
|
18,918
|
610
|
Start
|
Mid
|
68
|
Terracotta
|
18,749
|
604
|
Start
|
Low
|
69
|
CIE 1931 color space
|
18,113
|
584
|
B
|
High
|
70
|
CIELAB color space
|
17,302
|
558
|
C
|
High
|
71
|
Yellow
|
17,163
|
553
|
C
|
Top
|
72
|
Black body
|
17,134
|
552
|
B
|
Mid
|
73
|
Light skin
|
17,122
|
552
|
B
|
High
|
74
|
Shades of yellow
|
16,916
|
545
|
List
|
Mid
|
75
|
Ultramarine
|
16,718
|
539
|
C
|
Mid
|
76
|
Pink
|
16,627
|
536
|
C
|
High
|
77
|
Teal
|
15,997
|
516
|
C
|
High
|
78
|
Color television
|
15,900
|
512
|
B
|
Mid
|
79
|
NTSC
|
15,845
|
511
|
C
|
Low
|
80
|
Quantum dot
|
15,755
|
508
|
C
|
Unknown
|
81
|
Spectroscopy
|
15,663
|
505
|
C
|
Unknown
|
82
|
Complementary colors
|
15,451
|
498
|
Start
|
High
|
83
|
Chartreuse (color)
|
15,318
|
494
|
Start
|
Mid
|
84
|
Fluorescence
|
15,093
|
486
|
B
|
Unknown
|
85
|
List of colors (alphabetical)
|
14,959
|
482
|
List
|
Low
|
86
|
Orange (colour)
|
14,935
|
481
|
C
|
High
|
87
|
Haint blue
|
14,884
|
480
|
Start
|
Low
|
88
|
Blue raspberry flavor
|
14,544
|
469
|
Start
|
Low
|
89
|
Tetrachromacy
|
14,376
|
463
|
C
|
High
|
90
|
Turquoise (color)
|
14,309
|
461
|
C
|
Mid
|
91
|
YInMn Blue
|
14,221
|
458
|
B
|
Low
|
92
|
Color temperature
|
14,128
|
455
|
B
|
High
|
93
|
Beige
|
14,102
|
454
|
C
|
Mid
|
94
|
Paint
|
13,927
|
449
|
C
|
High
|
95
|
Sky blue
|
13,740
|
443
|
Start
|
High
|
96
|
Impossible color
|
13,695
|
441
|
Start
|
Mid
|
97
|
Brilliant blue FCF
|
13,689
|
441
|
C
|
Mid
|
98
|
Pantone
|
13,646
|
440
|
Start
|
High
|
99
|
International Klein Blue
|
13,645
|
440
|
C
|
Low
|
100
|
Dark skin
|
13,574
|
437
|
B
|
High
|
101
|
Reflection (physics)
|
13,349
|
430
|
C
|
Unknown
|
102
|
Royal blue
|
13,222
|
426
|
Start
|
Mid
|
103
|
Printer (computing)
|
13,183
|
425
|
C
|
Unknown
|
104
|
Political colour
|
13,116
|
423
|
B
|
Low
|
105
|
Brown hair
|
13,062
|
421
|
C
|
Low
|
106
|
Grey
|
12,953
|
417
|
C
|
Top
|
107
|
List of colors: N–Z
|
12,894
|
415
|
List
|
High
|
108
|
Shades of cyan
|
12,810
|
413
|
List
|
Mid
|
109
|
Tan (color)
|
12,748
|
411
|
Start
|
Mid
|
110
|
Skin whitening
|
12,686
|
409
|
B
|
Low
|
111
|
List of colors by shade
|
12,673
|
408
|
List
|
Low
|
112
|
Khaki
|
12,637
|
407
|
Start
|
Mid
|
113
|
Crimson
|
12,567
|
405
|
Start
|
Mid
|
114
|
Diffraction grating
|
12,541
|
404
|
C
|
Unknown
|
115
|
Ultra-high-definition television
|
12,528
|
404
|
C
|
Low
|
116
|
SRGB
|
12,449
|
401
|
C
|
High
|
117
|
Shades of white
|
12,391
|
399
|
List
|
Mid
|
118
|
Freckle
|
12,373
|
399
|
Start
|
Low
|
119
|
Burgundy (color)
|
12,205
|
393
|
Start
|
Low
|
120
|
Retina
|
12,178
|
392
|
B
|
Unknown
|
121
|
Iridescence
|
12,037
|
388
|
Start
|
Mid
|
122
|
Plasma display
|
12,027
|
387
|
C
|
Unknown
|
123
|
Scarlet (color)
|
11,938
|
385
|
C
|
Mid
|
124
|
Brown
|
11,919
|
384
|
Start
|
High
|
125
|
Color photography
|
11,760
|
379
|
C
|
Low
|
126
|
AMOLED
|
11,725
|
378
|
C
|
Unknown
|
127
|
Color depth
|
11,683
|
376
|
C
|
Mid
|
128
|
Shades of orange
|
11,657
|
376
|
List
|
Mid
|
129
|
Lavender (color)
|
11,414
|
368
|
C
|
Low
|
130
|
Afterimage
|
11,358
|
366
|
C
|
High
|
131
|
Chromatic aberration
|
11,208
|
361
|
B
|
Mid
|
132
|
St. Patrick's blue
|
10,923
|
352
|
Start
|
Low
|
133
|
Stroop effect
|
10,857
|
350
|
B
|
Mid
|
134
|
List of colors: G–M
|
10,842
|
349
|
List
|
High
|
135
|
Ishihara test
|
10,740
|
346
|
C
|
Mid
|
136
|
Pigment
|
10,633
|
343
|
B
|
Top
|
137
|
Navy blue
|
10,548
|
340
|
C
|
Mid
|
138
|
Food coloring
|
10,237
|
330
|
C
|
Mid
|
139
|
Color space
|
10,203
|
329
|
C
|
High
|
140
|
Visual perception
|
10,078
|
325
|
C
|
Mid
|
141
|
Blue–green distinction in language
|
10,042
|
323
|
Start
|
Mid
|
142
|
Azure (color)
|
10,039
|
323
|
Start
|
Mid
|
143
|
Ink
|
10,027
|
323
|
C
|
Unknown
|
144
|
Chromesthesia
|
9,938
|
320
|
B
|
Low
|
145
|
Color psychology
|
9,849
|
317
|
C
|
High
|
146
|
Gamma correction
|
9,761
|
314
|
C
|
Unknown
|
147
|
Color grading
|
9,676
|
312
|
Start
|
Mid
|
148
|
Auburn hair
|
9,672
|
312
|
Start
|
Low
|
149
|
Black-and-white
|
9,602
|
309
|
Start
|
Mid
|
150
|
Phosphorescence
|
9,583
|
309
|
Start
|
Unknown
|
151
|
Color vision
|
9,483
|
305
|
C
|
Top
|
152
|
YCbCr
|
9,395
|
303
|
Start
|
High
|
153
|
Grayscale
|
9,256
|
298
|
Start
|
High
|
154
|
Verdigris
|
9,242
|
298
|
Start
|
Low
|
155
|
Lighting
|
9,204
|
296
|
C
|
Unknown
|
156
|
Pastel (color)
|
9,187
|
296
|
Stub
|
Mid
|
157
|
Hue
|
9,014
|
290
|
Start
|
High
|
158
|
Quantum dot display
|
9,007
|
290
|
C
|
Unknown
|
159
|
Spectrophotometry
|
8,986
|
289
|
C
|
High
|
160
|
Color rendering index
|
8,874
|
286
|
C
|
Mid
|
161
|
Gold (color)
|
8,688
|
280
|
Start
|
Mid
|
162
|
Baker–Miller pink
|
8,643
|
278
|
Start
|
Low
|
163
|
Black hair
|
8,552
|
275
|
Start
|
Low
|
164
|
Dye
|
8,540
|
275
|
C
|
High
|
165
|
Olive (color)
|
8,520
|
274
|
Start
|
High
|
166
|
Pantone 448 C
|
8,487
|
273
|
Stub
|
Low
|
167
|
Thomas Young (scientist)
|
8,405
|
271
|
C
|
Mid
|
168
|
Cone cell
|
8,398
|
270
|
C
|
Mid
|
169
|
Y′UV
|
8,390
|
270
|
C
|
Low
|
170
|
Flame test
|
8,294
|
267
|
Start
|
Low
|
171
|
British racing green
|
8,231
|
265
|
Start
|
Low
|
172
|
Munsell color system
|
8,215
|
265
|
B
|
High
|
173
|
Monochrome
|
8,201
|
264
|
C
|
High
|
174
|
Tincture (heraldry)
|
8,189
|
264
|
B
|
Mid
|
175
|
DCI-P3
|
8,167
|
263
|
C
|
Low
|
176
|
Shades of violet
|
8,021
|
258
|
List
|
Mid
|
177
|
Chroma subsampling
|
7,910
|
255
|
C
|
Low
|
178
|
Bayer filter
|
7,859
|
253
|
C
|
Mid
|
179
|
Shades of black
|
7,787
|
251
|
List
|
Top
|
180
|
Hair coloring
|
7,748
|
249
|
Start
|
Low
|
181
|
Pan-Arab colors
|
7,634
|
246
|
Start
|
Low
|
182
|
Taupe
|
7,634
|
246
|
Start
|
Low
|
183
|
Color in Chinese culture
|
7,621
|
245
|
Start
|
Mid
|
184
|
Inkjet printing
|
7,508
|
242
|
C
|
Unknown
|
185
|
Color symbolism
|
7,486
|
241
|
Start
|
Mid
|
186
|
Emission spectrum
|
7,476
|
241
|
C
|
Unknown
|
187
|
Hermann von Helmholtz
|
7,422
|
239
|
C
|
Mid
|
188
|
Color difference
|
7,414
|
239
|
B
|
High
|
189
|
Secondary color
|
7,413
|
239
|
C
|
High
|
190
|
Rec. 709
|
7,382
|
238
|
C
|
Low
|
191
|
Sepia (color)
|
7,225
|
233
|
Start
|
Mid
|
192
|
X11 color names
|
7,126
|
229
|
Start
|
Mid
|
193
|
Saffron (color)
|
7,087
|
228
|
Start
|
High
|
194
|
Spectrometer
|
7,082
|
228
|
Start
|
Unknown
|
195
|
Gamut
|
7,071
|
228
|
C
|
High
|
196
|
Umber
|
7,046
|
227
|
Start
|
Low
|
197
|
Anaglyph 3D
|
6,994
|
225
|
C
|
Low
|
198
|
Knowledge argument
|
6,905
|
222
|
C
|
Low
|
199
|
Laser printing
|
6,888
|
222
|
C
|
Unknown
|
200
|
Amber (color)
|
6,888
|
222
|
C
|
Mid
|
201
|
CIELUV
|
6,848
|
220
|
Start
|
Mid
|
202
|
RAL colour standard
|
6,821
|
220
|
Start
|
Mid
|
203
|
Rec. 2020
|
6,810
|
219
|
C
|
Low
|
204
|
List of flags containing the color purple
|
6,795
|
219
|
List
|
Low
|
205
|
Autochrome Lumière
|
6,775
|
218
|
C
|
Low
|
206
|
Pan-African colours
|
6,706
|
216
|
Start
|
Low
|
207
|
Lilac (color)
|
6,680
|
215
|
Stub
|
Low
|
208
|
Halftone
|
6,672
|
215
|
C
|
Mid
|
209
|
High-dynamic-range television
|
6,672
|
215
|
C
|
Mid
|
210
|
Phosphor
|
6,555
|
211
|
Start
|
Unknown
|
211
|
Prism (optics)
|
6,509
|
209
|
Start
|
Mid
|
212
|
Egyptian blue
|
6,470
|
208
|
C
|
Mid
|
213
|
Color of water
|
6,442
|
207
|
C
|
Low
|
214
|
Shades of magenta
|
6,375
|
205
|
List
|
Mid
|
215
|
Ermine (heraldry)
|
6,257
|
201
|
Stub
|
Low
|
216
|
Alpha compositing
|
6,215
|
200
|
Start
|
Unknown
|
217
|
SECAM
|
6,189
|
199
|
C
|
Mid
|
218
|
Optic nerve
|
6,171
|
199
|
C
|
Unknown
|
219
|
Color motion picture film
|
6,113
|
197
|
B
|
Low
|
220
|
Standard illuminant
|
6,095
|
196
|
B
|
High
|
221
|
Tiffany Blue
|
6,076
|
196
|
Start
|
Low
|
222
|
List of people with red hair
|
6,061
|
195
|
List
|
Low
|
223
|
Color term
|
6,037
|
194
|
Start
|
High
|
224
|
Cosmic latte
|
6,026
|
194
|
Start
|
Low
|
225
|
Blue-green
|
5,954
|
192
|
Start
|
Mid
|
226
|
Luminance
|
5,925
|
191
|
Start
|
Unknown
|
227
|
Whitewash
|
5,868
|
189
|
Start
|
High
|
228
|
Congenital red–green color blindness
|
5,854
|
188
|
C
|
Mid
|
229
|
List of video game console palettes
|
5,817
|
187
|
List
|
Low
|
230
|
Colorfulness
|
5,813
|
187
|
Start
|
High
|
231
|
Marker pen
|
5,811
|
187
|
Start
|
Low
|
232
|
Carmine (color)
|
5,810
|
187
|
Stub
|
Low
|
233
|
Go Away Green
|
5,800
|
187
|
Start
|
Low
|
234
|
Eigengrau
|
5,742
|
185
|
Start
|
Low
|
235
|
List of monochrome and RGB color formats
|
5,707
|
184
|
List
|
Mid
|
236
|
Cerise (color)
|
5,688
|
183
|
Stub
|
Low
|
237
|
LED display
|
5,614
|
181
|
Start
|
Unknown
|
238
|
Tint, shade and tone
|
5,594
|
180
|
Start
|
High
|
239
|
Photoreceptor cell
|
5,589
|
180
|
C
|
Mid
|
240
|
Spring green
|
5,574
|
179
|
C
|
Low
|
241
|
Colorist
|
5,552
|
179
|
C
|
Low
|
242
|
Photonics
|
5,521
|
178
|
C
|
Low
|
243
|
Specular reflection
|
5,487
|
177
|
C
|
Unknown
|
244
|
Darkness
|
5,428
|
175
|
C
|
Unknown
|
245
|
False color
|
5,408
|
174
|
B
|
Mid
|
246
|
Electronic color code
|
5,375
|
173
|
C
|
Low
|
247
|
Phthalocyanine Green G
|
5,366
|
173
|
Start
|
Low
|
248
|
Absorption spectroscopy
|
5,328
|
171
|
C
|
Unknown
|
249
|
Ivory (color)
|
5,325
|
171
|
Stub
|
Low
|
250
|
List of international auto racing colours
|
5,293
|
170
|
List
|
Low
|
251
|
Fawn (colour)
|
5,281
|
170
|
Stub
|
Low
|
252
|
Mummy brown
|
5,230
|
168
|
Start
|
Mid
|
253
|
Theory of Colours
|
5,097
|
164
|
B
|
High
|
254
|
Candy apple red
|
4,993
|
161
|
Start
|
Low
|
255
|
Spectral color
|
4,942
|
159
|
Start
|
High
|
256
|
RGBA color model
|
4,939
|
159
|
Start
|
Mid
|
257
|
Puce
|
4,875
|
157
|
Stub
|
Mid
|
258
|
YPbPr
|
4,858
|
156
|
Start
|
Mid
|
259
|
Contrast (vision)
|
4,855
|
156
|
Start
|
High
|
260
|
Traditional colors of Japan
|
4,850
|
156
|
Start
|
Mid
|
261
|
Color organ
|
4,843
|
156
|
C
|
Low
|
262
|
Color analysis
|
4,833
|
155
|
Start
|
Mid
|
263
|
Natural dye
|
4,807
|
155
|
C
|
Mid
|
264
|
Brightness
|
4,783
|
154
|
Start
|
Mid
|
265
|
Buff (colour)
|
4,759
|
153
|
Start
|
Low
|
266
|
Ecru
|
4,745
|
153
|
Stub
|
Mid
|
267
|
Oklab color space
|
4,745
|
153
|
Start
|
Low
|
268
|
Light-on-dark color scheme
|
4,718
|
152
|
Start
|
Low
|
269
|
Color scheme
|
4,656
|
150
|
Start
|
Mid
|
270
|
Chromophore
|
4,558
|
147
|
Start
|
Mid
|
271
|
Printing registration
|
4,535
|
146
|
C
|
Low
|
272
|
Diffuse reflection
|
4,469
|
144
|
Start
|
Unknown
|
273
|
List of colors
|
4,468
|
144
|
NA
|
High
|
274
|
Luminescence
|
4,407
|
142
|
C
|
Unknown
|
275
|
Viridian
|
4,376
|
141
|
Start
|
Low
|
276
|
Grapheme–color synesthesia
|
4,332
|
139
|
C
|
Low
|
277
|
Rose (color)
|
4,295
|
138
|
C
|
Low
|
278
|
Polychrome
|
4,284
|
138
|
C
|
Mid
|
279
|
Color mixing
|
4,277
|
137
|
C
|
High
|
280
|
Earth tone
|
4,182
|
134
|
Stub
|
Low
|
281
|
Photoluminescence
|
4,176
|
134
|
C
|
Unknown
|
282
|
RYB color model
|
4,132
|
133
|
C
|
Mid
|
283
|
Dye-sublimation printing
|
4,116
|
132
|
Unknown
|
Unknown
|
284
|
School colors
|
4,046
|
130
|
Start
|
Mid
|
285
|
Subtractive color
|
4,024
|
129
|
Start
|
High
|
286
|
Feldgrau
|
4,021
|
129
|
Start
|
Low
|
287
|
Lake pigment
|
4,016
|
129
|
Start
|
Low
|
288
|
Gules
|
4,014
|
129
|
Start
|
Low
|
289
|
Mustard (color)
|
3,922
|
126
|
Stub
|
Low
|
290
|
Shades of chartreuse
|
3,921
|
126
|
List
|
Mid
|
291
|
Electric blue (color)
|
3,884
|
125
|
Start
|
Low
|
292
|
8-bit color
|
3,882
|
125
|
Start
|
Low
|
293
|
List of color palettes
|
3,871
|
124
|
List
|
Mid
|
294
|
Savoy blue
|
3,827
|
123
|
B
|
Low
|
295
|
Coral (color)
|
3,810
|
122
|
Stub
|
Low
|
296
|
Pan-Slavic colors
|
3,748
|
120
|
Start
|
Low
|
297
|
Silver (color)
|
3,741
|
120
|
Start
|
Mid
|
298
|
Argent
|
3,698
|
119
|
Start
|
Low
|
299
|
Newton disc
|
3,695
|
119
|
C
|
Mid
|
300
|
Lincoln green
|
3,691
|
119
|
C
|
Low
|
301
|
Absorption (electromagnetic radiation)
|
3,682
|
118
|
Start
|
Unknown
|
302
|
International orange
|
3,613
|
116
|
Stub
|
Low
|
303
|
Robin egg blue
|
3,612
|
116
|
Stub
|
Low
|
304
|
Structural coloration
|
3,610
|
116
|
GA
|
Mid
|
305
|
Film colorization
|
3,578
|
115
|
C
|
Low
|
306
|
Gendered associations of pink and blue
|
3,548
|
114
|
C
|
Mid
|
307
|
Lime (color)
|
3,546
|
114
|
Start
|
Mid
|
308
|
National colours
|
3,532
|
113
|
Start
|
Mid
|
309
|
Trichromacy
|
3,511
|
113
|
C
|
High
|
310
|
Wine (color)
|
3,511
|
113
|
Stub
|
Low
|
311
|
Amaranth (color)
|
3,508
|
113
|
Start
|
Low
|
312
|
Rod cell
|
3,465
|
111
|
Start
|
Unknown
|
313
|
Dichromacy
|
3,454
|
111
|
Start
|
Mid
|
314
|
Chromotherapy
|
3,435
|
110
|
C
|
Low
|
315
|
Azure (heraldry)
|
3,416
|
110
|
Start
|
Low
|
316
|
Shades of rose
|
3,403
|
109
|
List
|
Mid
|
317
|
Aquamarine (color)
|
3,400
|
109
|
Stub
|
Low
|
318
|
RGB color spaces
|
3,374
|
108
|
Start
|
Mid
|
319
|
Thermochromism
|
3,354
|
108
|
Start
|
Low
|
320
|
Color model
|
3,341
|
107
|
B
|
High
|
321
|
History of Crayola crayons
|
3,326
|
107
|
C
|
Low
|
322
|
ICC profile
|
3,277
|
105
|
C
|
Low
|
323
|
Anti-flash white
|
3,210
|
103
|
Start
|
Mid
|
324
|
Chromaticity
|
3,204
|
103
|
Start
|
High
|
325
|
Opsin
|
3,191
|
102
|
C
|
Unknown
|
326
|
Midnight blue
|
3,188
|
102
|
Start
|
Low
|
327
|
Colors of the day in Thailand
|
3,188
|
102
|
Stub
|
Low
|
328
|
Color-blocking
|
3,154
|
101
|
Start
|
Low
|
329
|
Dinosaur coloration
|
3,123
|
100
|
C
|
Mid
|
330
|
Additive color
|
3,115
|
100
|
Start
|
High
|
331
|
Peach (color)
|
3,109
|
100
|
Stub
|
Low
|
332
|
Colored pencil
|
3,063
|
98
|
C
|
High
|
333
|
Autumn leaf color
|
3,044
|
98
|
C
|
Mid
|
334
|
Falu red
|
3,024
|
97
|
Start
|
Low
|
335
|
Blue-gray
|
3,022
|
97
|
C
|
Low
|
336
|
Chromophobia
|
3,021
|
97
|
Start
|
Mid
|
337
|
Blood red
|
3,017
|
97
|
Stub
|
Low
|
338
|
International Colour Day
|
3,015
|
97
|
Start
|
Mid
|
339
|
Color balance
|
3,003
|
96
|
Start
|
High
|
340
|
Aqua (color)
|
3,001
|
96
|
Stub
|
Mid
|
341
|
Demosaicing
|
2,982
|
96
|
Start
|
Low
|
342
|
List of color spaces and their uses
|
2,956
|
95
|
Start
|
High
|
343
|
Copper (color)
|
2,952
|
95
|
Stub
|
Low
|
344
|
Alvy Ray Smith
|
2,932
|
94
|
C
|
Low
|
345
|
25-pair color code
|
2,927
|
94
|
Start
|
Low
|
346
|
Rose madder
|
2,903
|
93
|
Start
|
Low
|
347
|
Opponent process
|
2,894
|
93
|
Start
|
High
|
348
|
Monochromacy
|
2,890
|
93
|
C
|
Mid
|
349
|
Sapphire (color)
|
2,861
|
92
|
Stub
|
Low
|
350
|
Hypercolor
|
2,841
|
91
|
C
|
Low
|
351
|
Kumkuma
|
2,840
|
91
|
Start
|
Mid
|
352
|
Von Luschan's chromatic scale
|
2,833
|
91
|
Start
|
Low
|
353
|
Photographic print toning
|
2,814
|
90
|
Start
|
Mid
|
354
|
Linguistic relativity and the color naming debate
|
2,805
|
90
|
Start
|
Mid
|
355
|
Jonquil (color)
|
2,792
|
90
|
Stub
|
Low
|
356
|
Sage (color)
|
2,780
|
89
|
Stub
|
Low
|
357
|
Red-violet
|
2,747
|
88
|
Stub
|
Low
|
358
|
Light blue
|
2,744
|
88
|
Stub
|
Low
|
359
|
Dodger blue
|
2,725
|
87
|
Start
|
Low
|
360
|
Eton blue
|
2,705
|
87
|
Stub
|
Low
|
361
|
Champagne (color)
|
2,698
|
87
|
Stub
|
Low
|
362
|
Sable (heraldry)
|
2,685
|
86
|
Stub
|
Low
|
363
|
Color of chemicals
|
2,676
|
86
|
C
|
High
|
364
|
Rosso corsa
|
2,654
|
85
|
Start
|
Low
|
365
|
Metamerism (color)
|
2,625
|
84
|
Start
|
High
|
366
|
Johann Heinrich Lambert
|
2,595
|
83
|
Start
|
Unknown
|
367
|
Tawny (color)
|
2,562
|
82
|
Start
|
Low
|
368
|
Salmon (color)
|
2,548
|
82
|
Start
|
Low
|
369
|
Or (heraldry)
|
2,546
|
82
|
Stub
|
Low
|
370
|
Diffuse sky radiation
|
2,539
|
81
|
C
|
Mid
|
371
|
Natural Color System
|
2,518
|
81
|
Start
|
High
|
372
|
Bleu de France (colour)
|
2,516
|
81
|
Start
|
Low
|
373
|
Green in Islam
|
2,495
|
80
|
Stub
|
Low
|
374
|
Cambridge Blue (colour)
|
2,492
|
80
|
Start
|
Low
|
375
|
Colorimetry
|
2,481
|
80
|
Start
|
High
|
376
|
Solarized
|
2,475
|
79
|
Start
|
Low
|
377
|
Animal coloration
|
2,474
|
79
|
GA
|
Mid
|
378
|
ColorChecker
|
2,464
|
79
|
Start
|
Mid
|
379
|
Colour banding
|
2,446
|
78
|
Stub
|
Low
|
380
|
Glare (vision)
|
2,446
|
78
|
Start
|
Low
|
381
|
Alice blue
|
2,446
|
78
|
Stub
|
Low
|
382
|
List of inorganic pigments
|
2,441
|
78
|
List
|
Low
|
383
|
Photometry (optics)
|
2,421
|
78
|
Start
|
Unknown
|
384
|
Rec. 2100
|
2,412
|
77
|
Start
|
Low
|
385
|
Bronze (color)
|
2,397
|
77
|
Start
|
Mid
|
386
|
Johannes Itten
|
2,383
|
76
|
Start
|
Mid
|
387
|
Basic Color Terms
|
2,374
|
76
|
Start
|
Mid
|
388
|
Wilhelm Ostwald
|
2,365
|
76
|
C
|
Mid
|
389
|
Han purple and Han blue
|
2,350
|
75
|
B
|
Mid
|
390
|
Baby blue
|
2,342
|
75
|
Stub
|
Low
|
391
|
Chromostereopsis
|
2,337
|
75
|
C
|
Mid
|
392
|
Rec. 601
|
2,328
|
75
|
Start
|
Unknown
|
393
|
Lightness
|
2,325
|
75
|
Start
|
High
|
394
|
Powder blue
|
2,287
|
73
|
Stub
|
Low
|
395
|
Adobe RGB color space
|
2,276
|
73
|
Start
|
Mid
|
396
|
New riddle of induction
|
2,272
|
73
|
Start
|
Low
|
397
|
Chestnut (color)
|
2,252
|
72
|
Stub
|
Low
|
398
|
Air Force blue
|
2,252
|
72
|
Start
|
Low
|
399
|
Maya blue
|
2,244
|
72
|
C
|
Low
|
400
|
Color science
|
2,231
|
71
|
Stub
|
Top
|
401
|
Color chart
|
2,218
|
71
|
Start
|
Mid
|
402
|
School bus yellow
|
2,204
|
71
|
Start
|
Low
|
403
|
Analogous colors
|
2,194
|
70
|
Stub
|
Mid
|
404
|
Color gradient
|
2,190
|
70
|
Start
|
Low
|
405
|
Color vision test
|
2,185
|
70
|
B
|
High
|
406
|
Red pigments
|
2,179
|
70
|
C
|
Low
|
407
|
Luma (video)
|
2,177
|
70
|
Start
|
Unknown
|
408
|
Dandelion (crayon color)
|
2,128
|
68
|
Start
|
Low
|
409
|
Mountbatten pink
|
2,125
|
68
|
GA
|
Low
|
410
|
Heliotrope (color)
|
2,114
|
68
|
Stub
|
Low
|
411
|
Relative luminance
|
2,095
|
67
|
Start
|
Mid
|
412
|
Cream (colour)
|
2,094
|
67
|
Stub
|
Low
|
413
|
National colours of Australia
|
2,093
|
67
|
Start
|
Low
|
414
|
Color management
|
2,084
|
67
|
Start
|
Mid
|
415
|
List of dyes
|
2,054
|
66
|
List
|
Mid
|
416
|
Persian blue
|
2,019
|
65
|
Stub
|
Low
|
417
|
Carolina blue
|
1,991
|
64
|
Start
|
Mid
|
418
|
Black-and-white dualism
|
1,980
|
63
|
Start
|
Low
|
419
|
Safety orange
|
1,979
|
63
|
Start
|
Low
|
420
|
Color constancy
|
1,967
|
63
|
Start
|
Mid
|
421
|
Color printing
|
1,966
|
63
|
C
|
High
|
422
|
Palette (computing)
|
1,965
|
63
|
C
|
Mid
|
423
|
Michel Eugène Chevreul
|
1,957
|
63
|
Start
|
Unknown
|
424
|
Hand-colouring of photographs
|
1,951
|
62
|
C
|
Mid
|
425
|
Shades of azure
|
1,936
|
62
|
NA
|
NA
|
426
|
Gamboge
|
1,930
|
62
|
Start
|
Low
|
427
|
Color correction
|
1,925
|
62
|
Start
|
Mid
|
428
|
Glaucous
|
1,897
|
61
|
Stub
|
Low
|
429
|
Lemon (color)
|
1,864
|
60
|
Stub
|
Low
|
430
|
Ruby (color)
|
1,862
|
60
|
Start
|
Mid
|
431
|
Complexion
|
1,860
|
60
|
Start
|
Low
|
432
|
Spectral power distribution
|
1,850
|
59
|
Start
|
High
|
433
|
Color appearance model
|
1,841
|
59
|
Start
|
Mid
|
434
|
International Commission on Illumination
|
1,830
|
59
|
Start
|
High
|
435
|
Color filter array
|
1,829
|
59
|
C
|
Low
|
436
|
Majorelle Blue
|
1,827
|
58
|
Stub
|
Low
|
437
|
LMS color space
|
1,821
|
58
|
Start
|
Mid
|
438
|
Gray card
|
1,810
|
58
|
Start
|
Low
|
439
|
Mahogany (color)
|
1,806
|
58
|
Stub
|
Low
|
440
|
Cardinal (color)
|
1,790
|
57
|
Stub
|
Low
|
441
|
Rufous
|
1,788
|
57
|
Start
|
Low
|
442
|
Color of the day (police)
|
1,782
|
57
|
Start
|
Low
|
443
|
HWB color model
|
1,782
|
57
|
Stub
|
Low
|
444
|
Oxblood
|
1,775
|
57
|
Start
|
Low
|
445
|
Image gradient
|
1,769
|
57
|
Stub
|
Mid
|
446
|
Cyanometer
|
1,757
|
56
|
Stub
|
Low
|
447
|
Russet (color)
|
1,736
|
56
|
Stub
|
Low
|
448
|
Colour trade mark
|
1,732
|
55
|
Start
|
High
|
449
|
Plum (color)
|
1,730
|
55
|
Start
|
Mid
|
450
|
Young–Helmholtz theory
|
1,729
|
55
|
Stub
|
High
|
451
|
High color
|
1,723
|
55
|
Start
|
Low
|
452
|
Domain coloring
|
1,723
|
55
|
C
|
Low
|
453
|
Dracula (color scheme)
|
1,721
|
55
|
C
|
Low
|
454
|
Vair
|
1,715
|
55
|
Stub
|
Low
|
455
|
Mars surface color
|
1,715
|
55
|
B
|
Low
|
456
|
Super black
|
1,713
|
55
|
Start
|
Mid
|
457
|
Planckian locus
|
1,710
|
55
|
C
|
Mid
|
458
|
Lightfastness
|
1,709
|
55
|
Start
|
Mid
|
459
|
Blue in culture
|
1,703
|
54
|
B
|
High
|
460
|
Inverted spectrum
|
1,702
|
54
|
B
|
Low
|
461
|
Slate gray
|
1,693
|
54
|
Stub
|
Low
|
462
|
Academy Color Encoding System
|
1,692
|
54
|
C
|
Unknown
|
463
|
Byzantium (color)
|
1,688
|
54
|
Start
|
Low
|
464
|
Color code
|
1,678
|
54
|
Start
|
Mid
|
465
|
Columbia blue
|
1,666
|
53
|
Stub
|
Low
|
466
|
Cadet grey
|
1,666
|
53
|
Start
|
Low
|
467
|
Optical brightener
|
1,663
|
53
|
Start
|
Mid
|
468
|
Coquelicot
|
1,657
|
53
|
Start
|
Low
|
469
|
LED strip light
|
1,648
|
53
|
C
|
Low
|
470
|
Xanthochromia
|
1,646
|
53
|
Start
|
Low
|
471
|
Soil color
|
1,623
|
52
|
Start
|
Low
|
472
|
Rich black
|
1,613
|
52
|
C
|
Mid
|
473
|
Philipp Otto Runge
|
1,607
|
51
|
Start
|
Unknown
|
474
|
Xanthochromism
|
1,607
|
51
|
Stub
|
Low
|
475
|
Photochromism
|
1,604
|
51
|
C
|
Low
|
476
|
Apricot (color)
|
1,600
|
51
|
Stub
|
Low
|
477
|
Payne's grey
|
1,597
|
51
|
Stub
|
Mid
|
478
|
Chrome yellow
|
1,593
|
51
|
Start
|
Mid
|
479
|
ISCC–NBS system
|
1,588
|
51
|
Start
|
High
|
480
|
History of red
|
1,588
|
51
|
C
|
Mid
|
481
|
History of spectroscopy
|
1,584
|
51
|
B
|
Mid
|
482
|
Chrominance
|
1,583
|
51
|
Start
|
Mid
|
483
|
Color quantization
|
1,583
|
51
|
C
|
High
|
484
|
Color blind glasses
|
1,583
|
51
|
B
|
Mid
|
485
|
List of 16-bit computer color palettes
|
1,567
|
50
|
List
|
Low
|
486
|
Old gold
|
1,561
|
50
|
Start
|
Low
|
487
|
YIQ
|
1,552
|
50
|
Start
|
Low
|
488
|
Rust (color)
|
1,552
|
50
|
Stub
|
Low
|
489
|
Tooth discoloration
|
1,546
|
49
|
C
|
Low
|
490
|
Color picker
|
1,531
|
49
|
Start
|
Low
|
491
|
Contrast effect
|
1,516
|
48
|
C
|
Mid
|
492
|
Indexed color
|
1,516
|
48
|
C
|
High
|
493
|
List of people with color blindness
|
1,513
|
48
|
List
|
Low
|
494
|
Alizarin crimson (color)
|
1,511
|
48
|
Stub
|
Mid
|
495
|
Forest green
|
1,499
|
48
|
Stub
|
Low
|
496
|
HCL color space
|
1,499
|
48
|
Start
|
Mid
|
497
|
Iron oxide red
|
1,497
|
48
|
Stub
|
Low
|
498
|
Hyaline
|
1,451
|
46
|
Stub
|
Low
|
499
|
ProPhoto RGB color space
|
1,439
|
46
|
Start
|
Low
|
500
|
List of chicken colours
|
1,417
|
45
|
List
|
Low
|
501
|
List of animals that can change color
|
1,416
|
45
|
List
|
Low
|
502
|
Sunset (color)
|
1,415
|
45
|
Start
|
Low
|
503
|
Non-photo blue
|
1,412
|
45
|
Start
|
Low
|
504
|
Sepia tone
|
1,404
|
45
|
NA
|
Mid
|
505
|
Opponent-process theory
|
1,395
|
45
|
Start
|
Unknown
|
506
|
Wine color
|
1,384
|
44
|
Start
|
Low
|
507
|
Correlated color temperature
|
1,368
|
44
|
C
|
Low
|
508
|
Eggplant (color)
|
1,367
|
44
|
Stub
|
Low
|
509
|
Color gel
|
1,364
|
44
|
Start
|
Low
|
510
|
Desert sand (color)
|
1,364
|
44
|
Start
|
Low
|
511
|
Alcian blue stain
|
1,362
|
43
|
C
|
Low
|
512
|
Iris (color)
|
1,359
|
43
|
Stub
|
Low
|
513
|
Chocolate (color)
|
1,340
|
43
|
Start
|
Low
|
514
|
Steel blue
|
1,338
|
43
|
Stub
|
Low
|
515
|
Federal Standard 595
|
1,335
|
43
|
Stub
|
Low
|
516
|
Coyote brown
|
1,322
|
42
|
Stub
|
Mid
|
517
|
EnChroma
|
1,315
|
42
|
Start
|
Mid
|
518
|
Bistre
|
1,307
|
42
|
Start
|
Mid
|
519
|
Color preferences
|
1,294
|
41
|
Stub
|
Mid
|
520
|
Colour Index International
|
1,290
|
41
|
Start
|
Mid
|
521
|
White point
|
1,288
|
41
|
Start
|
High
|
522
|
Metallic color
|
1,288
|
41
|
Start
|
Mid
|
523
|
Tertiary color
|
1,286
|
41
|
NA
|
High
|
524
|
Platinum (color)
|
1,274
|
41
|
Stub
|
Low
|
525
|
Day-Glo Color Corp.
|
1,272
|
41
|
Start
|
Mid
|
526
|
Blue light spectrum
|
1,270
|
40
|
C
|
Unknown
|
527
|
Colour fastness
|
1,267
|
40
|
Start
|
Low
|
528
|
Aureolin
|
1,265
|
40
|
Stub
|
Low
|
529
|
APHA color
|
1,264
|
40
|
Start
|
Low
|
530
|
Rifle green
|
1,255
|
40
|
NA
|
Low
|
531
|
Chromatic adaptation
|
1,253
|
40
|
Start
|
Mid
|
532
|
Spectral sensitivity
|
1,251
|
40
|
Start
|
Mid
|
533
|
Orcein
|
1,223
|
39
|
Start
|
Mid
|
534
|
Budgerigar colour genetics
|
1,220
|
39
|
Start
|
Low
|
535
|
Fulvous
|
1,214
|
39
|
Start
|
Low
|
536
|
Channel (digital image)
|
1,200
|
38
|
C
|
Mid
|
537
|
Orchid (color)
|
1,194
|
38
|
Stub
|
Low
|
538
|
List of historical sources for pink and blue as gender signifiers
|
1,193
|
38
|
List
|
Low
|
539
|
Farnsworth–Munsell 100 hue test
|
1,192
|
38
|
C
|
Low
|
540
|
Standard-dynamic-range video
|
1,192
|
38
|
C
|
Mid
|
541
|
Liver (color)
|
1,187
|
38
|
Stub
|
Low
|
542
|
Duotone
|
1,172
|
37
|
Start
|
Low
|
543
|
Color solid
|
1,149
|
37
|
Start
|
High
|
544
|
Cordovan (color)
|
1,149
|
37
|
Stub
|
Low
|
545
|
Mulberry (color)
|
1,148
|
37
|
Stub
|
Low
|
546
|
CIECAM02
|
1,139
|
36
|
B
|
High
|
547
|
MacAdam ellipse
|
1,129
|
36
|
C
|
High
|
548
|
High Capacity Color Barcode
|
1,129
|
36
|
C
|
Low
|
549
|
Light reflectance value
|
1,128
|
36
|
Start
|
Unknown
|
550
|
Goldenrod (color)
|
1,122
|
36
|
Start
|
Low
|
551
|
Ink cartridge
|
1,118
|
36
|
Start
|
Unknown
|
552
|
Illuminant D65
|
1,109
|
35
|
NA
|
Mid
|
553
|
Raspberry (color)
|
1,103
|
35
|
Start
|
Low
|
554
|
Caput mortuum (pigment)
|
1,102
|
35
|
Start
|
Low
|
555
|
Gray
|
1,088
|
35
|
NA
|
NA
|
556
|
Visual processing
|
1,086
|
35
|
Start
|
Low
|
557
|
Selective yellow
|
1,086
|
35
|
C
|
Low
|
558
|
Harmony (color)
|
1,083
|
34
|
C
|
High
|
559
|
Purpure
|
1,080
|
34
|
Start
|
Low
|
560
|
Electrochromism
|
1,079
|
34
|
C
|
Low
|
561
|
Abnormal urine color
|
1,077
|
34
|
Start
|
Low
|
562
|
Bleu celeste
|
1,074
|
34
|
Start
|
Low
|
563
|
Utility location
|
1,069
|
34
|
Start
|
Mid
|
564
|
Palatinate (colour)
|
1,063
|
34
|
Start
|
Low
|
565
|
Venetian red
|
1,062
|
34
|
Stub
|
Low
|
566
|
Lüscher color test
|
1,060
|
34
|
Start
|
Low
|
567
|
X-Rite
|
1,060
|
34
|
Start
|
Low
|
568
|
Wide-gamut RGB color space
|
1,053
|
33
|
Start
|
Mid
|
569
|
Line of purples
|
1,051
|
33
|
Start
|
Mid
|
570
|
CMY color model
|
1,050
|
33
|
NA
|
High
|
571
|
Marian blue
|
1,040
|
33
|
Start
|
Low
|
572
|
Calcein
|
1,039
|
33
|
Start
|
Low
|
573
|
Vert (heraldry)
|
1,034
|
33
|
Start
|
Low
|
574
|
Citrine (colour)
|
1,021
|
32
|
Stub
|
Low
|
575
|
Solvatochromism
|
1,020
|
32
|
Start
|
Low
|
576
|
Fire engine red
|
1,004
|
32
|
Stub
|
Low
|
577
|
List of color film systems
|
998
|
32
|
List
|
Low
|
578
|
Spot color
|
992
|
32
|
Start
|
High
|
579
|
Van Dyke brown
|
989
|
31
|
Stub
|
Low
|
580
|
Vision science
|
969
|
31
|
Start
|
Mid
|
581
|
Sakura Color Products Corporation
|
963
|
31
|
Stub
|
Low
|
582
|
Flax (color)
|
950
|
30
|
Stub
|
Low
|
583
|
ICtCp
|
949
|
30
|
C
|
Mid
|
584
|
Yale Blue
|
946
|
30
|
Start
|
Low
|
585
|
PAL-M
|
944
|
30
|
Start
|
Low
|
586
|
Eggshell (color)
|
936
|
30
|
Stub
|
Low
|
587
|
Cerebral achromatopsia
|
907
|
29
|
C
|
Low
|
588
|
Color histogram
|
905
|
29
|
Start
|
Mid
|
589
|
RG color models
|
900
|
29
|
C
|
Mid
|
590
|
Coffee (color)
|
892
|
28
|
Start
|
Low
|
591
|
Android green
|
892
|
28
|
Stub
|
Low
|
592
|
Tenné
|
889
|
28
|
B
|
Low
|
593
|
Colourant
|
884
|
28
|
Stub
|
High
|
594
|
Sinopia
|
876
|
28
|
Start
|
Low
|
595
|
Duke blue
|
875
|
28
|
Stub
|
Low
|
596
|
Quattron
|
874
|
28
|
Stub
|
Unknown
|
597
|
Drab (color)
|
872
|
28
|
Stub
|
Low
|
598
|
Colorburst
|
867
|
27
|
Start
|
Low
|
599
|
Marigold (color)
|
866
|
27
|
Stub
|
Low
|
600
|
Olive drab
|
862
|
27
|
NA
|
NA
|
601
|
Dominant wavelength
|
857
|
27
|
Start
|
High
|
602
|
Magnolia (color)
|
848
|
27
|
Stub
|
Low
|
603
|
ScRGB
|
848
|
27
|
Start
|
Mid
|
604
|
Evolution of color vision in primates
|
848
|
27
|
C
|
Mid
|
605
|
Marengo (color)
|
845
|
27
|
Start
|
Low
|
606
|
Color triangle
|
838
|
27
|
Start
|
High
|
607
|
Unique hues
|
835
|
26
|
C
|
Mid
|
608
|
Camel (color)
|
814
|
26
|
Start
|
Low
|
609
|
Abney effect
|
810
|
26
|
B
|
Mid
|
610
|
Synthetic colorant
|
810
|
26
|
C
|
Low
|
611
|
Pearl (color)
|
808
|
26
|
Stub
|
Low
|
612
|
YCoCg
|
805
|
25
|
C
|
Mid
|
613
|
Vanilla (color)
|
800
|
25
|
Start
|
Mid
|
614
|
Philosophy of color
|
782
|
25
|
Start
|
High
|
615
|
Blush (color)
|
759
|
24
|
Stub
|
Low
|
616
|
Color calibration
|
757
|
24
|
Start
|
Mid
|
617
|
Evolution of color vision
|
755
|
24
|
Start
|
Mid
|
618
|
Navajo white
|
753
|
24
|
Stub
|
Low
|
619
|
Ostwald color system
|
752
|
24
|
C
|
High
|
620
|
Arylide yellow
|
745
|
24
|
Stub
|
Low
|
621
|
Composite artifact colors
|
732
|
23
|
C
|
Low
|
622
|
On Vision and Colours
|
730
|
23
|
Start
|
Low
|
623
|
Tangerine (color)
|
726
|
23
|
Stub
|
Low
|
624
|
Image color transfer
|
722
|
23
|
Start
|
Low
|
625
|
Albert Henry Munsell
|
720
|
23
|
Start
|
Mid
|
626
|
Citron (color)
|
708
|
22
|
Stub
|
Low
|
627
|
Gene therapy for color blindness
|
703
|
22
|
C
|
Low
|
628
|
Blue Wool Scale
|
694
|
22
|
Stub
|
Low
|
629
|
Oren–Nayar reflectance model
|
694
|
22
|
C
|
Low
|
630
|
Mexican pink
|
694
|
22
|
Start
|
Low
|
631
|
Fechner color effect
|
680
|
21
|
Start
|
Low
|
632
|
Index of color-related articles
|
679
|
21
|
Start
|
Mid
|
633
|
Erin (color)
|
679
|
21
|
Stub
|
Low
|
634
|
Jungle green
|
672
|
21
|
C
|
Low
|
635
|
Pompeian red
|
669
|
21
|
B
|
Low
|
636
|
XvYCC
|
661
|
21
|
Start
|
Low
|
637
|
Murrey
|
651
|
21
|
Stub
|
Low
|
638
|
Kruithof curve
|
648
|
20
|
C
|
Mid
|
639
|
Maize (color)
|
648
|
20
|
Stub
|
Low
|
640
|
Cinereous
|
645
|
20
|
Stub
|
Low
|
641
|
Colored smoke
|
642
|
20
|
Stub
|
Mid
|
642
|
Bezold–Brücke shift
|
641
|
20
|
Stub
|
Low
|
643
|
Capri (color)
|
640
|
20
|
Stub
|
Low
|
644
|
Persian red
|
635
|
20
|
Stub
|
Low
|
645
|
Mired
|
635
|
20
|
Start
|
Mid
|
646
|
Tristimulus colorimeter
|
634
|
20
|
Stub
|
Low
|
647
|
PALplus
|
624
|
20
|
C
|
Low
|
648
|
Zaffre
|
623
|
20
|
Stub
|
Mid
|
649
|
The Secret Lives of Colour
|
623
|
20
|
C
|
Low
|
650
|
Dichroic filter
|
615
|
19
|
NA
|
NA
|
651
|
Solid ink
|
613
|
19
|
Start
|
Unknown
|
652
|
Carnelian (color)
|
611
|
19
|
Stub
|
Low
|
653
|
MERDC camouflage
|
608
|
19
|
Stub
|
Low
|
654
|
Zinc white
|
598
|
19
|
C
|
Mid
|
655
|
Lion (color)
|
597
|
19
|
Stub
|
Low
|
656
|
Grassmann's laws (color science)
|
589
|
19
|
Start
|
Mid
|
657
|
Tricolour
|
577
|
18
|
NA
|
NA
|
658
|
Straw (colour)
|
576
|
18
|
Stub
|
Low
|
659
|
Hexachrome
|
572
|
18
|
Start
|
Low
|
660
|
Rose pink
|
561
|
18
|
Stub
|
Low
|
661
|
HSV color space
|
556
|
17
|
NA
|
High
|
662
|
Beta movement
|
549
|
17
|
C
|
Low
|
663
|
Floral color change
|
539
|
17
|
C
|
Low
|
664
|
Color print film
|
538
|
17
|
Start
|
Low
|
665
|
Tuscan red
|
536
|
17
|
Start
|
Low
|
666
|
Red in culture
|
533
|
17
|
C
|
High
|
667
|
Color war
|
531
|
17
|
Stub
|
Low
|
668
|
Reseda green
|
530
|
17
|
Stub
|
Low
|
669
|
Standard Reference Method
|
518
|
16
|
C
|
Low
|
670
|
On Colors
|
518
|
16
|
Start
|
Low
|
671
|
Jasmine (color)
|
518
|
16
|
Stub
|
Low
|
672
|
Sanguine (heraldry)
|
510
|
16
|
Stub
|
Low
|
673
|
Field-sequential color system
|
510
|
16
|
C
|
Low
|
674
|
Lava (color)
|
506
|
16
|
Stub
|
Low
|
675
|
Gardner color scale
|
497
|
16
|
Stub
|
Mid
|
676
|
Marrs green
|
496
|
16
|
Stub
|
Low
|
677
|
Eyeborg
|
493
|
15
|
Start
|
Low
|
678
|
Double cone (biology)
|
491
|
15
|
Start
|
Low
|
679
|
CcMmYK color model
|
488
|
15
|
Stub
|
Low
|
680
|
ColorADD
|
487
|
15
|
Start
|
Low
|
681
|
Ewald Hering
|
485
|
15
|
Start
|
Mid
|
682
|
Mars Black (pigment)
|
483
|
15
|
Stub
|
Low
|
683
|
CIE 1960 color space
|
470
|
15
|
Start
|
Low
|
684
|
Colour cast
|
467
|
15
|
Start
|
Mid
|
685
|
Bastard color
|
461
|
14
|
Stub
|
Low
|
686
|
Color cycling
|
459
|
14
|
Start
|
Low
|
687
|
International Color Consortium
|
449
|
14
|
Start
|
Mid
|
688
|
Orange (heraldry)
|
447
|
14
|
Stub
|
Low
|
689
|
Colorpuncture
|
447
|
14
|
C
|
Low
|
690
|
Mysore Paints and Varnish
|
444
|
14
|
Start
|
Low
|
691
|
CIE 1964 color space
|
440
|
14
|
Stub
|
Low
|
692
|
Map coloring
|
433
|
13
|
Start
|
Low
|
693
|
Werner's Nomenclature of Colours
|
424
|
13
|
Stub
|
Low
|
694
|
Azure spar
|
418
|
13
|
List
|
Low
|
695
|
Continuous tone image
|
414
|
13
|
Start
|
Low
|
696
|
Colour recovery
|
409
|
13
|
C
|
Low
|
697
|
Margaret Hayden Rorke
|
403
|
13
|
C
|
Low
|
698
|
Carnation (heraldry)
|
402
|
12
|
Stub
|
Low
|
699
|
Color of clothing
|
401
|
12
|
Start
|
Mid
|
700
|
Visual weight
|
398
|
12
|
Stub
|
Low
|
701
|
Local color (visual art)
|
396
|
12
|
Stub
|
Low
|
702
|
Color phi phenomenon
|
394
|
12
|
Start
|
Low
|
703
|
Bice
|
393
|
12
|
Stub
|
Low
|
704
|
Dichromatism
|
391
|
12
|
Start
|
Unknown
|
705
|
Seal brown
|
388
|
12
|
Stub
|
Low
|
706
|
Wheat (color)
|
388
|
12
|
Stub
|
Low
|
707
|
ASC CDL
|
388
|
12
|
Start
|
Low
|
708
|
French gray
|
387
|
12
|
Stub
|
Low
|
709
|
Cyclamen (color)
|
385
|
12
|
NA
|
Low
|
710
|
Azurite (pigment)
|
379
|
12
|
Stub
|
Low
|
711
|
Brunswick green
|
375
|
12
|
NA
|
Low
|
712
|
Cynthia Brewer
|
372
|
12
|
Start
|
Low
|
713
|
Burnt sienna
|
369
|
11
|
NA
|
Mid
|
714
|
Coventry blue
|
369
|
11
|
Stub
|
Low
|
715
|
Color rendering
|
366
|
11
|
Start
|
Mid
|
716
|
Bipack color
|
364
|
11
|
C
|
Low
|
717
|
Stanford Cardinal Red
|
361
|
11
|
Start
|
Low
|
718
|
Memory color effect
|
359
|
11
|
C
|
Mid
|
719
|
Cerulean blue
|
358
|
11
|
NA
|
NA
|
720
|
Cream (color)
|
356
|
11
|
NA
|
Low
|
721
|
Chromism
|
354
|
11
|
C
|
Low
|
722
|
Display contrast
|
353
|
11
|
Unknown
|
Unknown
|
723
|
Rg chromaticity
|
348
|
11
|
Stub
|
Low
|
724
|
Color Association of the United States
|
348
|
11
|
Start
|
Mid
|
725
|
Seashell (color)
|
347
|
11
|
Stub
|
Low
|
726
|
Harvest gold
|
347
|
11
|
Stub
|
Low
|
727
|
Bole (color)
|
339
|
10
|
Start
|
Low
|
728
|
Cendrée
|
336
|
10
|
Stub
|
Low
|
729
|
International Colour Association
|
326
|
10
|
C
|
Mid
|
730
|
Hunter Lab
|
326
|
10
|
Start
|
Low
|
731
|
National colours of Portugal
|
323
|
10
|
Start
|
Low
|
732
|
American Association of Textile Chemists and Colorists
|
320
|
10
|
Stub
|
Mid
|
733
|
Spring bud
|
320
|
10
|
C
|
Low
|
734
|
Acid green
|
319
|
10
|
NA
|
Low
|
735
|
Halochromism
|
313
|
10
|
Stub
|
Low
|
736
|
Tobias Mayer
|
312
|
10
|
Start
|
Unknown
|
737
|
Fallow (color)
|
311
|
10
|
Stub
|
Low
|
738
|
Jacob Christoph Le Blon
|
300
|
9
|
Start
|
Low
|
739
|
Color suite
|
292
|
9
|
Start
|
Low
|
740
|
Dark blue (color)
|
291
|
9
|
NA
|
Low
|
741
|
HKS (colour system)
|
286
|
9
|
Stub
|
Low
|
742
|
Rose (heraldic tincture)
|
285
|
9
|
Start
|
Low
|
743
|
ColorCode 3-D
|
284
|
9
|
Start
|
Low
|
744
|
TSL color space
|
283
|
9
|
Stub
|
Low
|
745
|
Le Corbusier's Architectural Polychromy
|
283
|
9
|
Unknown
|
Unknown
|
746
|
Icterine
|
274
|
8
|
Stub
|
Low
|
747
|
Colors (Ken Nordine album)
|
274
|
8
|
Start
|
Low
|
748
|
Moses Harris
|
273
|
8
|
Start
|
Mid
|
749
|
IT8
|
271
|
8
|
Start
|
Low
|
750
|
Titanium yellow
|
270
|
8
|
Stub
|
Low
|
751
|
Color reproduction
|
270
|
8
|
Stub
|
High
|
752
|
Multiplexed Analogue Components
|
266
|
8
|
Unknown
|
Unknown
|
753
|
Oil droplet
|
256
|
8
|
Start
|
Low
|
754
|
Specifications for Web Offset Publications
|
255
|
8
|
Start
|
Low
|
755
|
Hunt effect (color)
|
250
|
8
|
Stub
|
Low
|
756
|
Ruddy
|
249
|
8
|
NA
|
NA
|
757
|
Color coding in data visualization
|
247
|
7
|
NA
|
High
|
758
|
Iron ochre
|
240
|
7
|
List
|
Low
|
759
|
Bondi blue
|
238
|
7
|
NA
|
NA
|
760
|
Tone reproduction
|
237
|
7
|
Unknown
|
Unknown
|
761
|
Spring green (color)
|
234
|
7
|
NA
|
NA
|
762
|
Grey component replacement
|
233
|
7
|
Stub
|
Low
|
763
|
Amethyst (color)
|
232
|
7
|
NA
|
NA
|
764
|
YDbDr
|
229
|
7
|
Start
|
Low
|
765
|
ColorZilla
|
228
|
7
|
Stub
|
Low
|
766
|
Coloroid
|
227
|
7
|
Stub
|
Low
|
767
|
Ao (color)
|
224
|
7
|
NA
|
Low
|
768
|
Standard Color Reference of America
|
222
|
7
|
Start
|
Low
|
769
|
Pterobilin
|
218
|
7
|
Start
|
Low
|
770
|
Burnt umber
|
216
|
6
|
NA
|
Mid
|
771
|
Color reaction
|
213
|
6
|
Stub
|
Mid
|
772
|
Mikado yellow
|
213
|
6
|
Stub
|
Low
|
773
|
Color Naming System
|
211
|
6
|
Start
|
Low
|
774
|
Tyros (nymph)
|
211
|
6
|
C
|
Low
|
775
|
Coloured Book protocols
|
209
|
6
|
C
|
Low
|
776
|
Holmgren's wool test
|
209
|
6
|
Start
|
Low
|
777
|
OSA-UCS
|
208
|
6
|
Stub
|
Low
|
778
|
Polka-dot paint
|
208
|
6
|
Start
|
Low
|
779
|
Alumina effect pigment
|
206
|
6
|
Start
|
Low
|
780
|
Golden ochre
|
204
|
6
|
C
|
Low
|
781
|
Color normalization
|
203
|
6
|
Start
|
Mid
|
782
|
Color Marketing Group
|
191
|
6
|
Stub
|
Low
|
783
|
Comparison of color models in computer graphics
|
191
|
6
|
Unknown
|
Unknown
|
784
|
Whiteness (colorimetry)
|
185
|
5
|
Start
|
Low
|
785
|
Zinzolin
|
182
|
5
|
B
|
Low
|
786
|
Emerald (color)
|
179
|
5
|
NA
|
Low
|
787
|
HSLuv
|
178
|
5
|
Start
|
Low
|
788
|
Teal (color)
|
177
|
5
|
NA
|
NA
|
789
|
Deep sky blue
|
174
|
5
|
NA
|
Low
|
790
|
True Blue (color)
|
174
|
5
|
NA
|
Low
|
791
|
YJK
|
170
|
5
|
Unknown
|
Unknown
|
792
|
Windows Color System
|
169
|
5
|
Start
|
Mid
|
793
|
Multi-primary color display
|
169
|
5
|
Stub
|
Low
|
794
|
Color task
|
169
|
5
|
B
|
Mid
|
795
|
Society of Dyers and Colourists
|
167
|
5
|
Stub
|
Mid
|
796
|
Harlequin (color)
|
167
|
5
|
NA
|
NA
|
797
|
Practical Color Coordinate System
|
165
|
5
|
Stub
|
Low
|
798
|
David MacAdam
|
164
|
5
|
Start
|
Mid
|
799
|
Burned (image)
|
162
|
5
|
Start
|
Mid
|
800
|
Sonochromatism
|
159
|
5
|
Start
|
Unknown
|
801
|
Historic paint analysis
|
155
|
5
|
C
|
Low
|
802
|
Lemon chiffon
|
150
|
4
|
NA
|
Low
|
803
|
Colorimeter
|
149
|
4
|
NA
|
NA
|
804
|
Postage stamp color
|
148
|
4
|
C
|
Low
|
805
|
International Colour Authority
|
146
|
4
|
Stub
|
Low
|
806
|
Bernice Kentner
|
144
|
4
|
Start
|
Low
|
807
|
Von Kries coefficient law
|
143
|
4
|
C
|
Low
|
808
|
Coloured hat
|
141
|
4
|
Start
|
Low
|
809
|
Rail Blue
|
140
|
4
|
NA
|
NA
|
810
|
Jade (color)
|
139
|
4
|
NA
|
Low
|
811
|
Principle of univariance
|
139
|
4
|
Stub
|
Low
|
812
|
Moss green
|
138
|
4
|
NA
|
Low
|
813
|
Portland Orange
|
135
|
4
|
Stub
|
Unknown
|
814
|
Raisin black
|
134
|
4
|
Stub
|
Low
|
815
|
British Colour Council
|
131
|
4
|
Start
|
Mid
|
816
|
Leaf Color Chart
|
130
|
4
|
Stub
|
Low
|
817
|
Army green
|
129
|
4
|
NA
|
NA
|
818
|
Splash of color
|
128
|
4
|
Stub
|
Low
|
819
|
PAL-S
|
126
|
4
|
Start
|
Low
|
820
|
Inter-Society Color Council
|
125
|
4
|
Start
|
Low
|
821
|
Attic ochre
|
120
|
3
|
C
|
Low
|
822
|
Color wheel (optics)
|
119
|
3
|
Stub
|
Low
|
823
|
Forensic colorimetry
|
119
|
3
|
Start
|
Low
|
824
|
Deane B. Judd
|
118
|
3
|
Start
|
Low
|
825
|
ICAM (color appearance model)
|
118
|
3
|
Start
|
Low
|
826
|
Colorway
|
118
|
3
|
NA
|
Low
|
827
|
Skyscope
|
118
|
3
|
Stub
|
Unknown
|
828
|
Hansa yellow
|
117
|
3
|
NA
|
Low
|
829
|
Munsell Color Company
|
117
|
3
|
Stub
|
Mid
|
830
|
Charcoal (color)
|
112
|
3
|
NA
|
NA
|
831
|
Lusty gallant
|
110
|
3
|
Stub
|
Low
|
832
|
Neugebauer equations
|
105
|
3
|
Stub
|
Mid
|
833
|
Color quality scale
|
104
|
3
|
Stub
|
Mid
|
834
|
UCLA Blue
|
104
|
3
|
NA
|
Low
|
835
|
Absolute color space
|
103
|
3
|
NA
|
Mid
|
836
|
Colour look-up table
|
102
|
3
|
NA
|
Low
|
837
|
Sinople
|
101
|
3
|
NA
|
NA
|
838
|
Battleship grey
|
101
|
3
|
NA
|
NA
|
839
|
Adams chromatic valence color space
|
100
|
3
|
Start
|
Mid
|
840
|
Pinchin Johnson & Associates
|
100
|
3
|
Start
|
Low
|
841
|
Dark purple
|
97
|
3
|
NA
|
Low
|
842
|
Dark-on-light color scheme
|
94
|
3
|
NA
|
Low
|
843
|
Cycolor
|
94
|
3
|
Stub
|
Low
|
844
|
EciRGB
|
90
|
2
|
Stub
|
Low
|
845
|
Registration black
|
83
|
2
|
NA
|
Mid
|
846
|
The Colour Group
|
82
|
2
|
Stub
|
Low
|
847
|
Sea green
|
81
|
2
|
NA
|
Low
|
848
|
Differential phase
|
81
|
2
|
Start
|
Low
|
849
|
Liquid color
|
81
|
2
|
C
|
Low
|
850
|
Peach black
|
80
|
2
|
Stub
|
Low
|
851
|
Color Light Output
|
80
|
2
|
Start
|
Low
|
852
|
Upsdell red
|
75
|
2
|
Stub
|
Low
|
853
|
Lead ochre
|
75
|
2
|
List
|
Low
|
854
|
Monochromatic colors
|
74
|
2
|
NA
|
Mid
|
855
|
Descriptive Color Names Dictionary
|
74
|
2
|
Stub
|
Low
|
856
|
European Color Initiative
|
73
|
2
|
Start
|
Low
|
857
|
The Color Association of the United States
|
72
|
2
|
NA
|
Mid
|
858
|
Antimony ochre
|
72
|
2
|
List
|
Low
|
859
|
Tristimulus value
|
70
|
2
|
NA
|
Mid
|
860
|
Vantage theory
|
68
|
2
|
Start
|
Low
|
861
|
Charles Albert Keeley
|
63
|
2
|
Start
|
Low
|
862
|
Ada Aline Urban
|
63
|
2
|
C
|
Low
|
863
|
Brandeis blue
|
61
|
1
|
NA
|
NA
|
864
|
Rendering intent
|
60
|
1
|
NA
|
Mid
|
865
|
Pine green
|
59
|
1
|
NA
|
Low
|
866
|
Tufts Blue
|
59
|
1
|
NA
|
Low
|
867
|
Klaer Lightende Spiegel der Verfkonst
|
58
|
1
|
Stub
|
Low
|
868
|
Jorrit Tornquist
|
58
|
1
|
Stub
|
Low
|
869
|
Carnation pink
|
55
|
1
|
NA
|
Low
|
870
|
Under color addition
|
54
|
1
|
Stub
|
Low
|
871
|
Hooker's green
|
54
|
1
|
NA
|
NA
|
872
|
Cobalt ochre
|
53
|
1
|
List
|
Low
|
873
|
Pumpkin (color)
|
52
|
1
|
NA
|
NA
|
874
|
Myrtle (color)
|
52
|
1
|
NA
|
Low
|
875
|
Tekhelet in Judaism
|
52
|
1
|
NA
|
Low
|
876
|
Flame (color)
|
52
|
1
|
NA
|
NA
|
877
|
George Palmer (colour theorist)
|
52
|
1
|
C
|
Low
|
878
|
Nardo gray
|
51
|
1
|
NA
|
Low
|
879
|
Sophie Wuerger
|
51
|
1
|
Start
|
Unknown
|
880
|
Two-color system
|
48
|
1
|
Stub
|
Low
|
881
|
Robert Birmelin
|
48
|
1
|
C
|
Low
|
882
|
Hermann Alfred Tanner
|
48
|
1
|
GA
|
Low
|
883
|
Magic Pink
|
46
|
1
|
NA
|
Low
|
884
|
Hal Glicksman
|
46
|
1
|
Start
|
Low
|
885
|
Papaya whip
|
43
|
1
|
NA
|
Low
|
886
|
Corn (color)
|
43
|
1
|
NA
|
Low
|
887
|
Augusto Garau
|
43
|
1
|
Start
|
Low
|
888
|
Color engraving
|
42
|
1
|
Stub
|
Low
|
889
|
Davy's grey
|
40
|
1
|
NA
|
Low
|
890
|
Autotype (printing)
|
40
|
1
|
NA
|
NA
|
891
|
Lavender pink
|
39
|
1
|
NA
|
NA
|
892
|
Salmon pink
|
38
|
1
|
NA
|
Low
|
893
|
Peach-yellow
|
38
|
1
|
NA
|
Low
|
894
|
Old lace (color)
|
37
|
1
|
NA
|
Low
|
895
|
Pinkish
|
36
|
1
|
NA
|
NA
|
896
|
Ghost white
|
36
|
1
|
NA
|
NA
|
897
|
Lavender blush
|
33
|
1
|
NA
|
NA
|
898
|
Amber shift
|
32
|
1
|
Stub
|
Low
|
899
|
Fluorescence intensity decay shape microscopy
|
32
|
1
|
Start
|
Low
|
900
|
Theostein
|
32
|
1
|
NA
|
NA
|
901
|
Truecolor
|
31
|
1
|
NA
|
Mid
|
902
|
Bright green
|
31
|
1
|
NA
|
NA
|
903
|
Color volume
|
31
|
1
|
NA
|
NA
|
904
|
Brown spar
|
31
|
1
|
List
|
Low
|
905
|
Variations of gray
|
27
|
0
|
NA
|
NA
|
906
|
Color in Informatics and Media Technology
|
26
|
0
|
Start
|
Low
|
907
|
Wenge (colour)
|
25
|
0
|
NA
|
Low
|
908
|
Value (colorimetry)
|
24
|
0
|
NA
|
Mid
|
909
|
Spray booth
|
24
|
0
|
NA
|
NA
|
910
|
Redwood (color)
|
24
|
0
|
NA
|
NA
|
911
|
Saffron in Hinduism
|
24
|
0
|
NA
|
Low
|
912
|
Green-yellow
|
23
|
0
|
NA
|
Mid
|
913
|
Sap green
|
23
|
0
|
NA
|
Low
|
914
|
Henry Hemmendinger
|
23
|
0
|
Start
|
Mid
|
915
|
Alexis Spectral Data
|
23
|
0
|
Stub
|
Low
|
916
|
Fern green
|
22
|
0
|
NA
|
Low
|
917
|
Ash grey
|
22
|
0
|
NA
|
Low
|
918
|
Blue Violet
|
19
|
0
|
NA
|
NA
|
919
|
Tea green
|
18
|
0
|
NA
|
Low
|
920
|
Pastel green
|
17
|
0
|
NA
|
Low
|
921
|
Pear (color)
|
16
|
0
|
NA
|
Low
|
922
|
Asparagus (color)
|
15
|
0
|
NA
|
NA
|
923
|
Geru
|
15
|
0
|
NA
|
Low
|
924
|
Wisteria (colour)
|
15
|
0
|
NA
|
NA
|
925
|
Cool grey
|
14
|
0
|
NA
|
NA
|
926
|
Camouflage green
|
13
|
0
|
NA
|
NA
|
927
|
Visible frequency
|
13
|
0
|
NA
|
NA
|
928
|
Persian orange
|
12
|
0
|
NA
|
NA
|
929
|
Sandy brown
|
11
|
0
|
NA
|
NA
|
930
|
Boysenberry (color)
|
11
|
0
|
NA
|
NA
|
931
|
Mint cream
|
11
|
0
|
NA
|
NA
|
932
|
Aramanth purple
|
9
|
0
|
NA
|
NA
|
933
|
Pale brown
|
8
|
0
|
NA
|
Low
|
934
|
Raw umber (color)
|
8
|
0
|
NA
|
Low
|
935
|
CG Red
|
8
|
0
|
NA
|
NA
|
936
|
Process blue
|
8
|
0
|
NA
|
NA
|
937
|
Color Matching Method
|
6
|
0
|
NA
|
Low
|
938
|
(255, 0, 0)
|
6
|
0
|
NA
|
NA
|
939
|
Ford Blue
|
6
|
0
|
NA
|
NA
|
940
|
Gray-asparagus
|
5
|
0
|
NA
|
Low
|
941
|
Blaze Orange
|
4
|
0
|
NA
|
Mid
|
942
|
Peach-orange
|
4
|
0
|
NA
|
Low
|
943
|
Non-spectral color
|
4
|
0
|
NA
|
NA
|
944
|
Alice-Blue (color)
|
0
|
0
|
NA
|
Low
|
945
|
LED ribbon
|
0
|
0
|
NA
|
Low
|